A collection of 45 ridiculous 911 emergency calls, submitted by 911 Call Center Operators across the U.S.Dedicated to you, the Taxpayer who funded these calls.Note: A quick 10-minute read of humorous quotes from real calls.Just enough for a grin of the day!

    She taught her family how to read Scott’s medical chart and to ask pointed questions, no longer leaving his care to the medical professionals who had overdosed him with drugs to the very brink of death in less than three days.“Jo, you have to tell people what they’ve done to me. You have to tell them!”pleaded her little brother, as he lay writhing in agony.In “For the Love of Scott!”, the author recollects her family’s poignant story of love, bewilderment, and lingering frustration when faced with catastrophic medical mistakes. Read the experiences of Scott Hamilton’s family members as they struggle through a storm of horrific medical errors that could have been prevented and recognize what you need to do when someone you love is faced with life-threatening circumstances created by health experts.It took Jo 27 years to put this heartbreaking event down on paper. Writing opened old wounds and required hours of research and documentation. It forced her family to relive a chapter in their own lives that they desperately wanted closed. Yet, they rallied together to help Jo with her mission to keep that promise.To help further her goals, Jo Hamilton will be donating a portion of the proceeds from the sale of her book, to the 1984 Olympic Gold Medal Winner, Scott Hamilton's foundation, The Scott Hamilton CARES Initiative. The Scott Hamilton CARES Initiative was created to help with cancer research, support cancer patients and their families, and find a cure cancer.

     1891. Spindrift House, Cornwall. Talented painter Edith Fairchild is poised to begin a life of newlywed bliss and artistic creation with her charming husband Benedict. He recently inherited Spindrift House near Port Isaac and Edith is inspired by the glorious Cornish light and the wonderful setting overlooking the sea. But then happiness turns to heartbreak. In great distress, Edith turns to an artist friend for comfort and after a bitterly-regretted moment of madness she finds herself pregnant with his child.Too ashamed to reveal her secret, Edith devotes herself to her art. Joined at Spindrift House by her friends - Clarissa, Dora and Pascal - together they turn the house into a budding artists' community. But despite their dreams of an idyllic way of life creating beauty by the sea, it becomes clear that all is not perfect within their tight-knit community, and that the weight of their secrets could threaten to tear apart their paradise forever . . . Praise for Charlotte Betts: 'Romantic, engaging and hugely satisfying' Katie Fford 'A highly-recommended novel of love, tragedy and the power of art' Daily Mail 'I was captivated by this moving, heart-warming and beautifully woven story - gripping, atmospheric, eloquently told and full of rich detail' Kate Furnivall

    Heiress Elena Marks needs proof of her layabout husband's infidelity before she can begin divorce proceedings. When the undercover work Stone sets up turns dirty - and catastrophic - leaving the errant husband dead and the mystery woman gone without a trace, Stone must clear his own good name and find a killer hiding among the glitterati of New York's high society. Reckless Abandon: Stone Barrington is, once again, right at home in New York City; but this time he is joined by the tenacious Holly Barker from Orchid Blues, the lady police chief of Orchid Island, Florida. In Reckless Abandon, Holly finally makes it to Manhattan, hot on the trail of an evil fugitive from her jurisdiction. Stone is, well, glad to see her, right up until the moment when her presence creates a great danger to both of them - and to their surprise, she becomes the pursued, not the pursuer.

    Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction.Fervently acclaimed worldwide, Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in this book readers will find a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. Matthew Carl Strecher shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real.Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s newest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.

    Things I Meant to Say to You When We Were Old [Paperback]

    The narrative begins in Addis Ababa, Ethiopia, when twin boys, Shiva and Marion, are born to a nun (who dies) and a surgeon (who runs away). The babies, conjoined at the head, are successfully separated immediately after birth. The original conjoinment and separation of the boys becomes the operating theme of the novel and we are given situation after situation in which to consider the concepts of fusion and partition. Bookclub-in-a-Box looks at all that Verghese provides: history (Ethiopia and Eritrea), medicine (blood and liver disease), psychology (the search for identity), sociology (human relationships) and philosophy (of both science and religion). The narrative's real facts and descriptions are especially interesting for their thematic implications. Every Bookclub-in-a-Box printed discussion guide includes complete coverage of the themes and symbols, writing style, and interesting background information on the novel and the author.

    

    Containing over 80 slice-of-life stories by a bestselling outdoor humorist, this collection brings together for the first time three works by McManus: A Fine and Pleasant Misery, Never Sniff a Gift Fish, and They Shoot Canoes, Don't They?.

    Narayan. It is Wikipedia content only !Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: R. K. Narayan, Guide, Malgudi, Malgudi Days, Indian Thought Publications, Miss Malini. Excerpt: Guide is a 1965 Hindi film starring Dev Anand and Waheeda Rehman . It was directed by Vijay Anand , who also contributed with the screenplay. The film is based on the critically acclaimed novel, The Guide , by R. K. Narayan , and is widely considered to be one of the masterpieces of the Indian film industry . The film proved to be a box office hit upon release . This movie proved memorable for its award-winning performances by the lead actors and memorable music by S. D. Burman with songs like Din dhal jaye(by Rafi), kya se kya hogya etc.A 120-minute U.S. version was made with additional directing and writing. It was produced by Tad Danielewski . The film was screened at the Cannes Film Festival in 2007, 42 years after its release.Plot Dev Anand stars as Raju, a freelance guide, who earns his living by taking tourists to historic sites. The movies starts with Raju being released from jail, and then the story runs in flashback. One day, a wealthy and aging archaeologist Marco comes to the city with his young wife Rosie (Waheeda Rehman)the daughter of a courtesan. Marco wants to do some research on the caves outside the city and hires Raju as his guide. He discovers a new cave and ignores Rosie.While Marco devotes himself to the discovery of the cave, Raju takes Rosie on a tour and is captivated by her impetuous beauty. Raju learns about Rosie's background and how Rosie has achieved respectability as the wife of Marco but at a terrible cost. She has had to give up her passion of dancing since it is unacceptable to Marco. On returning to Udaipur, Rosie discovers that Marco is having an affair with a native tribal girl. Rosie is mad as hell at Marco, and with Raju encouraging her to live...

    But when a passenger plane is shot down by a stinger missile, the ghosts of a past conflict return to haunt him, and Sean is again forced into the cauldron of war.

    They ask him if he's okay. But he doesn't know. He doesn't know the answer to any of their questions - not even his name. Isabel takes him to the hospital she works at, but when the tests show there's nothing physically wrong, she realises she can't walk away. She promised River that they would help this man, but with no way to identify him, Isabel worries about what secrets his memory loss might be hiding. Can they trust him? ? Virginia Macgregor, 2018 (p) Oakhill, 2019

    Shortly after, he came back to Stratford to play Richard III – a breakthrough performance that would transform his career, winning him the Olivier and Evening Standard Awards for Best Actor. Sher’s record of the making of this historic theatrical event, Year of the King, has become a classic of theatre writing, a unique insight into the creation of a landmark Shakespearean performance.More than thirty years later, Antony Sher returned to Lear, this time in the title role, for the 2016 RSC production directed by Gregory Doran. Sher’s performance was acclaimed by the Telegraph as ‘a crowning achievement in a major career’, and the show transferred from Stratford to London’s Barbican. Once again, he kept a diary, capturing every step of his personal and creative journey to opening night.Year of the Mad King: The Lear Diaries is Sher’s account of researching, rehearsing and performing what is arguably Shakespeare’s most challenging role, known as the Everest of Acting. His strikingly honest, illuminating and witty commentary provides an intimate, first-hand look at the development of his Lear and of the production as a whole. Also included is a selection of his paintings and sketches, many reproduced in full colour.Like his Year of the King and Year of the Fat Knight: The Falstaff Diaries, this book, Year of the Mad King, offers a fascinating perspective on the process of one of the greatest Shakespearean actors of his generation.'One of the finest books I have ever read on the process of acting' Time Out on Year of the King'Antony Sher's insider journal is a brilliant exploded view of a great actor at work – modest and gifted, self-centred and selfless – a genius capable of transporting us backstage' Craig Raine, The Spectator (Books of the Year) on Year of the Fat Knight

    Patterson's fundamentally serious but playful literary style. Patterson writes like the love child of Henry Miller and Mary Karr, with all the contradictions that implies -- a philosopher who thinks best over a glass of fine wine; an ex-Catholic still haunted by the image of the Crucifixion; an irreverent political satirist whose patriotism flies the flag of another iconoclast, Thomas Paine. Patterson grew up with a foot planted in each of two worlds -- one in Washington DC, the Capital of the Empire as he calls it, where the wheels of power spin, and one in rural Ontario, where his Canadian mother insisted the family spend their summers. His father, one of the wizards of twentieth century newspaper publishing, introduced him to the city's wheels of money and power, which he would later navigate as an entrepreneur, starting his first business at 20. But those Canadian summers introduced him to a different world - one where a cedar strip boat was better than any car, and where the ghosts of those who'd previously inhabited the family's island house floated out over the water of Lovesick Lake. It is those two worlds that blend in this collection, in reflections both serious and playful, on what it means to be a man, an artist, an iconoclast, a patriot, a lover, as the 20th century rolls over into the 21st.

    1 New York Times bestseller Beautiful Ruins, a father-son story that underscores why Jess Walter is not only among the funniest writers working today but among the most bighearted and humane.Jay is nothing like his hard-drinking, skirt-chasing, blue-collar dad. He’s college-educated, works as a graphic designer, prefers white wine to whiskey, and is gay—a fact that’s been lost, with so much else, in the growing fog of his father’s dementia. When the woman with whom his dad has lived for decades throws him out (thanks to a little neighborly infidelity), Jay moves his dad to Boise to live with him—at least temporarily—until he can find an eldercare facility for the old man. But the search turns out to be far more complicated than Jay realized—what place will not only care for his dad but let him be who he imperfectly is, bad habits and all? The answer to that question takes father and son to a 1950s-style motor inn, the Town & Country Senior Inn, where the only therapy on offer is nostalgia and happy hour starts at 3:30.In turns hilarious and heartbreaking, Town & Country describes a son’s greatest act of tolerance and acceptance in a world—a distinctly American one—that hasn’t always shown him the same. It’s a story, as only Jess Walter could write it, about all the ways we cannot help but love each other even when, owing to political, regional, and generational divisions, we do not, and maybe cannot, understand each other.