by Evan Dorkin The first-ever collection from the acclaimed humor anthology Dork, "Who's Laughing Now?" features 112 pages of densely-packed comic book craziness from Dork #1-5, all wrapped up in a sweet little package co-designed by Dorkin and his partner-in-crime, Sarah Dyer!

    He shares the story of his master’s murder and asks them to avenge this death and kill the one responsible, the man known as ... Shredder!

    What the what?! Is there really a secret treasure hidden in the school’s basement?! Based on Cartoon Network’s award-winning original series, Gumball and Darwin head back to school! It’s a brand-new collection of shorts and illustrations featuring everyone’s favorite mischief-makers.

    Creator Lynn Johnston's commentary adds a behind-the-scenes element, as she describes some of her thoughts about the strip over the years.Author's web site: http://fbofw.com/

    AGAIN!!!! He fought an army of the shambling dead, but can the Shaolin Cowboy survive a sinister desert town filled with guns, prostitutes, and white supremacists, all run by a crustaceous mafia? Collects Shaolin Cowboy: Who'll Stop the Reign #1-4.

    Once you put on The Mask, you're a homicidal lunatic with a bad taste for bad jokes and seriously deranged violence. And nothing -- but nothing -- can kill you!When her boyfriend Stanley died, Kathy thought the weird mask had been lost forever. Now gangsters are dying like flies, victims of everything from comic-book bombs to crossbow shafts, and she knows that somehow it's back. Only Kathy can stop the rampage, but first she has to get around the gangwar erupting around her, the new Mask -- whoever he is -- and the worst bad-guy of all, Walter!

    With original-art covers and graphic novel–style retellings of the hugely popular Disney Gravity Falls Shorts, this collection of issues 1–4 of the brand-new comic series from Joe Books is sure to be a hit with fans of the Disney show.

    His brash, confident, undulating artwork sent a shock wave through the comics world for its unique, fully formed aesthetic.From its opening pages, Ant Colony immerses the reader in a world that is darkly existential, with false prophets, unjust wars, and corrupt police officers, as it follows the denizens of a black ant colony under attack from the nearby red ants. On the surface, it’s the story of this war, the destruction of a civilization, and the ants’ all too familiar desire to rebuild. Underneath, though, Ant Colony plumbs the deepest human concerns—loneliness, faith, love, apathy, and more. All of this is done with humor and sensitivity, exposing a world where spiders can wreak unimaginable amounts of havoc with a single gnash of their jaws.DeForge’s striking visual sensibility—stark lines, dramatic color choices, and brilliant use of page and panel space—stands out in this volume.

    HULK: CHAMPIONS OF THE UNIVERSE 1-6

    So what happens to the 75 percent of cartoons that don't make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet...but the very best of all the rejects can be found right here in these pages. "The Rejection Collection Vol. 2: The Cream of the Crap" is the ultimate scrap heap of creative misfires -- from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst...in the best possible sense of the word. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning -- plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff -- this sequel to "The Rejection Collection" offers even deeper insight into the exercise in frustration, patience, and amusement that is being a "New Yorker" cartoonist. Warped, wicked, and wildly funny, "The Rejection Collection Vol. 2 "will appeal to every "New Yorker" fan -- and everyone with a taste for the absurd.

    As always, Gorey's painstakingly cross-hatched pen and ink drawings are perfectly suited to his oddball verse and prose. The first book of 15, "The Unstrung Harp," describes the writing process of novelist Mr. Clavius Frederick Earbrass: "He must be mad to go on enduring the unexquisite agony of writing when it all turns out drivel." In "The Listing Attic," you'll find a set of quirky limericks such as "A certain young man, it was noted, / Went about in the heat thickly coated; / He said, 'You may scoff, / But I shan't take it off; / Underneath I am horribly bloated.' "Many of Gorey's tales involve untimely deaths and dreadful mishaps, but much like tragic Irish ballads with their perky rhythms and melodies, they come off as strangely lighthearted. "The Gashlycrumb Tinies," for example, begins like this: "A is for AMY who fell down the stairs, B is for BASIL assaulted by bears," and so on. An eccentric, funny book for either the uninitiated or diehard Gorey fans.Contains: The Unstrung Harp, The Listing Attic, The Doubtful Guest, The Object Lesson, The Bug Book, The Fatal Lozenge, The Hapless Child, The Curious Sofa, The Willowdale Handcar, The Gashlycrumb Tinies, The Insect God, The West Wing, The Wuggly Ump, The Sinking Spell, and The Remembered Visit.

    Sixteen pages of Sarah's Scribbles semi-autobiographical comics that follow the adventures of herself, her friends, and her beloved pets.

    Visual jokes and puns, fantasies and long thoughts-taking the reader to here, there, and Nirvana (sometimes with a side trip to Portland). A New York Times bestseller. 248,000 copies in print.

    It now appears in 250 newspapers, including the Los Angeles Times, San Francisco Examiner, Chicago Tribune, Boston Globe, Detroit Free Press, Philadelphia Inquirer, and Seattle Times. Readers can't get enough of the goofy trio that populate this hilarious strip: Rob Wilco, the single, mild-mannered advertising executive, and his two rambunctious pets, Bucky, the sharp-fanged, self-absorbed cat, and Satchel, the easygoing mixed-breed dog who ends up on the receiving end of Bucky's mischief. The combination creates Get Fuzzy's astutely witty take on relationships between the species.Now, in a size and format that's perfect for die-hard fans and those looking for the perfect gift, I Would Have Bought You a Cat, But . . . will become the must-have little treasure for everyone who craves a bit more of the trademark Get Fuzzy foolishness, or just enjoys a good chuckle.