Welcome to the strange and startling world of Adam Marek; a menagerie of futuristic technology, sinister traditions, and scientifically grounded superpowers — a place where the absurd and the mundane are not merely bedfellows, but interbreed. At the core of Adam Marek’s much-anticipated second short story collection is a single, unifying theme: a parent’s instinct to protect a particularly vulnerable child. Whether set amid unnerving visions of the near-future or grounded in the domestic here-and-now, these stories demonstrate that, sometimes, only outright surrealism can do justice to the merciless strangeness of reality, that only the fantastically illogical can steel us against what ordinary life threatens. Bonus BackLit materials will include an interview and a list of Marek’s recommended books.

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    Problem was, these stories, many of which found their way into the general social consciousness, reflected the way in which these men lived and saw their world: that is, the stories were sexist, discriminatory, unfair, culturally biased, and in general, demeaning to witches, animals, goblins, and fairies everywhere.Finally, after centuries of these abusive tales, which have been handed down--unknowingly--from one male-biased generation to the next, James Finn Garner has taken it upon himself (that's right, yet another man) to enlighten and liberate these classic bedtime stories and retell them in a way that is much more in keeping with the society in which we live today.Politically Correct Bedtime Stories, then is the fruit of Garner's labors. We'd like to think that future generations of fairy-tale fans will see this as a worthy attempt to develop meaningful literature that is totally free from bias and purged from the influences of a flawed cultural past.

    His wife moved out, taking his son with her, and a devastated David hasn’t left his house since, terrified of the mysterious new power that followed him home from the ill-fated expedition.After months in seclusion, David’s ready for a fresh start, and ventures out, determined to keep his power in check. But David’s power isn’t the one he needs to worry about.

    This landmark collection contains twenty-two of Hesse's finest stories in this genre, most translated into English here for the first time. Full of visionaries and seekers, princesses and wandering poets, his fairy tales speak to the place in our psyche that inspires us with deep spiritual longing; that compels us to leave home, and inevitably to return; and that harbors the greatest joys and most devastating wounds of our heart. Containing all the themes common in Hesse's great novels Siddhartha, Steppenwolf, and Demian—and mirroring events in his own life, these exquisite short pieces exhibit the same mystical and romantic impulses that contribute to the haunting brilliance of his major works. Several stories, including "The Poet," "The Fairy Tale About the Wicker Chair," and "The Painter," examine the dilemma of the artist, torn between the drive for perfection and the temptations of pleasure and social success. Other tales reflect changes and struggles within society: in "Faldum," a city is irrevocably transformed when each resident is granted his or her fondest wish; in "Strange News from Another Planet," "If the War Continues," and "The European," nightmarish landscapes convey Hesse's devastating critiques of nationalism, barbarism, and war. Illuminating and inspiring, The Fairy Tales of Hermann Hesse will challenge and enchant readers of all ages. A distinguished and historic publication, this fine translation by Jack Zipes captures their subtlety and elegance for decades nto come.

    It was first published in The Nation and Athenaeum on 4 February 1922, and subsequently appeared in The Dove's Nest and Other Stories.

    For a woman like Hadley, deemed not acceptable to procreate, there’s only one recourse. Unlicensed for motherhood, she can alleviate her grief and frustration at a “baby library,” where a curiously endless supply of infants is available for a two-week loan. But the borrowed life that serves as a temporary balm leads to a journey of self-discovery that will forever change the direction of Hadley’s future.Roxane Gay’s Graceful Burdens is part of Out of Line, an incisive collection of funny, enraging, and hopeful stories of women’s empowerment and escape. Each piece can be read or listened to in a single thought-provoking sitting.

    Two men, unknown to each other, whose glimpses of the other's possible future suggest that one of them will be murdered and the other will be the murderer.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    You may never look at fairy tales in quite the same way again.

    In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

    For the bookish academics of the Sixth, every secret is a mystery, and every mystery is a puzzle to be solved or a paper to be published. Deep in the bowels of their house, one such secret is about to reveal itself. The study of the famed academic Donald Sex, sealed since the moment of his death, is about to open, and archivists are ready to dissect what he left behind. They are not ready for the macabre surprise that awaits them.Enter Palamedes Sextus and Camilla Hect, age thirteen.

    Father and son were at chess, the former, who possessed ideas about the game involving radical changes, putting his king into such sharp and unnecessary perils that it even provoked comment from the white-haired old lady knitting placidly by the fire. "Hark at the wind," said Mr. White, who, having seen a fatal mistake after it was too late, was amiably desirous of preventing his son from seeing it. "I'm listening," said the latter, grimly surveying the board as he stretched out his hand. "Check." "I should hardly think that he'd come to-night," said his father, with his hand poised over the board.