Three women, all deeply connected in some way to the victim, are swept into the investigation, involving a post-WWII love affair, an embezzlement case, and a brilliant police detective. When the truth is revealed, secrets are exposed – they must all face a difficult, complex, and unexpected reality. Almost Perfect is a light thriller, which does not require a thorough reading to trace the hidden details. You will find a sophisticated, intriguing story, variety in the narration, and many secondary stories (interesting in themselves), connecting to a harmonious overall picture. It has humanity and longing for warmth and love. The writer sets her stories in the real world, where the smells, tastes and feelings are known and accessible to the reader. These make the book enjoyable, thrilling, and allow the reader to connect with the characters.

    The catch? The last tenant, Brody Walsh, killed himself.Or did he?As disturbing dreams and hauntings start to occur, Harley realizes there may be much more behind the previous tenant’s death than a simple suicide. She finds her life further entangled with his when she learns that her new boss, Nolan, was also his best friend. Could this handsome but evasive pub owner have something to do with Brody’s death?Trying to piece together the events surrounding Brody’s death proves to be a daunting task, but Harley can’t give up. Brody won’t let her. He is still in the apartment with her, trapped in limbo until she finds his killer.But he’s not waiting for revenge.Harley’s next.

    He beat and choked her to death. I'm told that he was found hanging from a homemade noose in his cell. I want to know why he waited so long to do it." Sydney Brennan isn't sure how to answer her client's question, short of holding a séance, and the Tallahassee detective has some questions of her own. Why does Noel Thomas remember so little about her childhood? Why is she delving into her father's suicide now? And, most importantly, why isn't Noel telling her the truth?Sydney crisscrosses the Florida Panhandle, reconstructing the tragic Thomas family history. The violence that destroyed the Thomas family connects to a present-day web of deceit and corruption through a desperate man willing to do anything to keep his secrets safe. To discover his identity, Sydney must go Back to Lazarus, back to the town where Noel's beautiful but troubled mother began her inevitable descent over twenty years ago. But by following in the footsteps of the murdered woman, does Sydney risk sharing her fate?Rooted in bars and back roads and Panhandle prisons, forgotten towns and forgotten people, at its heart Back to Lazarus is about stories: the stories people tell us, the stories we tell ourselves, and what happens when we realize it's all a lie.

    He must prove murder and stop payment of the twelve-million-dollar Richmond Insurance policy. Nothing makes sense. Crime scene is a mess. There is no money trail. There are too many motives from too many suspects who have too many alibis. Worst of all Sherlock's bad back is acting up, his ex-wife wants more money and the murder investigation is putting a serious dent in his parenting schedule of his two daughters. Richard Sherlock hates his job, and may be a reluctant dick, but he is better at finding the WHO in WHODUNIT than anyone else.

    The second was discovered by a child in a Swan Boat Ride. As fear intensifies, Hunter, the head of the FBI Behavioral Unit, calls his star criminal profiler, Tracy Wrenn, to help on the case. Even though she had plans to become engaged that evening, Tracy quickly cancels her plans and rushes to Boston to help. A beautiful, young professor of criminal psychology, Tracy has become renowned for her success at cracking cases no one else can. With her unusual insights and unique point of view, she is relentless at probing the inner minds of murderers. When a third woman goes missing, and when Tracy finds herself in danger, everything intensifies. In a shocking turn of events, Tracy finds out more not only about the killer, but about herself--and learns that nothing is what is seems. Book #2 in The Killing Game will be released soon.

    Only by defeating the Alexandria Project can he clear himself. "THE ALEXANDRIA PROJECT is fiction that cuts close to the bone. But where George Orwell envisioned 1984 from the safety of thirty-five years out, the future that Updegrove describes may already be upon us. That's what makes it dangerous, and that's what makes THE ALEXANDRIA PROJECT an important as well as riveting read." - Dan Geer, CHIEF INFORMATION SECURITY OFFICER, In-Q-Tel

    Casey draws his evidence from open sources; by reading beyond the headlines. When his theorizing catches the attention of the wrong people and anonymous threats turn deadly, Casey looks to Susan Williams, an intelligent, but insecure, analyst for the New York-based consulting firm Intelligence Watch Group for help. The two soon find themselves in the crosshairs and fighting to save their own lives, while preventing an even greater injustice that could affect the balance of power in the Middle East and plunge the world headlong into the next Great War.

    until obsession with a killer drove him further from his family. That life was left behind, until today. Now a part-time PI, a familiar string of murders is pulling him back into the cycle. Mason must choose between bringing the killer to justice or remaining a humble family man. With his marriage on the line, the police seek his knowledge of the unsolved case, to help identify and track down the psychopath. But now he's too close to the Lullaby Killer, who is driven to have a little fun... at Mason's expense.

    Her sister Andrea has an altogether different point of view. When the sisters go to the Canaan Valley to search for paintings mentioned in a document found in an old hotel once owned by their grandparents—paintings that might be Monets—Andrea immediately becomes involved in tracking down a murderer. Kathleen would much rather be looking for the paintings, but she goes along with Andrea, since the victim was their hotel-keeper, murdered just down the hall from their room. The question is: Does the murder have something to do with the elusive paintings?There are many clues and many suspects, including hotel staff, valley residents, and the mysterious foreigners who come from the Eastern Seaboard for skiing. There are also many types of danger—icy roads, sub-zero temperatures, and a killer who doesn’t care how many people die in the attempt to make sure the right ones do.

    . . Is the rising number of abused women who've gone missing a statistical anomaly? Or is a serial killer targeting this vulnerable group of women? When the Milwaukee Police Department refuses to investigate because no bodies have been discovered, Lisa Rayburn, the clinical psychologist who discovers the anomaly, is drawn into an investigation to discover the cause after one of her own clients goes missing. She finds herself forming an unlikely alliance with a former policewoman turned security consultant, TJ Peacock, and the husbands of two of the missing women who may themselves be murderers. When TJ is attacked, and a woman looking remarkably like Lisa is found murdered, they know . . . someone is willing to kill to protect his secret. Can they reveal the killer before he gets to them?

    The only witness, clairvoyant Celeste Risinski, observes these brutal murders through violent nightmares and hellish visions. The local sheriff, who believes in Celeste’s abilities and wants to rid their peaceful community of a killer, enlists the help of an old friend, Ian Scott, owner of a private criminal investigation agency, CORE. Because of Ian’s dark history with Celeste’s family, a history she knows nothing about, he sends his top criminalist, former FBI agent John Kain to investigate. John doesn’t believe in Celeste’s mystic hocus-pocus, or in her visions of the murders. But just when he’s certain they’ve solved the crimes, with the use of science and evidence, more dead bodies are discovered. Could this somehow be the work of the same killer or were they dealing with a copycat? To catch a vicious murderer, the skeptical criminalist reluctantly turns to the sensual psychic for help. Yet with each step closer to finding the killer, John finds himself one step closer to losing his heart.

    Now, alone and isolated in the Mexican port’s police station for the last six hours, she’s convinced that reporting the body of a floater to authorities was a mistake. Even the arrival of a handsome, if somewhat dour, Mexican/Italian investigator, does nothing to dispel her growing anxiety that she’s about to be charged with the murder.Chief Inspector, Raul Vignaroli, is as surprised by the attractive solo-sailor as he is to find that she’s a respected member of the San Francisco police force, and after some well-placed phone calls he’s sure that he’s found the perfect partner to help him solve a murder, if not the cure for his broken heart.Released, she's free to go. But leaving the police station hits a snag when two policemen march in, dragging a listless prisoner between them. But before Katy can dodge them for the exit, the prisoner raises his head and a startling pair of aquamarine eyes meet hers.He straightens his back, wincing at the angle of his cuffed wrists. “What the… Whisper?”Suddenly, the sound of the ceiling fan is terribly loud. Blood pounds in her ears, her mouth goes dry, her palms are damp and her feet are nailed to the floor. In a knee jerk reaction, she hisses, “Don’t call me that!” A mermaid, a bald parrot, the past she'd hoped to leave behind and perhaps the love of her life… all in A Dangerous Harbor.

    It’s made her sympathetic to the missing and their families.Starting her new life, Abigail moves to small town and buys a fixer-upper house left empty when old Edna Summers died. Once it was also home to Edna’s younger sister, Emily, and her two children, Jenny and Christopher, who, people believe, drove away one night, thirty years ago, and just never came back.But in renovating the house Abigail finds scraps of paper hidden behind baseboards and tucked beneath the porch that hint the three could have been victims of foul play.Then she finds their graves hidden in the woods behind the house and with the help of eccentric townspeople and ex-homicide detective, Frank Lester, she discovers the three were murdered. Then she and Frank try to uncover who killed them and why…but in the process awaken the ire of the murderer. ***

    But there is no future for the life of a thief. Determined to find a way out, Sara devises a scheme to double-cross her employer and steal millions through one final fatal transaction. Desperate and on the run, she finds temporary sanctuary with the mysterious Derry Conway. As the FBI closes in and her former associates seek revenge, Sara tries to escape but finds all avenues blocked. Trapped, she sees only one road out-Derry must take the fall and pay for her crimes. But will it work? Is her freedom more important than the life of an innocent man? Or will Sara make the ultimate sacrifice to save those she cares about?

    Lila is charmed by the people of Auburn, from the blue-eyed lawyer with the southern drawl to the little old lady who unceasingly tries to set Lila up with her grandson. But when strange things begin to happen, Lila realizes some of her new friends are guarding a secret like it's a precious family heirloom. It's a dangerous secret, and it has come back to haunt them. Lila is caught in the middle, and her life may depend on uncovering it. But even if she can, can she stay in Auburn when not everyone is what they seem, and even the house wants her gone?