A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.

    He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)

    In the mid-1970s Times Square was the seedy symbol of New York’s economic decline. Its once shining star, the renowned Shubert Organization, was losing theaters to make way for parking lots. Bernard Jacobs and Jerry Schoenfeld, two ambitious board members, saw the crumbling company was ripe for takeover and staged a coup amidst corporate intrigue, personal betrayals, and criminal investigations. Once Jacobs and Schoenfeld solidified their power, they turned a collapsed theater-owning holding company into one of the most successful entertainment empires in the world, ultimately backing many of Broadway’s biggest hits, including A Chorus Line, Cats, Les Miserables, Phantom of the Opera, and Mamma Mia! They also sparked the revitalization of Broadway and the renewal of Times Square. Now Michael Riedel tells the stories of the Shubert Organization and the shows that re-built a city in grand style, revealing the backstage drama that often rivaled what transpired onstage, exposing bitter rivalries, unlikely alliances, and—of course—scintillating gossip. This is a great story, told with wit and passion.

    Chubby Tracy Turnblad (Marissa Jaret Winokur, 2003 Tony winner for Best Performance by a Leading Actress in a Musical) is transformed into a teen celebrity on a local TV dance program. With her irresistible stage mother (Harvey Fierstein, 2003 Tony winner for Best Performance by a Leading Actor in a Musical) at her side, she attempts to win the heart of the local heartthrob and integrate "The Corny Collins Show" at the same time.

    A "dumb blonde" chorus girl, mistress of a tycoon-gangster diddling in D.C., gets an education from a reporter for The New Republic, and blossoms into a very fair lady.

    Graham Greene's first play (1953), dealing with sin and salvation, illustrates Shaw's line, "You can't make a man a Christian unless you first make him believe he is a sinner."

    The New York Times declared it "a breakthrough musical," and after a two-year run, the Golden Theater is still selling out eight shows a week. Its success is not limited to the Great White Way, however: This summer, the cast will be swearing, drinking, and ennui-ing their way across the country.As smart, risqu, and downright entertaining as the show itself, Avenue Q is a must-have companion book. In addition to the complete Tony Award-winning book and songs (perfect for those who can't get enough of the lyrics to "It Sucks to Be Me"), Avenue Q is packed with exclusive interviews with the cast and creatures, and features puzzles, connect-the-dots, and other "educational" activities to prepare readers for life after college. With a distinctive cover and chock-full of gorgeous photography and original illustrations, Avenue Q is a jam-packed thrill ride of a book.

    "Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation"—Time Out "There are few stage authors writing more interestingly than Mark Ravenhill … He is - it is now yet more evident - a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism."—Financial Times Shopping and Fucking: "is a darkly humorous play for today's twenty-somethings … a real coup de theatre"—Nicholas de Jongh, Evening Standard Faust: "…an intelligent and witty reappropriation of the legend … alive, pertinent and disturbing"—Michael Coveney, Observer Handbag: "…combines urban grit with sly wit, and reveals Mark Ravenhill as a writer of real daring" —Daily Telegraph Some Explicit Polaroids: "laudably ambitious, pulsates with energy … very funny"—Financial Times

    Among them: Suheir Hammad, Beau Sia, Steve Colman, Stacyann Chin, Mayda del Valle, Georgia Me, Poetri, and other well-established and up-and-coming Slam artists who have forever changed the face of poetry and offer a fresh, exuberant, insightful, and comedic look at who we are as Americans today.

    Each listing includes expert commentary that sets the play in historical and cultural context, plus features on the creators and performers, plot synopses, cast and song lists, production details, backstage anecdotes, and more. Four or five beautifully reproduced photographs from each show--the majority never before published--accompany the text and make the shows leap off the page. Appendices and special features include cast albums, poster artists, revivals, guilty pleasures, Off-Broadway musicals, notable flops, and much more.

    Taking place only months before the outbreak of World War One (and written during the conflict) it focuses on Hannay’s attempts to warn the government of an unfolding plot to steal Great Britain’s military plans. Throughout the book Hannay must escape from German spies and the British police, who falsely believe that he has murdered the very man who revealed the plot to him. The book would prove incredibly popular upon its release and has been cited as the first “man-on-the-run” style story which has been re-used in films in literature ever since. The novel itself has been adapted for the screen no less than four times.

    On September 11, 2001, 38 planes and 6,579 passengers were forced to land in the provincial town of Gander, Newfoundland. The local residents opened their arms to the displaced visitors, offering food, shelter, and friendship. In the days that followed, cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships. Come From Away: Welcome to the Rock is the ultimate companion piece to Irene Sankoff and David Hein's smash-hit musical based on that extraordinary experience. Featuring the complete book and lyrics for the first time in print, a foreword by Canadian Prime Minister Justin Trudeau, and exclusive photos of the company and physical production, this essential companion also includes original interviews with passengers, Gander residents, and the actors who portray them. The narrative by theater historian Laurence Maslon details the events of that memorable and challenging week and also traces the musical's development from the ten-year reunion of residents and airline passengers in Gander, where the idea for the musical was born , to the global phenomenon it is today. Come From Away: Welcome to the Rock gives an unprecedented look behind the curtain and demonstrates why the story has touched so many so deeply: Because we come from everywhere, we all come from away.

    In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat's nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte.Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friend - ship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize-winning classic.

    With the help of David Tushingham, he has adapted Salman Rushdie's classic children's novel, Haroun and the Sea of Stories for the stage. Set in an exotic eastern landscape peopled by magicians and fantastic talking animals, Rushdie's novel inhabits the same imaginative space as Gulliver's Travels, Alice in Wonderland and The Wizard of Oz. Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way he encounters many foes, intent on draining the sea of all its storytelling powers.

    Two girls quite accidentally crossed paths: one, pretty and popular; the other smart and . . . green. The story of how these two unlikely friends became Glinda the Good and the Wicked Witch of the West has made for the most spellbinding musical in years: WickedWicked: The Grimmerie is the behind-the-scenes story of the hit that has captivated Broadway—and now the world. Designed to resemble the ancient book of spells that changes Ozian history, Wicked: The Grimmerie includes profiles of the cast and creative team, the complete, illustrated lyrics to all the songs, and more than 200 full-color photographs. Packed with thrillifying details, Wicked: The Grimmerie is also full of bonus features that will delight fans of the show, from an Ozian Glossararium and an Oz travelogue to a step-by-step look at how Elphaba gets green. No need for innuendo or outuendo: This is a must-have for Wicked fans of all ages.