It is here that Jeeves makes his first appearance with these unremarkable words: "Mrs. Gregson to see you, sir." Years later, when Jeeves became a household name, Wodehouse said he blushed to think of the off-hand way he had treated the man at their first encounter...In the story "Extricating Young Gussie," we find Bertie Wooster's redoubtable Aunt Agatha "who had an eye like a man-eating fish and had got amoral suasion down to a fine point." The other stories are also fine vintage Wodehouse: the romance between a lovely girl and a would-be playwright, the rivalry between the ugly policeman and Alf the romeo milkman, and the plight of Henry in the title piece, The Man with Two Left Feet, who fell in love with a dance hostess.

    It is the story of four generations of a singular family, living in a house that is many houses on the magical border of an otherworld. It is a story of fantastic love and heartrending loss; of impossible things and unshakable destinies; and of the great Tale that envelops us all. It is a wonder.

    Lucas, Lucia to her intimates, resides in the village of Riseholme, a pretty Elizabethan village in Worcestershire, where she vigorously guards her status as "Queen" despite occasional attempts from her subjects to overthrow her. Lucia’s dear friend Georgie Pillson both worships Lucia and occasionally works to subvert her power.

    Here, Barbara Mary Crampton Pym sails off into a wickedly comedic farce, focusing on the unsuitable romantic entanglements of a curate and a pretty young girl, both of whom live in the same rooming house, and a starry-eyed university professor and his female student.

    They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.

    But it was years before Dr. Power's cherished only son saw in the huckster's daughter the answer to his own heart's desire. Here in Castlebay, perched precariously on the seaside cliffs, the lines between them were clearly drawn. Clare's only hope is to leave the town where time stopped, propelled by scholarships to Dublin, fueled by her own drive and brilliance, far from the insular, gossipy world of Castlebay and those in its thrall... Angela O'Hara, beautiful, isolated, a teacher trapped in the convent school, who risks everything to help Clare escape... Gerry Doyle, the town charmer who finds in Clare the woman he vows to have at any price... Caroline Nolan, the beautiful, rich outsider who comes to plunder...For Clare, that was before the wild freedom of Dublin, and love. And David.  Before fate drove them back to Castlebay, and the past...

    But Kitty was in no hurry to conclude such a contract. By hook or by crook she meant to go to London, where anything might happen and very often did...

    The early twentieth century.Two girls on the cusp of womanhood. A nation on the brink of war.Read their story -- and see why JOJO Moyes says that Nobody does epic romance like Santa Montefiore.Born on the ninth day of the ninth month in the year 1900, Kitty Deverill grows up in Castle Deverill, on the sunning green ghills of West Cork, Ireland -- the same place her ancestors have always dwelled. She isn't fully Irish, as the son of the local veterinarian likes to tease her; but this doesn't stop Kitty and Jack O'Leary from falling in love...Bridie Doyle, daughter to Castle Deverill's cook, cherishes her friendship with Kitty. Yet she can't help dreaming of someday having wealth, having glamour, having... more. And when she discovers Kitty's darkest secret, Bridie finds herself growing to resent the girl in the castle who seems to have it all.As Irish and British forces collide in Southern Ireland, Jack enlists to fight -- and Kitty throws herself into the cause for Irish liberty, running messages and ammunition between the rebels. But, her allegiance to her family and her friends will soon be tested... and when Castle Deverill comes under attack, the only home and life she's ever known are threatened.A powerful story of love, loyalty, and friendship, The Girl in the Castle is an exquisitely written novel set against the magical, captivating landscape of Ireland -- perfect for fans of DOWNTON ABBEY and KATE MORTON.

    But the apparently pleasant town is not all it seems. Sylvia falls in love with an older man - but it's her connection to his precocious young daughter and her neighbours' son which will change her life and put them, the library and her job under threat.How does the library alter the young children's lives and how do the children fare as a result of the books Sylvia introduces them to?

    But Ralph Nickleby proves both hard-hearted and unscrupulous, and Nicholas finds himself forced to make his own way in the world. His adventures gave Dickens the opportunity to portray an extraordinary gallery of rogues and eccentrics: Wackford Squeers, the tyrannical headmaster of Dotheboys Hall, a school for unwanted boys; the slow-witted orphan Smike, rescued by Nicholas; and the gloriously theatrical Mr and Mrs Crummles and their daughter, the 'infant phenonenon'. Like many of Dickens's novels, Nicholas Nickleby is characterised by his outrage at cruelty and social injustice, but it is also a flamboyantly exuberant work, revealing his comic genius at its most unerring.

    A contemporary man, John Thornburn (a meek, non-violent and unpredictable artist) and woman, Derval (his tough, confrontational, strong and warrior-like lover) time travel to ancient Ireland to avenge a Viking attack. Packed with fascinating details of historical time and place in Irish history and delicately balanced on the border between realism and fantasy, the story centers around one of the most famous and beautiful illuminated manuscripts in history, the legendary but entirely real Book of Kells. Celtic history blends with magical fantasy for a strange and immersive tale of adventure.

    The People of the Mist is the tale of a British adventurer seeking wealth in the wilds of Africa, finding romance, and discovering a lost race and its monstrous god.

    Expecting little more than a weekend diversion, Lewis finds himself in a mystical place where two worlds meet, in the time-between-times - and in the heart of a battle between good and evil.The ancient Celts admitted no separation between this world and the Otherworld: the two were delicately interwoven, each dependent on the other. The Paradise War crosses the thin places between this world and that, as Lewis Gillies comes face-to-face with an ancient mystery - and a cosmic catastrophe in the making.

    This book published in 1879 mulls what how authentic a romance can be that is mediated over the wire by two telegraph operators.An excerpt from the book:But a very significant noise to Miss Nathalie Rogers, or Nattie, as she was usually abbreviated; a noise that caused her to lay aside her book,and jump up hastily, exclaiming, with a gesture of impatience:--"Somebody always 'calls' me in the middle of every entertaining chapter!"For that noise, that little clatter, like, and yet too irregular to be the ticking of a clock, expressed to Nattie these four mystic letters:--"B m--X n;"which same four mystic letters, interpreted, meant that the name, or, to use the technical word, "call," of the telegraph office over which she was present sole presiding genius, was "B m," and that "Bm" was wanted by another office on the wire, designated as "X n."A little, out-of-the-way, country office, some fifty miles down the line, was "X n," and, as Nattie signaled in reply to the "call" her readiness to receive any communications therefrom, she was conscious of holding in some slight contempt the possible abilities of the human portion of its machinery.For who but an operator very green in the profession would stay _there_?Consequently, she was quite unprepared for the velocity with which the telegraph alphabet of sounds in dots and dashes rattled over the instrument, appropriately termed a "sounder," upon which messages are received, and found herself wholly unable to write down the words asfast as they came.

    Mrs. Hawkins, the majestic narrator, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide. With aplomb, however, Mrs. Hawkins confidently set about putting things to order, little imagining the mayhem that would ensue. Now decades older, thin, successful, and delighted with life in Italy--quite a far cry from Kensington--Mrs. Hawkins looks back to all those dark doings and recounts how her own life changed forever. She still, however, loves to give advice: "It's easy to get thin. You eat and drink the same as always, only half...I offer this advice without fee; it is included in the price of this book."