A man who couldn't help that his heart led him to Leslie, a beautiful Christian. He'd already become a rabbi when he met Leslie, the minister's daughter. First and foremost, Michael was a man -- a courageous man with strong ideals and feelings, a passionate man deeply in love with Leslie. Leslie is also fell in love with Michael, but she must convert to Judaism to marry him. Defying parents and teachers, they dare to love one another and tried to forge a life, in this sweeping drama of love and identity, compassion and crueltly, a searing tale of one man and one woman who must learn to cope with the complications of an unorthodox life in a world that will not accept them, in a world where rabbis and non-Jews do not fall in love -- let alone marry....

    won the John Creasey Memorial Award for the best first crime novel of 1986; his second consolidates this promise.’ — The Times 1937, Devon. Johnny Black is a young and penniless pilot turned detective in the glamorous yet dangerous thirties. His girlfriend, the lovely Tracy Spencer-King, enlists him to help a friend, Diana Travers, and the unfolding tragedy becomes his first case. Diana’s sister, Deborah, died a few months before in what Diana believes are suspicious circumstances. Apparently Deborah was riding with her husband, the actor Michael Seagrave, in his new Frazer-Nash sports car on Bigbury Sands when – like the star Isadora Duncan – her long scarf got tangled in the wheels and broke her neck. Despite police being satisfied that Deborah’s death was a tragic accident, Diana thinks that Seagrave murdered his wife. But does Diana know more than she is letting on? Johnny’s investigations soon begin to support Diana’s doubts, for Seagrave proves to be a long standing philanderer and is currently pursuing a girl employed by a dancing academy, Daphne Phipps, and Susan Prendergast the daughter of a rich tycoon. Suspicions deepen when the dancer disappears and Johnny unearths some unsavoury facts about Seagrave’s past. Soon Black is up to his neck in murder and mayhem, as another key figure disappears and a blood-stained jacket turns up on the back of a murderer who has escaped from Dartmoor. It soon becomes clear that whoever is behind the disappearances might just want Johnny and Tracy dead too ... Black Eye, a novel in the great classic tradition of British thrillers, recounts the first case handled by the Black Eye Detective Agency, set up in Torquay, Devon, by a young and impecunious ex-pilot, Johnny Black. Praise for Neville Steed: ‘Steed’s debut Tinplate ... won the John Creasey Memorial Award for the best first crime novel of 1986; his second consolidates this promise.’ — The Times ‘Mr Steed’s sense of humour endears ... all the details about model-making are fascinating.’ — Punch Neville Steed lives in South Devon, where the main action of Black Eye takes place. He read Law at Oxford and has travelled extensively. His interests include anything and everything connected with the motor car, aviation, the cinema and the Art Deco world of the 1930s. He is married with four sons. Endeavour Press is the UK’s leading independent publisher of digital books. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Anselmi covers the bands and musicians that have impacted those styles most―Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others―while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction. Along the way, Anselmi interweaves the musical experiences that have led him to proudly identify as one of the doomed.

    D. Nuttall’s study of Shakespeare’s intellectual preoccupations is a literary tour de force and comes to crown the distinguished career of a Shakespeare scholar. Certain questions engross Shakespeare from his early plays to the late romances: the nature of motive, cause, personal identity and relation, the proper status of imagination, ethics and subjectivity, language and its capacity to occlude and to communicate. Yet Shakespeare’s thought, Nuttall demonstrates, is anything but static. The plays keep returning to, modifying, and complicating his creative preoccupations. Nuttall allows us to hear and appreciate the emergent cathedral choir of play speaking to play. By the later stages of Nuttall’s book this choir is nearly overwhelming in its power and dimensions. The author does not limit discussion to moments of crucial intellection but gives himself ample space in which to get at the distinctive essence of each work.Much recent historicist criticism has tended to “flatten” Shakespeare by confining him to the thought-clichés of his time, and this in its turn has led to an implicitly patronizing view of him as unthinkingly racist, sexist, and so on. Nuttall shows us that, on the contrary, Shakespeare proves again and again to be more intelligent and perceptive than his 21st-century readers. This book challenges us to reconsider the relation of great literature to its social and historical matrix. It is also, perhaps, the best guide to Shakespeare’s plays available in English.

    As a young child his life was shaped by his parent’s extreme beliefs. Little did he know that the recurring nightmares of his early life would lead to one of the most horrific cases in British criminal history. Other than his obsession with cleanliness, John George Haigh was described by his acquaintances as someone who was as normal as any young man during the 1940s in England. In fact, most people said he was a true gentleman with exceptional manners and a profound love for classical music. However, in the back of John’s crisp mind was a much darker side; a craving for wealth combined with a lust for blood… After spending many years in prison for fraud and theft, John Haigh concluded that the only reason he always got caught was because people talked. What if I can make them disappear? he thought one evening. What if I can stop them from talking to the police? Using his scientific knowledge (and a tiny bit of the legal system he had read about while in prison) he derived a new sinister plan to get rich. That was the disturbing turning point in his life. That was the point when John The Gentleman became John The Serial Killer. This is the true story of the notorious Acid Bath Murderer, a cold-blooded murderer who imagined he was above the law. A man who believed he could literally get away with murder… Caution: The material in this publication has a strong adult theme and is intended for an adult audience. Reader discretion is advised.

    Yet they endlessy fascinate and continue to capture the public's attention with their strange charisma and deadly deeds. From Jack the Ripper to Ted Bundy and the Moors Murderers Ian Brady and Myra Hindley, these killers transfix us with their ability to commit utterly savage acts of cruelty and depravity. Only with modern police detection methods and psychological profiling, have these figures that have existed throughout human history finally been identified in the deadliest category: serial killers. These methods, the killers' characters and their crimes are described here in fascinating and terrifyingly gripping detail. The whole history of serial killers is brought to life in 50 chapters, including: Herman Webster Mudget, Devil in the White City John Christie, 10 Rillington Place murders Zodiac Killer Ian Brady and Myra Hindley, The Moors Murderers Ted Bundy Fred and Rosemary West Jeffrey Dahmer Aileen Wuornos Harold Shipman, Dr Death

    He was personally responsible for transporting over two million Jews to their deaths in Auschwitz-Birkenau and other death camps. This is the first account of Eichmann's life to appear since the aftermath of his famous trial in 1961 and his subsequent execution in Jerusalem a year later. It reveals that the depiction of Eichmann as a loser who drifted into the ranks of the SS is a fabrication that conceals Eichmann's considerable abilities and his early political development. Drawing on recently unearthed documents, David Cesarani shows how Eichmann became the Reich's "expert" on Jewish matters and reveals his initially cordial working relationship with Zionist Jews in Germany, despite his intense anti-Semitism. Cesarani explains how the massive ethnic cleansing Eichmann conducted in Poland in 1939-40 was the crucial bridge to his later role in the mass deportation of the Jews. And Cesarani argues controversially that Eichmann was not necessarily predisposed to mass murder, exploring the remarkable, largely unknown period in Eichmann's early career when he first learned how to become an administrator of genocide. This challenging work deepens our understanding of Adolf Eichmann and offers fresh insights both into the operation of the Final Solution and the making of its most notorious perpetrator.

    Every people or nation has its own way of experiencing this psychic reality, and so a study of the world's fairy tales yields a wealth of insights into the archetypal experiences of humankind. Perhaps the foremost authority on the psychological interpretation of fairy tales is Marie-Louise von Franz. In this book—originally published as An Introduction to the Interpretation of Fairy Tales —she describes the steps involved in analyzing and illustrates them with a variety of European tales, from "Beauty and the Beast" to "The Robber Bridegroom." Dr. von Franz begins with a history of the study of fairy tales and the various theories of interpretation. By way of illustration she presents a detailed examination of a simple Grimm's tale, "The Three Feathers," followed by a comprehensive discussion of motifs related to Jung's concept of the shadow, the anima, and the animus. This revised edition has been corrected and updated by the author.

    John Myles Sharpe killed his pregnant wife and their young daughter with a spear gun. Simon Gittany flung his fiancée off the balcony of his upmarket inner-city apartment, having proposed lovingly to her, in public, just two months before. These and other crimes, committed by people described as average, ordinary, normal...In Why Did They Do It?, respected journalist Cheryl Critchley teams with esteemed psychologist Dr Helen McGrath to dissect the cases and identify the personality disorders of each of the killers. Using psychological analysis, combined with scientific evidence, they identify the reasoning and motives of the men and women whose brutal crimes shocked the nation.AUTHOR INFORMATIONProfessor Helen McGrath has worked for many years as a psychologist in both a hospital setting and in private practice. She is currently an adjunct professor at both Deakin University and RMIT University. She is the author/co-author of twenty-two books for psychologists, other professionals and the general community, including Bounce Back!, Difficult Personalities and Friends.Cheryl Critchley is a respected Melbourne investigative journalist with thirty years' experience on a range of publications. She is the author of six books on topics as diverse as AFL football, parenting and Melbourne Zoo's first baby elephant. She now writes and edits for the Weekly Review and several other publications.

    In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling.Beginning with an overview of the central issues of documentary filmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary's corecontroversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of 100 great documentaries that anyonewith a serious interest in the genre should see.Drawing on the author's four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundredsof key topics, from philosophy to Freud, quantum theory to Islam.

    Sometimes they never get over it, destined to be alone for the rest of their lives. And no matter how hard they try, they can’t be happy, because the guilt is enough to kill them too.When my husband dies in a freak boating accident, I’m barely able to function, let alone pick up the pieces of my shattered life. Yes, we had our problems, but I never wanted him to die. My friends tell me it’s time for me to move on and when I finally try to put the past behind me, it comes back to me, shattering everything I thought I knew about my past, my husband and my future.Somebody is lying and will do anything to stop me from finding the truth. But I have to know. Did my husband really die in the waters of Broken Sound?

    Abandoned by his mother twenty years earlier, he lives a solitary existence in a ramshackle trailer. Until Babylon shows up at his door…and changes everything forever.Show More Show Less

    He’s the new priest in town. When Brandy Robbins moved back to Morning Glory, Mississippi, she never expected to fall in love with another woman’s husband. And even though she was lied to and left as broken as the marriage she helped end, Brandy’s still a pariah, struggling with a failing floral shop and a beloved grandmother who can’t remember her. Father Geoff Harper knows about being different, and he’s come to Morning Glory to shake things up for his congregation. And nothing gets the town talking like a sexy priest taking up with a scorned woman. When Brandy steps in to save the wedding of the woman she wronged, not only is there an opportunity to mend fences, but she finds hope for a new beginning with a man who couldn’t possibly want a woman like her. Or could he? Return to Morning Glory for this story of grace, forgiveness, and second chances. *Previously printed in "Once Upon a Wedding: A Fiction From the Heart Second-Chances Anthology"