For forty years he was a busy doctor in the town of Rutherford, New Jersey, and yet he was able to write more than thirty books. One of the finest chapters in the Autobiography tells how each of his two roles stimulated and supported the other.

    Written for students beginning a serious study of literature, the text introduces the fundamental elements of fiction, poetry, and drama in a concise and engaging way, addressing vital questions that other texts tend to ignore, such as "Is some literature better?" and "How can it be evaluated?" A remarkable selection of classic, modern, and contemporary readings serves to illustrate the elements of literature and ensure broad appeal to students of diverse backgrounds and interests.

    Franklin J. Hildy contributes his scholarship and experience throughout the book and, in particular, to a discussion of English Theatre/Shakespeare (Ch. 5). Reorganized with more uniform chapter lengths and a clearer chronology, the ninth edition continues to provide the most thorough and accurate assessment of theatre history available. For anyone involved with, or interested in, the theatre.

    It combines a lifetime's familiarity with Greek literature and history with the latest archeological discoveries and the author's own journeys to the main sites in the story to describe how particular Greeks of the eighth century BC travelled east and west around the Mediterranean, and how their extraordinary journeys shaped their ideas of their gods and heroes. It gathers together stories and echoes from many different ancient cultures, not just the Greek - Assyria, Egypt, the Phoenician traders - and ranges from Mesopotamia to the Rio Tinto at Huelva in modern Portugal. Its central point is the Jebel Aqra, the great mountain on the north Syrian coast which Robin Lane Fox dubs 'the southern Olympus', and around which much of the action of the book turns. Robin Lane Fox rejects the fashionable view of Homer and his near-contemporary Hesiod as poets who owed a direct debt to texts and poems from the near East, and by following the trail of the Greek travellers shows that they were, rather, in debt to their own countrymen. With characteristic flair he reveals how these travellers, progenitors of tales which have inspired writers and historians for thousands of years, understood the world before the beginnings of philosophy and western thought.

    Indeed, it is probably true to say that only the Bible rivals Homer for sheer depth and scope of cultural and literary influence.Professor Vandiver makes it vividly clear why, after almost 3,000 years, the Iliad remains not only among the greatest adventure stories ever told, but also one of the most compelling meditations on the human condition ever written.12 Lectures:1. Introduction to Homeric Epic2. The Homeric Question3. Glory, Honor, and the Wrath of Achilles4. Within the Walls of Troy5. The Embassy to Achilles6. The Paradox of Glory7. The Role of the Gods8. The Longest Day9. The Death of Patroklos10. Achilles Returns to Battle11. Achilles and Hektor12. Enemies' Tears—Achilles and Priam.

    This engrossing biography of the Czech novelist and short-story writer emphasizes the cultural and historical contexts of his fiction and focuses for the first time on his complex relationship with his father.Nicholas Murray paints a picture of Kafka’s German-speaking Jewish family and the Prague mercantile bourgeoisie to which they belonged. He describes Kafka’s demanding professional career, his ill health, and the constantly receding prospects of a marriage he craved. He analyzes Kafka’s poor relationship with his father, Hermann, which found its most eloquent expression in Kafka’s story “The Judgement,” about a father who condemns his son to death by drowning. And he asserts that the unsettling flavor of Kafka’s books—stories suffused with guilt and frustration—derives from his sense of living in a mysteriously antagonistic world, of being a criminal without having knowingly committed a crime.Compelling and empathetic, this book sheds new light on a man of unique genius and on his enigmatic works.

    This authoritative biography is based on a wealth of previously unpublished material (including 2 poems) gathered by the author in more than 200 interviews & extensive research in the UK & USA. With 25 b/w illustrations.

    It is for intermediate and more advanced students combines reference grammar and practice exercises in a single volume.

    An assessment of Hemingway's writing tracing the rapidly changing scene: from the happy childhood to the grim reality of World War I and the vulgar unreality of Word War II; from the Paris of the 20s to the Spain of the Civil War, and from the African safari to the sombre last years in Cuba.

    A sympathetic tribute from one great composer for the piano to another

    The papers, many of them previously inaccessible to non-specialist readers, deal with such fundamental issues as the relationship between style and content in the exploration of ethical issues; the nature of ethical attention and ethical knowledge and their relationship to written forms and styles; and the role of the emotions in deliberation and self-knowledge. Nussbaum investigates and defends a conception of ethical understanding which involves emotional as well as intellectual activity, and which gives a certain type of priority to the perception of particular people and situations rather than to abstract rules. She argues that this ethical conception cannot be completely and appropriately stated without turning to forms of writing usually considered literary rather than philosophical. It is consequently necessary to broaden our conception of moral philosophy in order to include these forms. Featuring two new essays and revised versions of several previously published essays, this collection attempts to articulate the relationship, within such a broader ethical inquiry, between literary and more abstractly theoretical elements.

     Featuring writing from Julius Caesar, Guy Fawkes, Isaac Newton, Charlotte Brontë, Winston Churchill and Jonny Wilkinson. ______________ Engine of Industrial Revolution, global empire, England's history is one of the most fascinating and influential the world has ever known. England: The Autobiography tells that history first-hand, through the words of those who saw it and those who made it. All the great events of the last 2,000 years are here: the Norman Conquest, Magna Carta, Henry VIII's break with Rome, the Great Fire of London, two world wars. And alongside them are events that capture the nation's social history and those that shaped the nature of 'Englishness', such as the Black Death, theatregoing in Elizabethan London, the Beatles and the 1966 World Cup. This book is an intimate, vivid and revealing portrait of England and the English - and the unique place of both in world history.______________'What does it mean to be English? Lewis-Stempel gives us a clue with this superb collection . . . A triumph' Saul David

    Lovecraft's life have long been known, but before this book the only account of his life worth having was L. Sprague de Camp's 1975 biography, which was lively but sketchy, giving a fragmented view of Lovecraft's life and work. S.T. Joshi has delivered the goods. This is not only the finest and most definitive biography of Lovecraft, it is likely to remain so for many decades into the future. While at nearly 700 pages, it's not necessarily a book every Lovecraft fan will sit down and read cover to cover, it's almost as compulsively readable as it is compulsively detailed. Joshi is sympathetic toward his subject but doesn't pull any punches: he includes Lovecraft's less flattering qualities, such as his "contemptible" racism and his "shabby" treatment of his wife. Best of all, perhaps, for fans of Lovecraft's fiction, are the accounts of how the stories came to be written, concise plot summaries, and well-chosen historical-critical remarks

    Lewis’ magical land entered through that most important wardrobe in literary history. Beloved by generations of readers, The Chronicles of Narnia are thought, erroneously, by some to be “mere children’s stories.” In this volume, Pearce thoroughly debunks the error as he skillfully explains why there is nothing “mere” about such stories. Rather, the Narnia books contain profound insights concerning the human condition. Pearce, however, goes beyond even that and illuminates the deeper riches and profound truths found therein: the highest truths, in fact, those concerning God. Join Pearce as he explores the “grown-up” themes that are so important for a proper understanding of Lewis’ magnificent creation, including the deep and profound Christian symbolism, extensive literary allusions, and the constant theme of temptation, sin, and redemption. The author of numerous literary works and an authority on the writings of Lewis, Chesterton, and Tolkien, Pearce is uniquely qualified to examine the deeper theological, philosophical, and historical dimensions of the Chronicles. With Pearce as your guide, “return to Narnia,” and come to understand in new and profound ways that place which has so marked the imaginative landscape of so many. Rediscover your love for Narnia, because “wardrobes are for grown-ups too.”

    Moreover, it is the only modern book that provides clearly described, brilliantly photographed, and accurately reproduced examples of both major and minor hands along with explicit directions for writing them.The author — a professional calligrapher of medieval styles, as well as illuminator, writer, and teacher — presents a spirited historical account of thirteen important writing styles developed from about the fourth century to the end of the fifteenth. These include Roman Rustic, Uncial, Carolingian Minuscule, Early Gothic, Luxeuil Minuscule, Gothic Littera Bastarda , and seven other distinctive hands. The text explains how and why different styles evolved, why certain devices, codes, and abbreviations were used, and how form and function interacted.In addition to fascinating facts about the origin and development of medieval scripts, Medieval Calligraphy also shows you how to duplicate medieval techniques with modern writing tools. Thorough instructions and sharply detailed, full-page photographs of the original alphabets explain pen angles and stroke sequences for each letter and capital. By carefully studying and practicing the techniques described, calligraphers will be able to master some of history's most interesting and influential scripts. Mr. Drogin has rounded out the book with helpful lists of suppliers of tools and materials, American and European sources for facsimiles and books, calligraphic societies, a bibliography, index, and more.