As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

    He has an operating theatre in the basement of his chateau and keeps his partner Eve imprisoned in her bedroom, a room he has equipped with an intercom and 300-watt speakers through which he bellows orders. Eve is only allowed out to be paraded at cocktail parties and on the last Sunday of each month, when the couple visit a young woman in a mental asylum. Following these outings, Lafargue humiliates Eve by forcing her to perform lewd sexual acts with strangers while he watches through a one-way mirror. In alternating chapters, Jonquet introduces seemingly unrelated characters - a criminal on the run after murdering a policeman, and an abducted young man who finds himself chained naked in a dark chamber, forced to endure all manner of physical torture at the hands of a mysterious stranger, whom he calls 'Mygale', after a type of tropical spider. All of these characters are caught in a deceitful web, doomed to meet their fate.

    After long and tedious days on the assembly line, she returns home to care for her corpse-like husband while enduring her loathsome and hateful mother-in-law, Jo. Jo blames the entire town for her son’s mishap, and when she gives a strange piece of jewelry to the man she believes most responsible, a series of gruesome deaths is set in motion. Sarah believes the amulet has something to do with the rising body count, but no one will believe her. As the inexplicable murders continue, Sarah and her friend Becca Blair have no choice but to track down the amulet themselves, before it’s too late.

    Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves.   In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.

    But young Mary Yellan chose instead to honor her mother's dying request that she join her frightened Aunt Patience and huge, hulking Uncle Joss Merlyn at Jamaica Inn.From her first glimpse on that raw November eve, she could sense the inn's dark power. But never did Mary dream that she would become hopelessly ensnared in the vile, villainous schemes being hatched within its crumbling walls—or that a handsome, mysterious stranger would so incite her passions... tempting her to love a man whom she dares not trust.

    

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    Two men, unknown to each other, whose glimpses of the other's possible future suggest that one of them will be murdered and the other will be the murderer.

    In Oran, a coastal town in North Africa, the plague begins as a series of portents, unheeded by the people. It gradually becomes an omnipresent reality, obliterating all traces of the past and driving its victims to almost unearthly extremes of suffering, madness, and compassion.

    

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.

    Not your ordinary affair. For Frank it began with his own insatiable sexual appetite, a mysterious lacquered box- and then an unhinged voyage through a netherworld of imaginable pleasures and unimaginable horror… Now Frank - or what is left of Frank - waits in an empty room. All he wants is to live as he was before. All Julia can do is bring him her unfulfilled passions… and a little flesh and blood…

    It is an act he cannot excuse--a mistake that will change his life forever. Now Dan is on the run, heading south toward the Louisiana bayous. On his trail are police officers and bounty hunters, including the most memorable and bizarre team ever paired in modern fiction: Pelvis Eisley, an Elvis impersonator of the worst kind, and Flint Murtaugh, a fastidious, ruthluss loner and freak-show refugee who carries the body of his unformed twin brother on his side.As Dan heads down into the swampland in search of his own salvation, he meets a young woman who is on a similar journey. Like Dan, Arden Halliday bears a great burden--a disfiguring purple birthmark that blankets half her face. Wounded by the stares, by the pity and revulsion, she is making her way into the bayous to search of the Bright Girl--a legendary faith healer who will rid her of her birthmark and her suffering. Though on separate missions, Arden and Dan come to respect each other's quest for freedom, for a touch of simple kindness in a world grown cruel. Thrown together by circumstance, bound by a loyalty stranger than love, they set off on a journey of relentless suspense and impassioned discovery...an odyssey over dark, twisting road and waterways into the beautiful and mysterious depths of the human heart.