When Juliet dies, Aila and her younger brother Miles are sent to live in Sterling, a rural town far from home--and the place where Juliet grew up.Sterling is a place with mysteries of its own. A place where the experiences that weave life together--scents of flowers and food, reflections from mirrors and lakes, even the ability to dream--vanish every seven years.No one knows what caused these “Disappearances,” or what will slip away next. But Sterling always suspected that Juliet Quinn was somehow responsible--and Aila must bear the brunt of their blame while she follows the chain of literary clues her mother left behind. As the next Disappearance nears, Aila begins to unravel the dual mystery of why the Disappearances happen and who her mother truly was. One thing is clear: Sterling isn’t going to hold on to anyone's secrets for long before it starts giving them up.

    RubyLyn Bishop is luckier than some. Her God-fearing uncle, Gunnar, has a short fuse and high expectations, but he’s given her a good home ever since she was orphaned at the age of five. Yet now, a month shy of her sixteenth birthday, RubyLyn itches for more.Maybe it’s something to do with the paper fortunetellers RubyLyn has been making for townsfolk, each covered with beautifully wrought, prophetic drawings. Or perhaps it’s because of Rainey Ford, an African-American neighbor who works alongside her in the tobacco field, and with whom she has a kinship, despite her uncle’s worrisome shadow and the town’s disapproval. RubyLyn’s predictions are just wishful thinking, not magic at all, but through them she’s imagining life as it could be, away from the prejudice and hardship that ripple through Nameless.Atmospheric, poignant, and searingly honest, a Coalminer's Daughter meets Winter's Bone, GodPretty in the Tobacco Field follows RubyLyn through the course of one blazing summer, as heartbreaking revelations and life-changing decisions propel her toward a future her fortunetellers never predicted.

    Born with red pupils, he was called “Devil Boy” or Sam “Hell” by his classmates; “God’s will” is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered, buoyed by his mother’s devout faith, his father’s practical wisdom, and his two other misfit friends.Sam believed it was God who sent Ernie Cantwell, the only African American kid in his class, to be the friend he so desperately needed. And that it was God’s idea for Mickie Kennedy to storm into Our Lady of Mercy like a tornado, uprooting every rule Sam had been taught about boys and girls.Forty years later, Sam, a small-town eye doctor, is no longer certain anything was by design—especially not the tragedy that caused him to turn his back on his friends, his hometown, and the life he’d always known. Running from the pain, eyes closed, served little purpose. Now, as he looks back on his life, Sam embarks on a journey that will take him halfway around the world. This time, his eyes are wide open—bringing into clear view what changed him, defined him, and made him so afraid, until he can finally see what truly matters.

    She hopes this foreboding feeling won’t overshadow her upcoming eighteenth birthday or the annual Founder’s Day celebration in just a few weeks. As hard as she works in the home of the widow Miss Peggy, Opal enjoys having something to look forward to.But when the Ku Klux Klan descends on Opal’s neighborhood of Colored Town, the tight-knit community is shaken in every way. Parsons’s residents—both Black and white—are forced to acknowledge the unspoken codes of conduct in their post-Reconstruction era town. To complicate matters, Opal finds herself torn between two unexpected romantic interests, awakening many new emotions. She never thought that becoming a woman would bring with it such complicated decisions about what type of person she wants to be.In When Stars Rain Down, Angela Jackson-Brown introduces us to a small Southern town grappling with haunting questions still relevant today—and to a young woman whose search for meaning resonates across the ages.

    . . and discovers her true Father.Addie Sullivan leads a quiet life in a northern California lighthouse. She mourns the death of her father and endures her mother's bitterness, until the night a storm brings an injured stranger and a dark secret to her home. The man insists she is not who she thinks she is, but rather "Julia Eaton"-the child long lost and feared dead by her wealthy family. Seizing the chance to be reunited with the Eatons, Addie leaves her lighthouse home but decides to keep her true identity a secret until they can unravel the mystery.Addie loves the Eatons' palatial home tucked away among the California redwood forests. She feels secure with the jovial family, adores the young boy who is her charge as governess, and finds romance with his father John, a young widower. But sinister shadows overtake Addie's joy. As dusty rooms and secret compartments give up their clues about her past, Addie finds a faith and a love she could never have guessed. To embrace this new world of promise is to risk her life; but to run away is to risk losing the greatest love she's ever known.

    An enchanting new novel from the New York Times bestselling author of The Swans of Fifth Avenue and The Aviator’s Wife.Hollywood, 1914. Frances Marion, a young writer desperate for a break, meets “America’s Sweetheart,” Mary Pickford, already making a name for herself both on and off the screen with her golden curls and lively spirit. Together, these two women will take the movie business by storm.Mary Pickford becomes known as the “Queen of the Movies”—the first actor to have her name on a movie marquee, and the first to become a truly international celebrity. Mary and her husband, Douglas Fairbanks, were America’s first Royal Couple, living in a home more famous that Buckingham Palace. Mary won the first Academy Award for Best Actress in a Talkie and was the first to put her hand and footprints in Grauman’s theater sidewalk. Her annual salary in 1919 was $625,000—at a time when women’s salaries peaked at $10 a week. Frances Marion is widely considered one of the most important female screenwriters of the 20th century, and was the first writer to win multiple Academy Awards. The close personal friendship between the two stars was closely linked to their professional collaboration and success.This is a novel about power: the power of women during the exhilarating early years of Hollywood, and the power of forgiveness. It’s also about the imbalance of power, then and now, and the sacrifices and compromises women must make in order to succeed. And at its heart, it’s a novel about the power of female friendship.

    Settling herself in the shadow of Slains Castle, she creates a heroine named for one of her own ancestors and starts to write.But when she discovers her novel is more fact than fiction, Carrie wonders if she might be dealing with ancestral memory, making her the only living person who knows the truth-the ultimate betrayal-that happened all those years ago, and that knowledge comes very close to destroying her...Please note: This novel has also been published under a different title: Sophia's Secret.Please note, this title is the original recording, which is now known as Sophia's Secret©2010 Susanna Kearsley (P)2011 Audible, Inc.

    Desperate, she breaks the one promise she made to her Alzheimer’s-stricken mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-Boat in 1915. What she discovers there could change history. Sarah embarks on an ambitious journey to England to enlist the help of John Langford, a recently disgraced Member of Parliament whose family archives might contain the only key to the long-ago catastrophe. . . .April 1915Southern belle Caroline Telfair Hochstetter’s marriage is in crisis. Her formerly attentive industrialist husband, Gilbert, has become remote, pre-occupied with business . . . and something else that she can’t quite put a finger on. She’s hoping a trip to London in Lusitania’s lavish first-class accommodations will help them reconnect—but she can’t ignore the spark she feels for her old friend, Robert Langford, who turns out to be on the same voyage. Feeling restless and longing for a different existence, Caroline is determined to stop being a bystander, and take charge of her own life. . . .Tessa Fairweather is traveling second-class on the Lusitania, returning home to Devon. Or at least, that’s her story. Tessa has never left the United States and her English accent is a hasty fake. She’s really Tennessee Schaff, the daughter of a roving con man, and she can steal and forge just about anything. But she’s had enough. Her partner has promised that if they can pull off this one last heist aboard the Lusitania, they’ll finally leave the game behind. Tess desperately wants to believe that, but Tess has the uneasy feeling there’s something about this job that isn’t as it seems. . . .As the Lusitania steams toward its fate, three women work against time to unravel a plot that will change the course of their own lives . . . and history itself.

    It was the early 1850's and he was a penniless immigrant, an orphan cast on a hostile shore to make a home for himself and his younger brother and infant sister. Some seventy years later, from his deathbed, Joseph Armagh last glimpsed his adopted land from the gleaming windows of a palatial estate. A multi-millionaire, one of the most powerful and feared men, Joseph Armagh had indeed found a home. CAPTAINS AND KINGS is the story of the price that was paid for it in the consuming, single-minded determination of a man clawing his way to the top; in the bitter-sweet bliss of the love of a beautiful woman; in the almost too-late enjoyment of extraordinary children; and in the curse which used the hand of fate to strike in the very face of success itself.Once again, Taylor Caldwell has looked into America's roistering past as a setting for a drama of the consequences of savage ambition - and its meaning then and now.

    Then, during a single amazing month at the beginning of 1848, history lurches: America wins its war of manifest destiny against Mexico, gold is discovered in northern California, and revolutions sweep across Europe–sending one eager English gentleman off on an epic transatlantic adventure. . . .Amid the tumult, aristocratic Benjamin Knowles impulsively abandons the Old World to reinvent himself in New York, where he finds himself embraced by three restless young Americans: Timothy Skaggs, muckraking journalist, daguerreotypist, pleasure-seeker, stargazer; the fireman Duff Lucking, a sweet but dangerously damaged veteran of the Mexican War; and Duff’s dazzling sister Polly Lucking, a strong-minded, free thinking actress (and discreet part-time prostitute) with whom Ben falls hopelessly in love.Beckoned by the frontier, new beginnings, and the prospects of the California Gold Rush, all four set out on a transcontinental race west–relentlessly tracked, unbeknownst to them, by a cold-blooded killer bent on revenge.A fresh, impeccable portrait of an era startlingly reminiscent of our own times, Heyday is by turns tragic and funny and sublime, filled with bona fide heroes and lost souls, visionaries (Walt Whitman, Charles Darwin, Alexis de Tocqueville) and monsters, expanding horizons and narrow escapes. It is also an affecting story of four people passionately chasing their American dreams at a time when America herself was still being dreamed up – an enthralling, old-fashioned yarn interwoven with a bracingly modern novel of ideas.

    Widowed at fifty and burdened by the care of an ailing mother and a cantankerous teenaged daughter, Abby wishes her life were simpler and her responsibilities fewer. Abby's daughter, Neal Grace, devastated by the loss of her doting father and the illness of her beloved grandmother, wishes for change, for the chance to break free from other people's expectations. And Abby's mother Edith wishes only to be liberated from life itself.But wishes often backfire. As their wishes begin to come true, the Quinn women start to wonder: Could it be that their old life wasn't so bad after all? Is it possible that the answer to their deepest longings has been right in front of them, all along?

    Orchard, owns that home. Around the time of Rose's disappearance, Mrs. Orchard was sent for a short stay in hospital, and Clara promised to keep an eye on the house and its remaining occupant, Mrs. Orchard's cat, Moses. As the novel unfolds, so does the mystery of what has transpired between Mrs Orchard and the newly arrived stranger.Told through three distinct, compelling points of view--Clara's, Mrs. Orchard's, and Liam Kane's--the novel cuts back and forth among these unforgettable characters to uncover the layers of grief, remorse, and love that connect families, both the ones we're born into and the ones we choose. A Town Called Solace is a masterful, suspenseful and deeply humane novel by one of our great storytellers.

    . . and rocks. Send me a rock for the person you lost, and I will build something life-giving. When the poem spreads farther than he ever intended, Robert Bliss's humble words change the tide of a nation. Boxes of rocks inundate the tiny, coastal Maine town, and he sets his calloused hands to work, but the building halts when tragedy strikes.Decades later, Annie Sawyer is summoned back to Ansel-by-the-Sea when she learns her Great-Uncle Robert, the man who became her refuge during the hardest summer of her youth, is now the one in need of help. What she didn't anticipate was finding a wall of heavy boxes hiding in his home. Long-ago memories of stone ruins on a nearby island trigger her curiosity, igniting a fire in her anthropologist soul to uncover answers.She joins forces with the handsome and mysterious harbor postman, and all her hopes of mending the decades-old chasm in her family seem to point back to the ruins. But with Robert failing fast, her search for answers battles against time, a foe as relentless as the ever-crashing waves upon the sea.

    He is determined to prove—to the subway bosses who have recently fired him, to his badgering, pregnant wife—“that the hours of his life belong to himself alone.” In the aftermath of the fire that follows, Sister St. Savior, an aging nun, appears, unbidden, to direct the way forward for his widow and his unborn child.We begin deep inside Catholic Brooklyn, in the early part of the twentieth century. Decorum, superstition, and shame collude to erase the man’s brief existence. Yet his suicide, although never spoken of, reverberates through many lives and over the decades—testing the limits and the demands of love and sacrifice, of forgiveness and forgetfulness, even through multiple generations.The characters we meet, from Sally, the unborn baby at the beginning of the novel, who becomes the center of the story, to the nuns whose personalities we come to know and love, to the neighborhood families with whose lives they are entwined, are all rendered with extraordinary sympathy and McDermott’s trademark lucidity and intelligence.Alice McDermott’s The Ninth Hour is a crowning achievement by one of the premiere writers at work in America today.

    New York City forms its first police force. The great potato famine hits Ireland. These two seemingly disparate events will change New York City. Forever. Timothy Wilde tends bar near the Exchange, fantasizing about the day he has enough money to win the girl of his dreams. But when his dreams literally incinerate in a fire devastating downtown Manhattan, he finds himself disfigured, unemployed, and homeless. His older brother obtains Timothy a job in the newly minted NYPD, but he is highly skeptical of this new "police force." And he is less than thrilled that his new beat is the notoriously down-and-out Sixth Ward - at the border of Five Points, the world's most notorious slum. One night while making his rounds, Wilde literally runs into a little slip of a girl - a girl not more than ten years old - dashing through the dark in her nightshirt... covered head to toe in blood. Timothy knows he should take the girl to the House of Refuge, yet he can't bring himself to abandon her. Instead, he takes her home, where she spins wild stories, claiming that dozens of bodies are buried in the forest north of 23rd Street. Timothy isn't sure whether to believe her or not, but, as the truth unfolds, the reluctant copper star finds himself engaged in a battle for justice that nearly costs him his brother, his romantic obsession, and his own life.