Rare & Endangered Species demonstrates how a wife and mother's suicide reverberates in the small community where she lived, and affects the lives of people who don't even know her. Finally, Spirits is about the pain that men and women can -- and do -- inflict upon each other. These three very different works illuminate the unadorned core of love -- not the showy, more celebrated sort but what remains when lust, jealousy, and passion have been stripped away.

    Marisa Silver's singular voice makes us care deeply about their everyday desperations and hard-won hopes.

    It’s a place that attracts immigrants. One of these is Tom Janeway, a bookish Hungarian-born Englishman who makes his living commenting on American mores on NPR. Another, who calls himself Chick, is a frenetically industrious illegal alien from China who makes his living any way he can.Through a series of extraordinary but chillingly plausible events, the paths of these newcomers converge. Tom is uprooted from his marriage and must learn to father his endearing eight-year old son part-time. Chick claws his way up from exploited to exploiter. Meanwhile Seattle is troubled by rioting anarchists, vanishing children, and the discovery of an al-Qaeda operative; it is a city on the brink. Savage and tender, visionary and addictively entertaining, Waxwings is a major achievement.

    An arsonist, a covetous nurse, and the endearing village idiot are among the few who have ever seen Mary.Newcomers to Mill River -- a police officer and his daughter and a new fourth grade teacher -- are also curious about the reclusive old woman. But only Father Michael O’Brien knows Mary and the secret she keeps -- one that, once revealed, will change all of their lives forever.

    . . TAUTLY WRITTEN . . . Wilentz knows the world she writes about very well, and her descriptions have a solid specificity that lends authority to her fiction.”–The New York Times Book Review“At a closed Israeli checkpoint, Marina, a Palestinian mother, clutches her ailing boy, desperate for access to Jerusalem and its doctors. When a young Israeli soldier waits too long before deciding to disobey orders, a martyr is born. Thus begins a graceful, painful, illuminating novel of the Middle East. . . . [Wilentz’s] prose tugs at the reader. . . . The characters are magnetic. . . . [This] is a very human tale of regrets, revenge, and the elusive nature of absolution.”–Entertainment Weekly“SO PRECISE, SO STARTLING, SO UNFORGETTABLE. . . . These characters are all pawns of history and politics, but Wilentz makes them live.”–Los Angeles Times“MAGNIFICENT . . . Wilentz writes with a prose style reminiscent of The New Yorker’s highest ambitions: crystalline, pure, faultlessly communicative. . . . Like the best documentaries, Martyrs’ Crossing allows us unprecedented access to a little-understood and often misrepresented part of the world.”–Chicago Tribune“A BRILLIANTLY RESEARCHED MEDIDATION ON THE CRISIS IN THE MIDDLE EAST . . . Martyr’s Crossing matches Damascus Gate in the quality of research and the mass of intriguing characters–and yet it remains a lean thriller.”–The New York Observer

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    Decker, star tenant of the local trailer park and neophyte private eye is fishing for a killer. Thanks to a sportsman's scam that's anything but sportsmanlike, there's a body floating in Coon Bog, Florida -- and a lot that's rotten in the murky waters of big-stakes, large-mouth bass tournaments. Here Decker will team up with a half-blind, half-mad hermit with an appetite for road kill; dare to kiss his ex-wife while she's in bed with her new husband; and face deadly TV evangelists, dangerously seductive women, and a pistol-toting redneck with a pit bull on his arm. And here his own life becomes part of the stakes. For while the "double whammy" is the lure, first prize is for the most ingenious murder.

    Is there really room for something as unpredictable as love? Oliver Clock has everything arranged just so. A steady job running the family funeral parlour. A fridge stocked with ready meals. A drawer full of colour-coded socks. A plan (of sorts) to stay trim enough for a standard-sized coffin. And in florist Marie, he’s even found the love of his life—not that she’s aware of it.When a terrible tragedy takes Marie out of his life but leaves him with her private journal, he discovers too late that she secretly loved him back. Faced now with an empty love life, a family funeral business in trouble, a fast-approaching fortieth birthday and a notebook of resolutions he’s never achieved, Oliver resolves to open himself up to love—and all the mess that comes along with it.But, with a habit of burying his feelings, can he learn to embrace his lovability and find the woman who will make him feel whole?

    In six stories and the novella, Bounty, Saunders introduces readers to people struggling to survive in an increasingly haywire world.

    Navigating the mysterious path from childhood to adulthood, Sarah encounters a naked, winged man, rivalrous ghosts, and gods disguised as beggars.

    But on the day before their daughter’s thirtieth birthday, John barges back into Carol’s life with a request that threatens the fragile stability she has built.John Bowman is sick. Very sick. While he still can, he has some amends to make and some promises to fulfill. But to do that, he not only needs his ex-wife’s agreement…he needs her.With the past hovering between them like a ghost, Carol and John embark on a decades-overdue road trip. Together they plunge back into a life without water…but which may ultimately set them free.

    and Mrs. Fang called it art.Their children called it mischief.Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist’s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents’ madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents’ strange world.When the lives they’ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance -– their magnum opus -– whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what’s ultimately more important: their family or their art.

    But what sets Belle Haven apart is its especially strong sense of community, which is both strengthened and tested by the uncontrollable mine fire that burns below the town.  Sometimes it breaks through the earth's surface to swallow somebody's garden or a garbage can, even a beloved pet, or to threaten a house.        Those Who Favor Fire is the love story of Rachel Hearn, who has lived in Belle Haven all her life, and the man everyone calls Just Joe, who has arrived only recently--and the story of their love for the town that has brought them together. But as the fire intensi-fies, endangering Belle Haven and its people, it also threatens what Joe and Rachel have found together. Though some reluctantly consider relocating, Rachel refuses to leave the only place she's ever called home, the place that holds her richest memories. But Joe knows the danger of becoming too firmly rooted in a place. Ultimately, Rachel and Joe must decide whether to abandon their beloved town.        In her wonderful debut novel, Lauren Wolk has created a town every bit as real as the Mitford of Jan Karon's novels and populated it with characters as quirky, lively, and endearing as Fannie Flagg's.From the Hardcover edition.

    The story of John Self and his insatiable appetite for money, alcohol, fast food, drugs, pornography, and more, Money is ceaselessly inventive and thrillingly savage; a tale of life lived without restraint, of money and the disasters it can precipitate.

    He is a middle-aged American writer named Philip, living in London, and she is an articulate, intelligent, well-educated Englishwoman compromised by a humiliating marriage to which, in her 30s, she is already nervously half-resigned.The book's action consists of conversation - mainly the lovers talking to each other before and after making love. That dialogue - sharp, rich, playful, inquiring, "moving", as Hermione Lee writes, "on a scale of pain from furious bafflement to stoic gaiety" - is nearly all there is to this audiobook, and all there needs to be.