Bury yourself in London or any really large city, and you can live like a hermit, but avoid the outskirts of a village. I am dazed by the ceaseless whirl of activities in which almost everyone in and round Ravenskirk is involved.Sara Monteith makes an ideal correspondent for Hugo Jamieson, brother of her lost love Ivo, killed in the war before they could marry. Her neighbours in the lovely Border village of Ravenskirk don't know that Sara has moved here because it's where Ivo and Hugo grew up, but they welcome her warmly. Soon, she's drawn into the active village social scene of tea parties, gardening, carol-singing, and Coronation festivities, dodging the judgments of stern Miss Bonaly, defending her helper Madge Marchbanks, an unwed mother, befriending kind, practical Elizabeth Drysdale and charming Mrs. Currie and her daughter Sylvia (the latter first met halfway through Sara's drawing room window), and having an embarrassing first encounter with rugged Major Whitburn. Add in her nephew Arthur, neglected by an indifferent father, Arthur's dog Pam, and even Hugo himself returning unexpectedly from overseas, and Sara's life is a 'ceaseless whirl' indeed!Molly Clavering was for many years the neighbour and friend of bestselling author D.E. Stevenson (in just such a village as Ravenskirk), and they may well have influenced one another's writing. First published in 1955, Dear Hugo is one of the funniest of her spirited, joyful comedies of Scottish village life. This new edition includes an introduction by Elizabeth Crawford.

     There had been a raid in the Midlands and the station was blacked-out and in chaos. Nell ran wildly from one side of the enormous station to the other, despair clutching at her heart. How on earth was she to find an unknown woman in the milling crowds? And would she have Roger’s baby safely tucked away with her? Nell is just one of the Aryton’s in trouble as the Second World War looms. Amberwell, an estate on the west coast of Scotland, has been in the Ayrton family for several generations... descending from father to son in an unbroken line. By family tradition, each new owner was to add to the amenities of the place and in this way Amberwell grew larger and more beautiful as the years went by, endowed with gardens and terraces and orchards. The five young Ayrtons who grew up at Amberwell have now ventured out into the world. They may have been brought up by cool, distant parents, but the bonds between these children are strong. Now they must fight to hold on to what they see dear as the threat of war emerges. Will the war drastically alter their destinies? What will become of the Amberwell children, their complex relationships, and the place they call home ...? “Consistently charming” The Times 
 “D. E. Stevenson shows a warm, human understanding … in this delicately written tale of family life.” Birmingham Mail “A delightful story” Edinburgh Evening News 

D. E. Stevenson (1892–1973), Dorothy Emily Peploe (married name) was a Scottish author of more than 40 light romantic novels. Her father was the lighthouse engineer David Alan Stevenson, first cousin to the author Robert Louis Stevenson. 

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    In 1547 Lymond is returning to his native Scotland, which is threatened by an English invasion. Accused of treason, Lymond leads a band of outlaws in a desperate race to redeem his reputation and save his land.

    But instead, he discovers that his father has died, his home is overrun by livestock and drunken servants, and Elizabeth, having believed Ross dead, is now engaged to his cousin. Ross must start over, building a completely new path for his life, one that takes him in exciting and unexpected directions....Thus begins an intricately plotted story spanning loves, lives, and generations. The Poldark series is the masterwork of Winston Graham, who evoked the period and people like only he could, and created a world of rich and poor, loss and love, that listeners will not soon forget.

    Or at least that was the plan, until the ship runs into trouble and David is rescued by Alan Breck Stewart, fugitive Jacobite and, by his own admission, a ‘bonny fighter’. Balfour, a canny lowlander, finds an echo of some wilder and more romantic self in the wilful and courageous Highland spirit of Alan Breck. A strange and difficult friendship is born, as their adventures begin.Kidnapped has become a classic of historical romance the world over and is justly famous as a novel of travel and adventure in the Scottish landscape. Stevenson’s vivid descriptive powers were never better than in his account of remote places and dangerous action in the Highlands in the years after Culloden.‘A cracking tale of low skulduggery and high adventure, Robert Louis Stevenson’s Kidnapped has enthralled generations of readers since its first publication in 1886. A book for thrill-seekers of all ages, this romp through Jacobite Scotland is a true classic.’ Sunday Herald‘A delicately balanced book, expertly controlled, sharply focused, and written with an affectionate irony. It is perhaps the finest of Stevenson’s novels.’ Jenni Calder

    Octavia Bassett arrives from Nevada with her trunks of fancy clothes, diamond jewelry, and gold coins for the poor. She soon becomes friends with Lucia Gaston, the repressed granddaughter of the village matriarch, Lady Theobald.

    His struggle to succeed and his conquest of Henrietta, the spirited daughter of a rich manufacturer, drive a richly woven tale that takes the reader from the dusty plains of India to the teeming slums of nineteenth-century London, from the chaos of the great industrial cities to the age of the peaceful certainties of the English countryside. Filled with epic scenes and memorable characters, God is an Englishman triumphs in its portrayal of human strength and weakness, and in its revelations of the power of love.

    But the death of her doting guardian leaves Gemma under the care of her resentful aunt, and it soon becomes clear that she is nothing more than an unwelcome guest at Yew House. When she receives a scholarship to a private school, ten-year-old Gemma believes she's found the perfect solution and eagerly sets out again to a new home. However, at Claypoole she finds herself treated as an unpaid servant.To Gemma's delight, the school goes bankrupt, and she takes a job as an au pair on the Orkney Islands. The remote Blackbird Hall belongs to Mr. Sinclair, a London businessman; his eight-year-old niece is Gemma's charge. Even before their first meeting, Gemma is, like everyone on the island, intrigued by Mr. Sinclair. Rich (by Gemma's standards), single, flying in from London when he pleases, Hugh Sinclair fills the house with life. An unlikely couple, the two are drawn to each other, but Gemma's biggest trial is about to begin: a journey of passion and betrayal, redemption and discovery, that will lead her to a life of which she's never dreamed.Set in Scotland and Iceland in the 1950s and '60s, The Flight of Gemma Hardy--a captivating homage to Charlotte Brontë's Jane Eyre--is a sweeping saga that resurrects the timeless themes of the original but is destined to become a classic all its own.

    "It was a wedding Mysie once went to. The bridegroom never turned up and the bride swooned at the altar.""Have you practised swooning?"It's 1948 in the Scottish Highlands, with postwar austerity and rationing in full effect, but Mr and Mrs MacAlvey and their family and friends are too irrepressibly cheerful to let it get them down. There's Raine, newly engaged to the brother of a local farmer, and Cleo, just back from three years in the States, along with their brother James, married to neurotic Trina, who smothers their two oversheltered children. There are also three MacAlvey grandchildren, orphaned in the war, whose hilarious mishaps keep everyone on their toes. There are wedding preparations, visits from friends, an adventurous hike, and frustrated romance. But really the plot of the novel is, simply, life, as lived by irresistible characters with humour, optimism, and affection.

    This Elibron Classics book is a facsimile reprint of a 1881 edition by Bernhard Tauchnitz, Leipzig.Originally serialized in MacMillan's Magazine, Volumes CLI and XLII, November 1879 to October 1880.

    But constrained by the times, instead she marries her cousin Thomas, a boat builder, and settles down to raise a family.Janet's loving spirit - the passionate yearning for adventure and for love - is passed down to her son, and through him to his children's children. As generations of the family struggle against hardship and loss, their intricately plotted history is set against the greater backdrop of war and social change in Britain.

    But when Kate Herrick returns to her childhood home she uncovers a web of intrigue as tangled as the rambling roses in its garden. It is the summer of 1947. Kate, widowed in the War and comfortably settled in London, travels to Rose Cottage to retrieve some family papers for her grandmother. Curious as to the changes and the welcome she'll find, she is relieved when, at first glance, everything seems just as she remembers it. But she soon finds disturbing evidence of a break-in. The papers are missing. The village is alive with gossip. Did her elderly neighbors, suspected of being witches, really see nighttime prowlers and ghosts in the cottage garden? Kate's search for the truth brings her together with many childhood friends and neighbors, some suspicious of her return, but most eager to help. It also leads her down a trail of family bitterness, jealousy, and revenge - and into an exploration of her own past.

    Somerset Maugham's ode to the powerful forces behind creative genius. Charles Strickland is a staid banker, a man of wealth and privilege. He is also a man possessed of an unquenchable desire to create art. As Strickland pursues his artistic vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leave the lives of those closest to him in tatters. Through Maugham's sympathetic eye, Strickland's tortured and cruel soul becomes a symbol of the blessing and the curse of transcendent artistic genius, and the cost in humans' lives it sometimes demands.

    Initially sceptical, Hannay nonetheless harbours the man—but one day returns home to find him murdered... An obvious suspect, Hannay flees to his native Scotland, pursued by both the police and a cunning, ruthless enemy. His life and the security of Britain are in grave peril, and everything rests on the solution to a baffling enigma: what are the 'thirty nine steps?'

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.