Meet the World War II female scientists who worked in the secret sites of the Manhattan Project. Recruited not only from labs and universities from across the United States but also from countries abroad, these scientists helped in-and often initiated-the development of the atomic bomb, taking a starring role in the Manhattan Project. In fact, their involvement was critical to its success, though many of them were not fully aware of the consequences. The atomic women includeLise Meitner and Irène Joliot-Curie (daughter of Marie Curie), who led the groundwork for the Manhattan Project from Europe;Elizabeth Rona, the foremost expert in plutonium, who gave rise to the "Fat Man" and "Little Boy," the bombs dropped over Japan; andLeona Woods, Elizabeth Graves, and Joan Hinton, who were inspired by European scientific ideals but carved their own paths.This book explores not just the critical steps toward the creation of a successful nuclear bomb, but also the moral implications of such an invention.

    Cody—known across the land as Buffalo Bill—conceived of his Wild West show, an “equestrian extravaganza” featuring cowboys and Indians. The idea took off. For four months in 1885 the Lakota chief Sitting Bull appeared in the show. Blood Brothers tells the story of these two iconic figures through their brief but important collaboration.Blood Brothers flashes back to 1876, when the Lakota wiped out Custer’s 7th Cavalry unit at the Little Big Horn. Sitting Bull did not participate in the “last stand,” but was nearby—and blamed for killing Custer. The book also flashes forward to 1890, when Sitting Bull was assassinated. Hours before, Cody rushed to Sitting Bull’s cabin at Standing Rock, dispatched by the army to avert a disaster.Deanne Stillman unearths little told details about the two men and their tumultuous times. Their alliance was eased by none other than Annie Oakley. When Sitting Bull joined the Wild West, the event spawned one of the earliest advertising slogans: “Foes in ’76, Friends in ’85”—referring to the Little Big Horn. Cody paid his performers well, and he treated the Indians no differently from white performers. During this time, the Native American rights movement began to flourish. But with their way of life in tatters, the Lakota and others availed themselves of the chance to perform in the Wild West. When Cody died in 1917, a large contingent of Native Americans attended his public funeral.An iconic friendship tale like no other, Blood Brothers is truly a timeless story of people from different cultures who crossed barriers to engage each other as human beings. And it foretells today’s battle on the Great Plains.

    By the summer of 1918, the second wave struck as a highly contagious and lethal epidemic and within weeks exploded into a pandemic, an illness that travels rapidly from one continent to another. It would impact the course of the war, and kill many millions more soldiers than warfare itself.Of all diseases, the 1918 flu was by far the worst that has ever afflicted humankind; not even the Black Death of the Middle Ages comes close in terms of the number of lives it took. No war, no natural disaster, no famine has claimed so many. In the space of eighteen months in 1918-1919, about 500 million people--one-third of the global population at the time--came down with influenza. The exact total of lives lost will never be known, but the best estimate is between 50 and 100 million. In this powerful book, filled with black and white photographs, nonfiction master Albert Marrin examines the history, science, and impact of this great scourge--and the possibility for another worldwide pandemic today.

    It features a stunning array of personalities, from the women peering worriedly over the side of the Mayflower to feminists having a grand old time protesting beauty pageants and bridal fairs. Courageous, silly, funny, and heartbreaking, these women shaped the nation and our vision of what it means to be female in America. By culling the most fascinating characters — the average as well as the celebrated — Gail Collins, the editorial page editor at the New York Times, charts a journey that shows how women lived, what they cared about, and how they felt about marriage, sex, and work. She begins with the lost colony of Roanoke and the early southern "tobacco brides" who came looking for a husband and sometimes — thanks to the stupendously high mortality rate — wound up marrying their way through three or four. Spanning wars, the pioneering days, the fight for suffrage, the Depression, the era of Rosie the Riveter, the civil rights movement, and the feminist rebellion of the 1970s, America's Women describes the way women's lives were altered by dress fashions, medical advances, rules of hygiene, social theories about sex and courtship, and the ever-changing attitudes toward education, work, and politics. While keeping her eye on the big picture, Collins still notes that corsets and uncomfortable shoes mattered a lot, too. "The history of American women is about the fight for freedom," Collins writes in her introduction, "but it's less a war against oppressive men than a struggle to straighten out the perpetually mixed message about women's roles that was accepted by almost everybody of both genders." Told chronologically through the compelling stories of individual lives that, linked together, provide a complete picture of the American woman's experience, America's Women is both a great read and a landmark work of history.

    Fulfilling Mahatma Gandhi's and Dr. Martin Luther King, Jr.s precept to fill the jails, they succeeded where adults had failed in desegregating one of the most racially violent cities in America. Focusing on four of the original participants who have participated in extensive interviews, We've Got a Job recounts the astonishing events before, during, and after the Children's March.

    Sixteen-year-old Peggy is a well-bred orphan who is coerced into posing as a lady in waiting at the palace of King George I. Life is grand, until Peggy starts to suspect that the girl she's impersonating might have been murdered. Unless Peggy can discover the truth, she might be doomed to the same terrible fate. But in a court of shadows and intrigue, anyone could be a spy—perhaps even the handsome young artist with whom Peggy is falling in love...History and mystery spark in this effervescent series debut.