You do not know me (although you have seen me, smiled at me). I know you (although not so well as I would like. I want to be there when your eyes flutter open in the morning, and you see me, and you smile. Surely this would be paradise enough?). So I do declare myself to you now, with pen set to paper. I declare it again: I love you." Is there any communication more potent than the love letter? Is there any charge greater than seeing those words on paper? The editors of this collection decided to ask some of the most important writers of our time to compose a fictional love letter - breathing new life into a forgotten custom, and affording words themselves the power of seduction that they richly deserve. The result is an iridescent picture of what love looks like in the twenty-first century: a collage of methods and moods. Each letter is radically different from the others, and all but one are published for the first time. A perfect gift, this book is also an ingenious showcase for many of our most beloved writers. Love: a vague word for an emotion so ethereal it's not always possible to demonstrate. But there still exists an assumption that experiences - and, by extension, the emotions that experiences evoke - are more resonant when you write them down. And it's that faith, that belief that writing down these naked, shocking, inadvisable and probably destructive feelings make them worthwhile, that powers this collection, each piece of which is a testimony to the creative powers of our leading writers today, and every piece of which will move you.

    Yet Cummings could also be difficult, truculent, opinionated, wrong-headed, emotional, bigoted and egotistical. Dubbed by Ezra Pound as "Whitman's one living descendant," Cummings sang of himself and of America in a unique voice, as resonant now as it was a half-century ago. Charismatic and famous among the famous, Cummings always seemed to be in the right place at the right time, and was a major presence wherever he resided, whether in Cambridge, Europe or New York. He counted some of the most important artists of his time as friends: Pound, Hemingway, Dylan Thomas and many more. "Sawyer-Lau�anno emphasizes the relation of the private man to his work, offering fresh insights into the grand optical arrangement of Cummings's books."--Starred Library Journal ReviewbrbrFor nearly half a century, the personal papers, journals and diaries of Edward Estlin Cummings were kept from public view. These documents reveal far more about the inner life of the famous poet and painter than has ever been known. Now, noted biographer Christopher Sawyer-Lau�anno presents the first, definitive, revelatory life story of E.E. Cummings (1894 1962), an American original. brbr"Well-researched, comprehensive, and essential to understanding the artist and the artistry."--Starred Kirkus ReviewsbrbrFor E.E. Cummings#58; A Biography, the author had unprecedented access toall of Cummings's papers-anguished diary entries, reflections on consultations with two psychoanalysts, an autobiographical novel, and a carefully prepared manuscript containing more than one hundred blatantly erotic poems. brbrIn the words of William Corbett, author of Boston Vermont and Don't Think Look, "E.E. Cummings, Yankee individualist and, rare for an American poet, satirist is here in full. This means warts and all, but Sawyer-Lau�anno has not come to judge. In this readable and absorbing life he has paid Cummings the honor of clear-eyed candor." Christopher Sawyer-Lau�anno paints a full and memorable portrait of this extraordinary American poet.

    McCann asks his readers to constantly push the boundaries of experience, to see empathy and wonder in the stories we craft and hear.A paean to the power of language, both by argument and by example, Letters to a Young Writer is fierce and honest in its testament to the bruises delivered by writing as both a profession and a calling. It charges aspiring writers to learn the rules and even break them.These fifty-two essays are ultimately a profound challenge to a new generation to bring truth and light to a dark world through their art.

    The selection of letters presented here provides a fuller picture of the eccentric recluse of legend, showing how immersed in life she was: we see her tending her garden; baking bread; marking the marriages, births, and deaths of those she loved; reaching out for intellectual companionship; and confessing her personal joys and sorrows.

    A steady, dependable young woman, known as ‘Lenchen’ within the family, she was particularly ‘useful’ to her demanding and recently widowed mother, who could not bear to lose her to a marriage which would oblige her to move and live abroad with her husband. In 1866 she married Prince Christian of Schleswig-Holstein, a kindly but penniless bachelor fifteen years older than her. Despite the difference in ages, it was the only marriage among the Queen’s children in which both partners lived long enough to celebrate their golden wedding anniversary. For nearly sixty years Helena was a tireless supporter of good causes, particularly in the field of nursing and education. This concise biography examines her life, work and relationships with her family.

    Hailed as “an essential book for those seeking self-love,” this heartfelt anthology lends voice to the heartbreak and healing of our soul’s quest to reunite with whom we always hoped we could be—ourselves.

    Lièvre sent her son, Johnny Truant, a series of letters from The Three Attic Whalestoe Institute, a psychiatric facility in Ohio where she spent the final years of her life. Beautiful, heartfelt, and tragic, this correspondence reveals the powerful and deeply moving relationship between a brilliant though mentally ill mother and the precocious, gifted young son she never ceases to love.Originally contained within the monumental House of Leaves, this collection stands alone as a stunning portrait of mother and child. It is presented here along with a foreword by Walden D. Wyhrta and eleven previously unavailable letters.

    Why not try some microfiction short stories instead? These bite-sized, slice-of-life short stories are crafted with only one hundred words, so they go by in a flash. Perfect for time-challenged fiction lovers, these humorous yet thought-provoking stories can be read when you’re waiting in line, riding the bus, or whenever you need a short mental break. Go on. Try some flash fiction. Grab your copy of 100 Tiny Tales today! 100 Tiny Tales: Short Stories Told in Exactly One Hundred Words is written by K. Kris Loomis, a native South Carolinian and the author of the novels, The Sinking of Bethany Ann Crane and The Murder of Leopold Beckenbauer, as well as the short story collection, The Monster In the Closet and Other Stories. Kris is also a nonfiction author who writes books about yoga, meditation, and the time she spent living in South America, including After Namaste: Off-the-Mat Musings of a Modern Yogini and Thirty Days in Quito: Two Gringos and a Three-Legged Cat Move to Ecuador. When Kris isn’t at her standing desk writing, she can be found playing chess, folding an origami crane, or practicing a Beethoven sonata on the piano. She lives in Rock Hill, South Carolina with her husband and two cats. You can connect with Kris at her website, www.kkrisloomis.com or her Amazon Author page, or find her on Facebook, Twitter, or Instagram @kkrisloomis.

    Set against the lush backdrop of Crosswicks, Madeleine L’Engle’s family farmhouse in rural Connecticut, this series of memoirs reveals the complexity behind the beloved author whose works have long been cherished by children and adults alike.  A Circle of Quiet: In a deeply personal account, L’Engle shares her journey to find balance between her career as an author and her responsibilities as a wife, mother, teacher, and Christian.  The Summer of the Great-Grandmother: Four generations of family have gathered at Crosswicks to care for L’Engle’s ninety-year-old mother, whose health is rapidly declining and whose once astute mind is slipping into senility. L’Engle takes an unflinching look at diminishment and death, all the while celebrating the wonder of life and the bonds between mothers and daughters.  The Irrational Season: Exploring the intersection of science and religion, L’Engle uncovers how her spiritual convictions inform and enrich the everyday. The memoir follows the liturgical year from one Advent to the next, with L’Engle’s reflections on the changing seasons in her own life as a writer, wife, mother, and global citizen.  Two-Part Invention: L’Engle beautifully evokes the life she and her husband, actor Hugh Franklin, built and the family they cherished. Beginning with their very different childhoods, their life in New York City in the 1940s, and their years spent raising their children at Crosswicks, this is L’Engle’s most personal work yet.   Offering a new perspective into her writing and life and how the two inform each other, the National Book Award–winning author explores the meanings behind motherhood, marriage, and faith.

    As they grew up, love, hate, and genius united to push them to the extreme margins of society and, following a five-week spree of vandalism and arson, the silent twins were sentenced to a grueling twelve-year detention in Broadmoor.Award-winning investigative journalist Marjorie Wallace delves into the twins' silent world, revealing their genius, alienation, and the mystic bond by which the extremes of good and evil ended in possession and death.

    How I pity these readers. With all due respect, Lemony Snicket

    It is fiercely compelling" EDMUND DE WAAL, author of The Hare with the Amber Eyes A poet's memoir of his mother that flows backwards through time, and through a tumultuous period of European history - a tender and yet unsparing autobiographical journey. In July 1975, George Szirtes' mother, Magda, died in an ambulance, on her way to hospital after attempting to take her own life. She was fifty-one years old. This memoir is an attempt to make sense of what came before, to re-construct who Magda Szirtes really was. The Photographer at Sixteen moves from her death, spooling backwards through her years as a mother, through sickness and exile in England, the family's flight from Hungary in 1956, her time in two concentration camps, her girlhood as an ambitious photographer and her vanished family in Transylvania.The woman who emerges, fleetingly, fragmentarily - with her absolutism, her contradictions, her beauty - is utterly captivating. What were the terrors and obsessions that drove her? The Photographer at Sixteen reveals a life that is at Magda Szirtes from the depths of the end to the comparable safety of the photographer's studio where she first appears as a small child. It is a book born of curiosity, guilt and love.

    The Sweetness of Doing Nothing will share this philosophy, with recipes, suggestions and advice to help you to let go of anxiety and savour life’s precious moments.

    Stewart's captivating missives from her homestead in Wyoming bring to full life the beauty, isolation, and joys of working the prairie.

    Soon he was struggling to breathe, and then he was admitted to hospital, suffering from coronavirus as the nation teetered on the edge of a global pandemic. What followed was months on the wards: six weeks in an induced coma, and many more weeks of rehab and recovery as the NHS saved Michael's life, and then got him back on his feet. Throughout Michael's stay in intensive care, a notebook lay at the end of his bed, where the nurses who cared for him wrote letters of hope and support. Embarking on the long road to recovery, Michael was soon ready to start writing about his near-death experience.Combining stunning new prose poems by one of Britain's best loved poets and the moving coronavirus diaries of his nurses, doctors and wife Emma-Louise Williams, this is a beautiful book about love, life and the NHS. Featuring original illustrations by Chris Riddell, each page celebrates the power of community, the importance of kind gestures in dark times, and the indomitable spirits of the people who keep us well.