Her timid younger brother has never left home. When her bullying black-sheep older brother moves into "his" house as well, it's war.Each heir wants the house. Yet to buy the other out, two siblings must team against one. Just as in girlhood, Corlis is torn between allying with the decent but fearful youngest and the iconoclastic eldest, who covets his legacy to destroy it. A Perfectly Good Family is a stunning examination of inheritance, literal and psychological: what we take from our parents, what we discard, and what we are stuck with, like it or not.

    Melissa panics, but she needs the cash - and what harm can providing lonely men with stimulating conversation over dinner do? More exciting still, she'll get to wear a disguise...Enter her alter ego: Honey. As flirty and feminine as a Bond girl, as confident and sexy as Mary Poppins in silk stockings, Honey brings out a side to Melissa she never knew she had. A side that will get her into hot water, (and out of it) and that she'll never want to lose...

    For different reasons, the Brinkleys’ two previous daughters-in-law hadn’t been able to resist Rachel’s maternal control and Anthony’s gentle charm and had settled into their husbands’ family without rocking the boat. But Charlotte—very young, very beautiful, and spoiled—has no intention of falling into step with the Brinkleys and wants to establish her own household. Soon Rachel’s sons begin to think of their own houses as home and of their mother’s house as simply the place where their parents live—a necessary and inevitable shift of loyalties that threatens Rachel’s sense of herself, breaks Anthony’s heart, and causes unexpected consequences in all the marriages. Then a crisis brings these changes to the surface, and everyone has to learn what family love means all over again.

    Shelter is an astonishing portrayal of an American loss of innocence as witnessed by a mysterious drifter named Parson, two young sisters, Lenny and Alma, and a feral boy called Buddy. Together they come to understand bravery and the importance of compassion.Phillips unearths a dangerous beauty in this primeval terrain and in the hearts of her characters. Lies, secrets, erotic initiations, and the bonds of love between friends, families, and generations are transformed in a leafy wilderness undiminished by societal rules and dilemmas. Cast in Phillips’ stunning prose, with an unpredictable cast of characters and a shadowy, suspenseful narrative, Shelter is a an enduring achievement from one of the finest writers of our time.

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    But as both a writer and an African American, he is offended and angered by the success of We's Lives in Da Ghetto, the exploitative debut novel of a young, middle-class black woman who once visited "some relatives in Harlem for a couple of days." Hailed as an authentic representation of the African American experience, the book is a national bestseller and its author feted on the Kenya Dunston television show. The book's success rankles all the more as Monk's own most recent novel has just notched its seventh rejection." "Even as his career as a writer appears to have stalled, Monk finds himself coping with changes in his personal life. In need of distraction from old memories, new responsibilities, and his professional stagnation, Monk composes, in a heat of inspiration and energy, a fierce parody of the sort of exploitative, ghetto wanna-be lit represented by We's Lives in Da Ghetto." But when his agent sends this literary indictment (included here in its entirety) out to publishers, it is greeted as an authentic new voice of black America. Monk - or his pseudonymous alter ego, Stagg R. Leigh - is offered money, fame, success beyond anything he has known. And as demand begins to build for meetings with and appearances by Leigh, Monk is faced with a whole new set of problems.

    But everything, including Paula's birthname Kali Jai, changed when she told a story of her own - one that landed Kai in prison and Paula in foster care. Separated, each holding her own secrets, the intense bond they once shared was fractured. These days, Paula has reincarnated herself as a tough-as-nails divorce attorney with a successful practice in Atlanta. While she hasn't seen Kai in fifteen years, she's still making payments on that Karmic debt - until the day her last check is returned in the mail, along with a cryptic letter. "I am going on a journey, Kali. I am going back to my beginning; death is not the end. You will be the end. We will meet again, and there will be new stories. You know how Karma works." Then Kai's most treasured secret literally lands on Paula's doorstep, throwing her life into chaos and transforming her from only child to older sister. Desperate to find her mother before it's too late, Paula sets off on a journey of discovery that will take her back to the past and into the deepest recesses of her heart. With the help of her ex-lover Birdwine, an intrepid and emotionally volatile private eye who still carries a torch for her, this brilliant woman, an expert at wrecking families, now has to figure out how to put one back together - her own. The Opposite of Everyone is a story about story itself, how the tales we tell connect us, break us, and define us, and how the endings and beginnings we choose can destroy us ... and make us whole. Laced with sharp humor and poignant insight, it is beloved New York Times bestselling author Joshilyn Jackson at her very best.

    One night, Elsie and Mallory sneak out of their pasture; but while Mallory is interested in flirting with the neighboring bulls, Elsie finds herself drawn to the farmhouse. Through the window, she sees the farmer's family gathered around a bright Box God-and what the Box God reveals about something called an "industrial meat farm" shakes Elsie's understanding of her world to its core.There's only one solution: escape to a better, safer world. And so a motley crew is formed: Elsie; Jerry-excuse me, Shalom-a cranky, Torah-reading pig who's recently converted to Judaism; and Tom, a suave (in his own mind, at least) turkey who can't fly, but who can work an iPhone with his beak. Toting stolen passports and slapdash human disguises, they head for the airport.Elsie is our wise-cracking, pop-culture-reference-dropping, slyly witty narrator; Tom-who does eventually learn to fly (sort of)-dispenses psychiatric advice in a fake German accent; and Shalom, rejected by his adopted people in Jerusalem, ends up unexpectedly uniting Israelis and Palestinians. David Duchovny's charismatic creatures point the way toward a mutual understanding and acceptance that the world desperately needs.

    At least not in the numbers that descend upon her genteely dilapidated New England ancestral home in the summer of ’89. Brother Harvey arrives first, thrice-widowed and eager for company; then perennially self-dramatizing niece Ginger and her teenaged daughter Betsy; then Alden, just laid-off from Wall Street, with his wife Becky, and their rowdy brood of four . . . As summer fades into fall, it becomes clear that no one intends to leave. But just as Lily’s industrious hospitality gives way to a somewhat strained domestic routine, the Hill clan must face new challenges together. Brimming with wit and a compendium of Yankee curiosities, The Hills at Home is an irresistible modern take on an old-fashioned comedy of manners.

    A virtuoso study in betrayal and its consequences, it explores - really, colonizes - the consciousness of Anatoly Sukhanov, who many years before abandoned the precarious existence of an underground artist for the perks of a Soviet apparatchik. But, at the age of 56, his perfect life is suddenly disintegrating. Buried dreams return to haunt him. New political alignments threaten to undo him. Vaulting effortlessly from the real to the surreal and from privilege to paranoia, The Dream Life of Sukhanov is a darkly funny, demonically entertaining novel.

    He is nineteen years old, and his return will have dramatic consequences not just for his family, but for the whole community. A decade earlier, his father's homecoming has a very different effect. The war is over and Gilbert has been demobilized. He reverts easily to suburban life—cocktails at six-thirty, church on Sundays—but his wife and young son resist the stuffy routine. Lewis and his mother escape to the woods for picnics, just as they did in wartime days. Nobody is surprised that Gilbert's wife counters convention, but they are all shocked when, after one of their jaunts, Lewis comes back without her. Not far away, Kit Carmichael keeps watch. She has always understood more than most, not least from what she is dealt by her own father's hand. Lewis's grief and burgeoning rage are all too plain, and Kit makes a private vow to help. But in her attempts to set them both free, she fails to foresee the painful and horrifying secrets that must first be forced into the open. In this brilliant debut, Sadie Jones tells the story of a boy who refuses to accept the polite lies of a tightly knit community that rejects love in favor of appearances. Written with nail-biting suspense and cinematic pacing, The Outcast is an emotionally powerful evocation of postwar provincial English society and a remarkably uplifting testament to the redemptive powers of love and understanding.

    Resonating with emotional intensity and narrative innovation reminiscent of Ann Patchett’s Bel Canto, Barbara Kingsolver’s The Poisonwood Bible, and Zora Neale Hurston’s Their Eyes Were Watching God, Haigh’s Mrs. Kimble is a timeless story of grief, passion, heartache, deception, and the complex riddle of love.

    Eleven-year-old Nannerl Mozart is performing before the crowned heads of Europe with her younger brother, Wolfgang. But behind the glamour lurk dark difficulties-- the hardship of travel, agonizing bouts of illness, and the constant concern over money. Their father, Leopold, is driven by a desire to bring his son's genius to the attention of the world. But what about Nannerl? Is she not just as talented? In a time where women's choices are limited, what hope does she have of ever realizing her own dreams?

    They saw. They came and took what they saw.The Esker sisters are shoppers. Loving, caring, driven, merciless shoppers. Ida never "passes a store without slipping in and buying something to give away." Pola, who only buys in bulk, would have been good in foreign affairs: "If a nation acted up, Aunt Pola would buy it." And Hedy, dearest of them all, proved the whole thing was genetic. Or maybe environmental. Either way, she passed the bug of galloping consumption onto her son.Her son is Joe Reckler. Twenty-six. Yale grad. No job. No ties. Nothing to keep him from joining Mother and the aunts on a week-long shopping extravaganza disguised as a New England Autumn Leaves Tour that takes them everywhere from Bloomingdale's to L. L. Bean. But soon Joe notices a difference between himself and his mega-shopping mentors. You see, he figures you're supposed to pay.

    I suspect it may be both.” --Toby Young, New York Times bestselling author of How to Lose Friends and Alienate PeopleAn offensive, in-your-face, brutally honest and completely hilarious look at male inner life and sexual fantasy. In the course of this hilariously honest book, our narrator suffers through a relationship with his vapid wannabe-actress girlfriend until he finds the perfect girl. But when he moves into the new relationship, he slowly learns that all women are pretty much the same, that man's true desires will never be fulfilled, and the decision between living life alone or biting the marriage bullet must be made.