He's picked on because he likes boys, and fighting gets him kicked out of public school. As a last resort, his parents place him in St. Thomas Aquinas Catholic Boarding School for Boys.At his first mass at St. Thomas he sees Avery Dendritch, a senior who serves as altar boy during the service. When they meet, the attraction between them is hard to deny. The two become fast friends, and as the school year progresses, their friendship deepens until Jacob feels he's found a place where he belongs.But the other students gossip about their growing relationship. Avery can ignore them; Jacob can't. As the rumors and slurs start up again, can he curb his temper, or will his fighting get him expelled from St. Thomas, too?

    But now, surprisingly, he has turned his wit and elegant storytelling gifts to a candid memoir of the first forty years of his life. Palimpsest is written from the vantage point of Vidal's library in his villa on the Italian coast. As visitors come and go, his memory ranges back and forth across a rich history. Vidal's childhood was spent in Washington, D.C., in the household of his grandfather, the blind senator from Oklahoma, T. P. Gore, and in the various domestic situations of his complicated and exasperating mother, Nina. Then come schooldays at St. Albans and Exeter; the army; life as a literary wunderkind in New York, London, Rome, and Paris in the forties and fifties; sex in an age of promiscuity; and a campaign for Congress in 1960. Vidal's famous skills as a raconteur, his forthrightness, and his wicked wit are brilliantly at work in these recollections of a difficult family, talented friends, and interesting enemies. The cast includes Tennessee Williams, the Kennedys, Eleanor Roosevelt, Truman Capote, Paul Newman and Joanne Woodward, Christopher Isherwood, Jack Kerouac, Jane and Paul Bowles, Santayana, Anais Nin, Norman Mailer, Leonard Bernstein, and the Duke and Duchess of Windsor, among others. Beautifully rendered anecdotes are intermixed with meditations on writing, history, acting, and politics. Perhaps most surprising is the leitmotif of a great, lost love. "A memoir is how one remembers one's own life," Vidal says, "while an autobiography is history." Palimpsest is a true story, but also an extraordinary work of literary imagination.

    When he disappears from his San Francisco home, his extended family comes together in a frantic search. But Christopher is in much more trouble than they know, and their attempts to support him and to save him will challenge their assumptions about themselves and one another. Exquisitely crafted, A Seahorse Year is an absorbing read that explores the ways in which love moves us to actions that have both redemptive and disastrous consequences, sometimes in the same heartbeat.

    With contributions from twenty witchy femmes, queer conjurers, and magical rebels, Becoming Dangerous is a book of intelligent and challenging essays that will resonate with anyone who’s ever looked for answers outside the typical places.From ritualistic skincare routines to gardening; from becoming your own higher power to searching for a legendary Scottish warrior woman; from the fashion magick of brujas to cripple-witch city-magic; from shoreline rituals to psychotherapy—this book is for people who know that now is the time, now is the hour, ours is the magic, ours is the power.

    Jackie—wilful, cheeky and confident, made Beth see things in herself that she'd never imagined, and do things she never thought she would. As memories of Beth's last night with Jackie grow more like waking nightmares, Beth does everything she can to forget the girl who was so much more than a friend. Beth has a self-destructive ritual she swears she'll keep secret, even from the psychologist trying to help her. But Dr. Nancy Sullivan doesn't have time for secrets. In fact, she doesn't have much time at all. She's been charged with helping Beth break through the barriers of her past, knowing very well that her own demons might end her career before she can get through to the stubborn young woman. Meanwhile, a young foster child with a wicked sense of humour, and a devastating past, reminds Beth that secrets seem powerful, but can destroy the person who holds them too close. A haunting and evocative story about redemption, identity, and learning to let go of secrets that scar.

    She’s not expecting to meet anyone, and is caught off guard by the attraction she feels for Rachel, the co-owner of a local restaurant. That initial spark is dampened, however, when Lisa learns that Rachel has a young son.Rachel Murray has worked to build a good life, but raising Declan hasn’t been without its challenges. Each day when Rachel picks him up from school, she says a silent prayer that he will be waiting for her in his classroom, and not in the principal’s office because of his disruptive behavior.Despite her grief, Lisa finds herself drawn to both Rachel and Declan. She believes she can keep her emotions at bay—keep from drowning in grief and keep from falling in love—but she finds both to be a tidal wave washing over her and sweeping her off her feet.For Lisa, tears may be the silent language of her grief, but the love she feels for Rachel and Declan has the power to become the resounding song of hope—if she allows herself to hear it.

    In I Would Leave Me If I Could, she reveals never-before-seen poetry of longing, love, and the nuances of bipolar disorder.

    In the terrible inferno that followed, thirty-two people lost their lives, including a third of the local congregation of the Metropolitan Community Church, their pastor burning to death halfway out a second-story window as he tried to claw his way to freedom. A mother who'd gone to the bar with her two gay sons died alongside them. A man who'd helped his friend escape first was found dead near the fire escape. Two children waited outside of a movie theater across town for a father and step-father who would never pick them up. During this era of rampant homophobia, several families refused to claim the bodies, and many churches refused to bury the dead. Author Johnny Townsend pored through old records and tracked down survivors of the fire and relatives and friends of those killed to compile this fascinating account of a forgotten moment in gay history.

    Born into the ruins of a Syrian Jewish family that once had it all, David is painfully displaced. Trapped in an insular religious community that excludes him and a family coming apart at the seams, he is plunged into suicidal depression. Through adolescence, David tries to suppress his homosexual feelings and fit in, but when pushed to the breaking point, he makes the bold decision to cut off his family, erase his past, and leave everything he knows behind. There's only one problem: who should he be? Bouncing between identities he steals from the pages of fashion magazines, tomes of philosophy, sitcoms and foreign films, and practically everyone he meets—from Rastafarians to French preppies—David begins to piece together an entirely new adult self. But is this the foundation for a life, or just a kind of quicksand?Moving from the glamour and dysfunction of 1970s Brooklyn, to the sybaritic materialism of Reagan’s 1980s to post-9/11 New York, Lot Six offers a quintessentially American tale of an outsider striving to reshape himself in the funhouse mirror of American culture. Adjmi’s memoir is a genre bending Künstlerroman in the spirit of Charles Dickens and Alison Bechdel, a portrait of the artist in the throes of a life and death crisis of identity. Raw and lyrical, and written in gleaming prose that veers effortlessly between hilarity and heartbreak, Lot Six charts Adjmi’s search for belonging, identity, and what it takes to be an artist in America.

    Woody is a handsome young contractor and he and Jake get along great. After the house is finished Woody hires Jake for the next house. They soon become great friends. Jake is awkward with girls. He's never really had any luck with them and isn't much interested in them. He's never had any sexual contact with a guy either but he's curious and attracted to Woody. He's determined to make Woody see him in a different light.

    White's deliberate, dominating voice evokes a Plath-like dynamism turned on to queer pleasure and displeasure, indulgence and raison d'être, the bedevilments of a gay bitch on the pole.

    Becoming a Man is the striking memoir of P. Carl’s journey to become the man he always knew himself to be. For fifty years, he lived as a girl and a queer woman, building a career, a life, and a loving marriage, yet still waiting to realize himself in full. As Carl embarks on his gender transition, he takes us inside the complex shifts and questions that arise throughout—the alternating moments of arrival and estrangement. He writes intimately about how transitioning reconfigures both his own inner experience and his closest bonds—his twenty-year relationship with his wife, Lynette; his already tumultuous relationships with his parents; and seemingly solid friendships that are subtly altered, often painfully and wordlessly. Carl blends the remarkable story of his own personal journey with incisive cultural commentary, writing brilliantly about gender, power, and inequality in America. His transition occurs amid the rise of the Trump administration and the #MeToo movement—a transition point in America’s own story, when transphobia and toxic masculinity are under fire even as they thrive in the highest halls of power. Carl’s quest to become himself and to reckon with his masculinity mirrors, in many ways, the challenge before the country as a whole, to imagine a society where every member can have a vibrant, livable life. Here, through this brave and deeply personal work, Carl brings an unparalleled new voice to this conversation.

    Ferguson, comes a work of memoir and critical analysis that embraces an inclusive understanding of sex and gender.Me, Myself, They: Life Beyond the Binary chronicles Luna M. Ferguson’s extraordinary story of transformation to become a celebrated non-binary filmmaker, writer, and advocate for trans rights. Beginning with their birth and early childhood of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violence. Above all, Ferguson’s story is about survival, empathy, and self-acceptance. By combining personal reflections on what it feels like to never truly fit into prescribed roles of male and female, and using an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for an inclusive understanding of diverse human identity and respect for trans, non-binary, and gender-nonconforming people. Through their honest and impassioned storytelling, we learn what it means to reclaim one’s identity and to live beyond the binary.

    In their new bedroom, Aleks/Alexis discovers they can overhear parishioners in the church confessional. Moved by the struggles of these "sinners," Aleks/Alexis decides to anonymously help them, finding solace in their secret identity: a guardian angel instead of a victim.But then Aleks/Alexis overhears a confession of another priest admitting to sexually abusing a parishioner. As they try to uncover the priest's identity before he hurts anyone again, Aleks/Alexis is also forced to confront their own abuser and come to terms with their past trauma.

    Feeling more alone and isolated than ever, Liam finds themself sharing time with Marcus, Ethan's best friend, and through Marcus, Liam finds the one person that seems to know exactly what they're going through, for the better, and the worse. This book is about grief. But it's also about why we live. Why we have to keep moving on, and why we should.