‘Chick Pea Curry’ Lit, Chick Lit with an Indian twist​ It all started ended with that box… Aashi’s life was all set.Or so she thought.Like in the Bollywood films, Ravi would woo her, charm her family and they’d get married and live happily ever after. But then Aashi found the empty condom box... Putting her ex-fiancé and her innocence behind her, Aashi embarks upon an enlightening journey, to another country, where vibrant memories are created, and unforgettable friendships forged.Old images erased, new beginnings to explore. And how can she forget the handsome stranger she meets? A stranger who’s hiding something…

    Rauan Klassnik's HOLY LAND is not a book for the faint of heart. His poems--dreamlike fables that conflate the domestic and quotidian with the dangerous and the perverse--are bathed in tears and blood: a trip to the bank becomes a journey to Auschwitz; bullets and gore find equivalence in rivers, birds and lush grass. In Klassnik's startling vision, 'the world knows what you want, and it knows what you need. It brings you bodies. And it brings you a gun.--Gary Young

    Days are filled from dawn to sunset with last-minute chores, while the women struggle to find time to prepare their special dishes in hopes of winning a coveted blue ribbon at the annual County Fair. As opening day of the fair draws near, folks have plenty to occupy their minds as well. Much to the chagrin of Father James, he has been chosen to help judge the apple pie contest; Matthew Metcalf worries about how to keep his girlfriend and pay for college at the same time; the Petersons welcome a long-awaited and newly adopted baby; and Hudson, Marion Holmes’s butler, hopes to give his beloved employer a new reason to live by researching the parentage of a young boy who has just arrived in town along with the fair. The boy is a carbon copy of Marion’s deceased son, William. Could he be the product of an old love affair between William and a girl whose uncle once owned a carnival? Before this mystery can be solved, however, the sheriff and the FBI must figure out—before it’s too late—that the owner of the fair is planning to risk the lives of the fairgoers in order to hide a major drug deal he is taking part in.THE COUNTY FAIR is a wonderful continuation of the Dorsetville series, where good friends are never farther away than a handshake and God’s intervention is as close as a prayer.

    She is a lifeguard at the pool at the Dunes hotel in Las Vegas, caught off guard by the new attention from men and boys, not quite sure of her own footing in the world. Her mother, Kathy, suddenly finds herself in a place equally uncertain: her children getting older, her stable marriage perhaps too stable, the slow days of summer leaving her adrift. When Kathy meets Helen’s boss, the manager at the pool, her life is on the brink of a different sort of change.Following Helen and Kathy through three summers, this novel is an intimate picture of two sexual awakenings under one roof and their aftershocks on a family. The Perfect Age is set in workaday Las Vegas, where people are married at drive-through chapels, and escort services are advertised alongside 99-cent shrimp cocktail. The novel takes the reader beyond the glitz of showgirls and Elvis impersonators and reveals the everyday life in homes and schools, and among the lukewarm waters of Lake Mead and the semi-cool of the surrounding mountains. In The Perfect Age, Heather Skyler explores the nature of beauty, sex, and class divisions in a society where things are at once normal and bizarre, showing us that the validity of life’s deepest experiences—love, betrayal, acceptance—is never compromised by age.

    The smoke-spewing, banshee-wailing, fearsome black thing hisses like a thousand cobras... and the villagers declare that this Thing is an Iron Demon—a yakada yaka.The Burghers who drive these Iron Demons have a penchant for challenging authority and courting trouble, sometimes just to liven things up in the railway outposts... and so it is that Sonnaboy and Meerwald chase a large group of villagers all across Anuradhapura, mother-naked but not much bothered by it, Ben Godlieb conjures up a corpse in his cowcatcher, Dickie Byrd single-handedly demolishes a Pentecostal Mission and is hailed as the messiah of the Railway fraternity, and Basil Van der Smaght filches a human heart and feeds it to the Nawalapitiya railway staff ...and to cap it all, Sonnaboy takes French Leave to act in The Bridge on the River Kwai!

    But as he runs through the looming encounter in his mind, his neuroses come to the surface: What is the best day to see the boss? What if he doesn’t offer you a seat when you go into his office?The Art of Asking Your Boss for a Raise is a hilarious account of an employee losing his identity—and possibly his sanity—as he tries to put on the most acceptable face for the corporate world,with its rigid hierarchies and hostility to new ideas. If he follows a certain course of action, so this logic goes, he will succeed—but, in accepting these conditions, are his attempts to challenge his world of work doomed from the outset?Neurotic and pessimistic, yet endearing, comic and never less than entertaining, Perec’s Woody Allen-esque underling presents an acute and penetrating vision of the world of office work, as pertinent today as it was when it was written in 1968.

    Perfect timing andcrackling dialogue, as well as heartrending pain balanced by uproarious predicaments, make for a shout-hallelujah tale of transgression and grace, a gospel of lusty and everlasting love."-- Booklist “Like Dostoyevsky, Allen colorfully evokes the gambling milieu—the chained (mis)fortunes of the players, their vanities and grotesqueries, their quasi-philosophical ruminations on chance. Like Burroughs, he is a dispassionate chronicler of the addict’s daily ritual, neither glorifying nor vilifying the matter at hand.”-- The New York Times Book Review , on All or NothingInto an austere community of Christian believers at the Church of Our Blessed Redeemer Who Walked Upon the Waters come the star-crossed African American Romeo and Juliet. In the world of Jesus Boy, Romeo is sixteen-year-old Elwyn Parker, a devout and sincere piano prodigy who learns too late that the saintly girl he has had a crush on all his life is inexplicably pregnant and soon to be wed. Juliet is the beautiful widow, Sister Morrisohn, age forty-two, who, in the pain and confused emotions of her grieving, ends up in Elwyn’s arms.Despite the problems posed by their age difference and the strict prohibitions of their strong religious beliefs, Elwyn and Sister Morrisohn’s love is true, and as it grows among the ascetics, abstainers, and holy ghost rollers of their church, it exposes with wit, poignancy, and insight the dark secrets and ancient crimes of the pious. In Jesus Boy, Elwyn learns through tragedy and epiphany that the holy are no different from the rest of us.

    The husband calls an ambulance and his wife is rushed to a hospital where she lies in a coma. By day, the husband sits beside his wife and tries to think of ways to wake her up. At night, the husband sleeps in the chair next to his wife’s bedside dreaming that she will wake up. He wants to be able to take her back home. Years later, the story of this long and loving marriage is retold by their grandson. He wants to understand his grandmother's life and death, what it meant to his grandfather, and what it means to him. He wants to understand – in his own words – "how love can accumulate between two people."

    People, places, offhand memories, and imaginary things drift in and out of Ava's consciousness and weave their way through the narrative. The voices of her three former husbands emerge: Francesco, a filmmaker from Rome; Anatole, lost in the air over France; Carlos, a teenager from Granada. The ways people she loved expressed themselves in letters or at the beach or at the moment of desire return to her. There is Danilo, her current lover, a Czech novelist, and others, lovers of one night, as she sings the endless, joyous, erotic song cycles of her life, because "Dusk and the moment right before shapes are taken back is erotic. And the dark."The voices of her literary loves as well are woven into the narrative: Woolf, Eliot, Nabokov, Beckett, Sarraute, Lorca, Frisch, among others. These writers comment on and help guide us through the text. We hear the voices of her parents, who survived the Treblinka death camp, and of her Aunt Sophie, who did not. War permeates the text, for on Ava Klein's last day Iraq has invaded Kuwait. And above all we hear Ava's voice. Hers is the voice of pleasure, of astonishment, the voice of regret, the voice of gratitude as she moves closer and closer to the "music that is silence."AVA is an attempt, in the words of French feminist philosopher Helene Cixous, "to come up with a language that heals as much as it separates." The fragments of the novel are combined to make a new kind of wholeness, allowing environments, states of mind, and rhythms not ordinarily associated with fiction to emerge. AVA's theme is the poignancy of mortality, the extraordinary desire to live, the inevitability of death&amp—the things never done, never understood, the things never said, or said right, or said enough. Ava yearns and the reader yearns with her, struggling to hold on to all that slips away.

    Dark. Gorgeous.” – The Rumpus“Completely screwed-up and fantastic.” – Continual ProgressBestselling Independent Novel – Strand Book StoreOn the night he decides to jump off his Upper West Side rooftop, a prep school teen encounters a lost girl dancing on the ledge. They split cigarettes, spill secrets, and hatch an unexpected plan: to play out a romantic relationship over the course of one night, and discover whether magic can truly exist. As the game propels them through scattered haunts of the city, the line that separates fantasy from reality blurs, leading each to reconsider what is real, what is illusion, and whether the dawn will bring with it a new beginning or a violent end.In his triumphant debut novel, newcomer Nathaniel Kressen weaves a real-time psychological love story, introducing two unforgettable characters searching for meaning in post-9/11 New York City.

    But when her second child is born with albinism, a rare genetic condition whose most striking characteristics are white blonde hair, pale skin and impaired vision, she discovers that the very definition of normal is up for grabs. A moving memoir with flashes of humor, this essay tells one mother’s story of navigating the spectrum of ability and disability, filled with both heartbreak and joy. And how ultimately she and her daughter learn to balance together on the edge of normal. Reviews and Praise THE EDGE OF NORMAL was selected for Amazon's Best Kindle Singles of the Year, and has been featured in the SundayTimes Magazine (UK), Longreads, and OZY. About the Author Hana Schank is an author and a technology consultant. She is a frequent contributor to the New York Times, the Washington Post and the Atlantic.com, and her writing has appeared across the web and in national magazines. Her memoir, A More Perfect Union: How I Survived the Happiest Day of My Life, was a Barnes and Noble Discover Great New Writers selection.

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

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    A steady influx of foreign immigrants has led to racial tension and open hostility and violence. The African newcomers are particularly targeted, regular victims of vandalism and even fire-bombing.

    (Nancy Pearl)