The same big problem. One magical solution? Despite excelling at university, Mezz has ended up the second-choice doctor in a two-doctor town, and won't be winning Mother of the Year any time soon. Miserably overweight, she knows it's only a matter of time until her gorgeous husband starts to stray...Jewels runs a successful business and lives in her dream house. All she needs to make life complete is a baby. She'll do anything to lose weight and become a mother... just as soon as the Tim Tams are finished.Ellie's life looks perfect on Facebook. But unlike the sunny snapshots, her world in Canberra is dull: she left everything behind in London, and the woman she sacrificed her life for is hardly ever home. Her ever-increasing waistline is testimony to just how small Ellie's life has become.Kat's baby is her world. As a Bosnian refugee, she wants nothing more than a stable, happy life for Ami, but Kat's relationship with Ami's dad is collapsing. If she could just lose the 'baby weight' maybe Josh would look at her the way he used to.When Mezz, Jewels, Ellie and Kat meet in an online weight-loss forum, a common goal accelerates their friendship. As the kilos start to disappear but their problems don't, they begin to realise that weight-loss might not be the key to happiness, but that supporting and believing in the ones you love, and yourself, just might be ...

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    The flimsiest of 'walls', no pegs or nails to hang even a hat, no door, no rug for cold morning bare feet, no bookshelf for a voracious reader, no bedside cupboard for a lamp or a glass of water, no light source-just a bed and a suitcase for the next two years.In 1960, newly minted teacher Peter O'Brien started work as the only teacher at a bush school in Weabonga, two days' travel by train and mail cart from Armidale.Peter was only 20 years old and had never before lived away from his home in Sydney. He'd had some teaching experience, but nothing to prepare him for the monumental challenge of being solely responsible for the education of 18 students, ranging in age from five years to fifteen. With few lesson plans, scant teaching materials, a wide range of curious minds and ages to prepare for, Peter was daunted by the enormity of the task ahead.By their simple geographical isolation, the children were already at a disadvantage, but the students were keen and receptive and they'd been given the gift of an enthusiastic and committed young teacher. Indeed it was the children and their thirst for learning who kept Peter afloat during those early days of shockingly inadequate living conditions and a deficient diet-two boiled eggs for breakfast; rabbit, potatoes and choko for every other meal-and the terrible loneliness he felt being isolated, so far from family, friends and his burgeoning romance.Eventually the bleakness was offset by developing friendships and the offer of accommodation in a nearby homestead. The children continued to thrive under Peter's care and diligence. His long-distance love affair flourished with the assistance of Johnny O'Keefe. A growing understanding of the history of crippling poverty and war in the lives of the local families gradually brought respect, acceptance and admiration. By the end of his time in Weabonga, the young teacher found himself greatly changed in positive ways.Bush School is an engaging and fascinating memoir of how a young man rose to a challenge most would shrink from today. It tells movingly of the resilience and spirit of children, the importance of learning and the transformative power of teaching.

    Not a boot, not a backpack, not a turquoise beanie. After she left me that day, she vanished off the face of the earth.A close-knit community is ripped apart by disturbing revelations that cast new light on a young woman's disappearance twenty-five years ago.After years of living overseas, Emily Kirkland returns to New Zealand to care for her father, Felix, who suffers from dementia. As his memory fades and his guard slips, she begins to understand him for the first time - and to glimpse shattering truths about his past. Truths she'd rather were kept buried.From the author shortlisted for Best Crime Novel in the Ngaio Marsh Awards for Crime Fiction, and for Best International Crime Fiction in the Ned Kelly AwardsA heartfelt, page-turning suspense novel from the bestselling author of The Secrets of Strangers - ideal reading-group fiction, perfect for fans of Jodi Picoult and Liane Moriarty.

    As the months pass and her children grow, they cope in different ways, drawn closer and pulled apart by their shared loss. And all Cate can do is watch on helplessly, seeing their grief, how much they miss her and how - heartbreakingly - they begin to heal. Gradually unfolding to reveal Cate's life, her marriage, and the unhappy secret she shared with one of her children, In the Quiet is compelling, simple, tender, true - heartbreaking and uplifting in equal measure.

    The only survivor is Isabella Winterbourne, who clutches a priceless gift meant for the Australian Parliament. This gift could be her ticket to a new life, free from the bonds of her husband and his overbearing family. But whom can she trust in Lighthouse Bay?Fast-forward to 2011: after losing her lover, Libby Slater leaves her life in Paris to return to her hometown of Lighthouse Bay, hoping to gain some perspective and grieve her recent loss. Libby also attempts to reconcile with her sister, Juliet, to whom she hasn’t spoken in twenty years. Libby did something so unforgivable, Juliet is unsure if she can ever trust her sister again.In these two adventurous love stories, both Isabella and Libby must learn that letting go of the past is the only way to move into the future. The answers they seek lie in Lighthouse Bay.

    For readers of compelling history and true crime, from critically acclaimed, award-winning author Tanya Bretherton.After World War II, Sydney experienced a crime wave that was chillingly calculated. Discontent mixed with despair, greed with callous disregard. Women who had lost their wartime freedoms headed back into the kitchen with sinister intent and the household poison thallium, normally used to kill rats, was repurposed to kill husbands and other inconvenient family members.Yvonne Fletcher disposed of two husbands. Caroline Grills cheerfully poisoned her stepmother, a family friend, her brother and his wife. Unlike arsenic or cyanide, thallium is colourless, odourless and tasteless; victims were misdiagnosed as insane malingerers or ill due to other reasons. And once one death was attributed to natural causes, it was all too easy for an aggrieved woman to kill again.This is the story of a series of murders that struck at the very heart of domestic life. It's the tale of women who looked for deadly solutions to what they saw as impossible situations. The Husband Poisoner documents the reasons behind the choices these women made - and their terrible outcomes.

    One by the smallest bruise. The other by a devastating bushfire. And both by a shocking secret . . .Miami art curator Courtney Hamilton and her husband David live the perfect life until their ten-year-old son Matthew is diagnosed with leukaemia. He needs a bone-marrow transplant but, with Courtney being adopted, the chances of finding a match within his family are slim. Desperate to find a donor, Courtney tracks the scattered details of her birth 15,000 kilometres away, to the remote town of Somerset in the Victorian bush. Meanwhile Jade Taylor wakes up in hospital in Somerset having survived the deadly bushfire that destroyed the family home and their beloved olive groves. Gone too are the landmarks that remind her of her mother, Asha, a woman whose repeated absences scarred her childhood.As Jade rallies her fractured family to rebuild their lives, Courtney arrives in the burnt countryside to search for her lost parents - but discovers far more . . .

    But, for Isla and her brother, their mother's sadness and the cold, damp greyness of Hobart's stone streets seeps into everything.Then, one morning, Isla sees a red ship. That colour lights her day. And when a sailor from the ship befriends her mother, he shares his stories with them all - of Antarctica, his home in Denmark and life onboard. Like the snow white petrels that survive in the harshest coldest place, this lonely girl at the bottom of the world will learn that it is possible to go anywhere, be anything. But she will also find out that it is just as easy to lose it all.For Isla, those two long summers will change everything.Favel Parrett delivers an evocative and gently told story about the power fear and kindness have to change lives.

    To erase her past, Katherine has moved to a new city, enrolled in a new school, and even changed her name. She’s done the next best thing to disappearing altogether. Now, wary and alone, she seeks nothing more than anonymity. What she finds instead is the last thing she expected: a friend.Even more unlikely, Katherine’s new friend is the most popular and magnetic girl in school. Extroverted, gorgeous, flirtatious, and unpredictable, she is everything that Katherine is not and doesn’t want to be: the center of attention. Yet Alice’s enthusiasm is infectious, her candor sometimes unsettling, and Katherine, in spite of her guarded caution, finds herself drawn into Alice’s private circle. But Alice has secrets, too—darker than anyone can begin to imagine. And when she lets her guard down at last, Katherine discovers the darkest of them all. For there will be no escaping the past for Katherine Patterson—only a descent into a trap far more sinister . . . and infinitely more seductive.

    A missing manuscript. An undying love.Thisbe Chisholm wants to be a writer. It's 2007, a time of digital revolution and skyrocketing property prices, but she's an old-fashioned girl. She doesn't even own a mobile phone. She has no stars-in-her-eyes desire for fame, to see her name on the cover of a book, either. She longs only to tell of the stories written on her heart.While her best friends, Penny and Jane, and her darling boyfriend, John, seem set for stellar careers in their chosen fields, Thisbe works nights as a hostess at a glitzy harbourside Sydney club - a job she despises but it's paid the rent for the last three years since university graduation.Just as she completes her novel, though, she is brutally killed at the end of John's street.Who murdered Thisbe? What will become of her novel?From the gritty glamour of Bondi Beach to the cold streets of London, here is a tale of tragedy and literary betrayal, of a publishing industry grappling with change and a great love drowning in guilt-wracked grief. Haunting, whimsical and sharply observed, Her Last Words lays bare the truth that, while some crimes might go unpunished among the privileged, words themselves have a way of enduring - and exacting a justice all their own.Praise for Kim Kelly'deeply moving...alive, full-hearted and shimmering with hope' - Belinda Castles, Bluebottle'Kelly is a masterful creator of character and voice.' - Julian Leatherdale, Palace of Tears'history that makes you think as well as feel' - Wendy James, The Golden Child'an author who writes with such a striking sense of atmosphere and sublime instinct' - Theresa Smith Writes'storytelling is clearly encoded in her DNA' - Writerful Books'It is uplifting to know that there are people who can write like this, with clarity, a bit of devilment and a hint of a smile.' Canberra Times'marvellous depth and authenticity based on some impressive research, and her characters, plot and fluid prose draw the reader into this world' - Daily Telegraph'colourful, evocative and energetic' - Sydney Morning Herald'storytelling that breaks the rules so beautifully' - Jenn J McLeod, A Place to Remember'Kim Kelly's writing is magnificent' - With Love for Books'told with wit, warmth and courage' - Kylie Mason, The Newtown Review of Books'vivid and enthralling' - Lisa Walker, The Girl with the Gold Bikini'simply superb' - Karen Brooks, The Darkest Shore

    It's also about small town gossip and a sexy Jackaroo, who turns out to be much more than a man on horseback. Blurb: After the death of her husband, Ebony Burrows follows through on her dream to move to a property they'd purchased some years back at Hope Creek, near Whispers Gully. When she arrives, she is warned to lock up after sundown. Ebony isn't into superstitions or small-town gossip until Mr Handsomeness, the next-door neighbour, and the recent caretaker, introduces himself as Tyler Hanson. He repeats the warning she had from the real estate agent when she picked up the keys. Hope Creek is not a safe place for a woman to live alone, and she must lock up after sundown. Her suspicions are aroused when Tyler becomes an annoying neighbour. Ebony discovers a murder-suicide happened in the woolshed at Hope Creek five years ago and she thinks she's made a rash decision. Worse still, whoever is responsible for the unnerving incidents about her house is targeting her and not the community of Whispers Creek. Ebony doesn't know who to trust. Are two of the most wanted criminals in Australia responsible? Does someone else have a vendetta against her? Or perhaps it's the stranger who knocks on her door after sundown.

      At the core of the enigmatic Stella’s story, past and present, is a mystery she is compelled to solve, a beautiful young woman who went missing fifty years ago – and a tragedy much closer to home she must try to prevent.   As Stella unravels the dark secrets of her family's past and her own, it becomes clear that everyone remembers the past differently and the small choices we make every day can change our future irrevocably.   This utterly original, gripping and mind-bending tale will stay with you long after the last page. 'A beautifully compelling book that dares to not only ask “What if?” but to explore that question with heart-busting yearning, wry humour and masterful storytelling.' Kate Mulvany, playwright and actor? ‘The Lost Girls is a wonderfully unsettling novel about anger, loss and hope. Tightly written and compulsive, its twists had me frantically turning the pages.’ Emma Viskic, award-winning author of And Fire Came Down and Resurrection Bay

     "just divine ... Cherry Season is gorgeous. " Beauty and Lace Dan Faraday is too busy for love. With the long hours running the family orchard, he doesn't have time to go on dates, and if he did, he would be looking for someone who fits into his ten-year plan. Someone traditional, reliable and dependable - someone just like him.Someone the total opposite of beautiful drifter Lucy Marino. A free spirit who chases the moment, she's in town for the fruit-picking season. The only certain thing in her life is constant change and while she's tempted to see how cute Dan might be if only he smiled, she's not the type of girl to wait around.But as the cherry trees blossom, Lucy and Dan are increasingly drawn to one another. In spite of their differences, each begins to wonder if maybe they have a future after all. With the weight of Dan's family legacy on his shoulders and Lucy afraid of losing the only life she's ever known, can Dan give Lucy a reason to put down roots before the seasons change?

    Tabitha Bird has gifted us this wonder’ Cass MoriartyMeet Willa Waters, aged 8 . . . 33 . . . and 93.On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.Can the three Willas come together, to heal their past and save their future, before it’s too late?'A courageous and magical debut novel that reminds us that while we can’t change events from our past, we do have the power to change the story we tell ourselves about them.' Sally Piper