Translation of: Aus dem Leben eines Fauns.

    In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

    To Rilke himself the Sonnets to Orpheus were "perhaps the most mysterious in the way they came up and entrusted themselves to me, the most enigmatic dictation I have ever held through and achieved; the whole first part was written down in a single breathless act of obedience, between the 2nd and 5th of February, without one word being doubtful or having to be changed." With facing-page German.

    Assuming her isolation to be the result of a military experiment gone awry, she begins the terrifying work of survival and self-renewal. This novel is at once a simple and moving tale and a disturbing meditation on humanity.

    Most of the stories, including such improbable ones as "Kill Them! Kill Them!," "The Whitaker Negroes" & "A Toast to Ava Gardner" are, the author insists, true. Written between 1924 & 1962, each stands on its own; but together, as autobiography, this collection makes a fascinating companion to GOODBYE TO ALL THAT, Robert Graves' famous account of his life at Charterhouse School & as a young officer in WWI.

    Whether he is describing his coming of age in America, his formative war experiences, or his life as an artist, this is Vonnegut doing what he does best: being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.

    The masterful narrative makes halt in Mexico, Siberia and East Berlin, climbing the summits and charting the abysses of the 20th century along the way. The result is both a stunning panorama and a monumental German novel that makes history itself tangible through the history of one family. A novel of immense stature, founded on its humanity, its precision and its humour.In Times of Fading Light focuses on three generations. The grandparents, still convinced Communists, return to the fledging East Germany at the beginning of the 1950s to do their part in establishing the new state. Their son returns from the other direction, having emigrated to Moscow and found himself banished to Siberia. He returns with his Russian wife to a country mired in petit bourgeois values, yet also brings with him an unwavering belief that they can be changed. The grandson, meanwhile, feels increasingly constricted in a heimat that was not of his choosing, and heads to the West on the very day that his grandfather, the family patriarch, turns 90. The glittering lights of a political utopia that once shone enticingly seem to be gradually fading as time wears unwaveringly on.

    His eyes. Twinkling with cunning ENJOYMENT. Have glanced the at every Moment towards HIS companion's face vs' ' When he was quite sure that the narrative had ended he laughed noiselessly for fully half a minute. Then he said: Well ...! That takes the biscuit! 'James Joyce's naturalistic. unflinching portrayal of ordinary working people in his Dubliners stories was a literary landmark. These four stories from that collection offer glimpses of defeated lives - an unremarkable death. a theft. a desperate plan. a failed writer's dream - yet each creates a compelling and ultimately redemptive vision of a city and of human experience. This book includes: Two Gallants. The Sisters. The Boarding House. and A Little Cloud.

    But first, Gustave must pit himself against giants and a Siamese Twin Tornado. He will also encounter the Most Monstrous of All Monsters, rescue a beautiful damsel from a dragon, traverse a forest swarming with evil spirits, navigate a Galactic Gully, and meet a dream princess, a talking horse, and even his own self. Having made a wager with death for nothing less than his life and soul, Gustave must travel from the earth to the moon and back in a single night. Using drawings from the work of Gustave Doré, the most successful illustrator of the 19th century, Walter Moers has once again created a wondrous, utterly enchanting tale.

    H. W. Fowler's A Dictionary of Modern English Usage.

    "Elizabeth and Her German Garden" is a year's diary written by Elizabeth about her experiences learning gardening and interacting with her friends. It includes commentary on the beauty of nature and on society, but is primarily humorous due to Elizabeth's frequent mistakes and her idiosyncratic outlook on life. The story is full of sweet, endearing moments. Elizabeth was an avid reader and has interesting comments on where certain authors are best read; she tells charming stories of her children and has a sometimes sharp sense of humor in regards to the people who will come and disrupt her solitary lifestyle.

    This jewel-like novella by the writer that Thomas Mann praised as "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature" is among the most unusual, moving, and memorable of Christmas stories. Two children—Conrad and his little sister, Sanna—set out from their village high up in the Alps to visit their grandparents in the neighboring valley. It is the day before Christmas but the weather is mild, though of course night falls early in December and the children are warned not to linger. The grandparents welcome the children with presents and pack them off with kisses. Then snow begins to fall, ever more thickly and steadily. Undaunted, the children press on, only to take a wrong turn. The snow rises higher and higher, time passes: it is deep night when the sky clears and Conrad and Sanna discover themselves out on a glacier, terrifying and beautiful, the heart of the void.

    White himself, the essays in this volume span a lifetime of writing and a body of work without peer.  "I have chosen the ones that have amused me in the rereading," he writes in the Foreword, "alone with a few that seemed to have the odor of durability clinging to them." These essays are incomparable; this is a volume to treasure and savor at one's leisure.

    The name Saki is often thought to be a reference to the cupbearer in the Rubaiyat of Omar Khayyam, a poem mentioned disparagingly by the eponymous character in Reginald on Christmas Presents. Saki is considered a master of the short story and is often compared to O. Henry and Dorothy Parker. His tales feature delicately drawn characters and finely judged narratives. In addition to his short stories, he also wrote several plays; a short novel, The Unbearable Bassington (1912); and two novella-length satires, the episodic The Westminster Alice and When William Came (1913).