Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Casey LePointe West is heiress to one of the greatest fortunes in America. Now, as Hurricane Katrina roars toward New Orleans, these two women are finding common ground in a city of ghosts and grandeur...Alexa as the FBI’s representative in a case guaranteed to destroy careers, and Casey as a woman whose husband has gone missing—and who herself may be the next victim of a brilliant manipulator’s rage. From the violent wards of an insane asylum to the primordial Louisiana swamps, Alexa is entering the darkest corners of a deadly mystery, peeling back layers of family secrets, hidden relationships, and a twenty-five-year-old crime. And as a raging hurricane gathers strength, she is plunged into a frantic race against time, in the eye of a storm of violence...and just where a ruthless killer wants her to be.

    Caught in the cross hairs of a ruthless assassin and on the run from the police for a murder he didn't commit, Blake and his team must fight to clear his name before it's too late.As enemies close in from all sides, Blake is about to learn who he can trust - and who is determined to destroy him - as The City of Light becomes a new hunting ground.Wanted is the first novel in the Leopold Blake series of thrillers, which can be read and enjoyed in any order.

    A major terrorist cell is planning a series of attacks across London over the next forty-eight hours. The government has surveillance on the group, a man undercover, and prepare to move in, to take out the terrorists before they can strike. But they lose contact with their inside man. And the cell vanishes into thin air, dispersing into the streets, armed and intent on completing their assault on London. The best Counter-Terrorist teams in the country are told to take them down before it's too late.Nine terrorists.Nine lives.The Armed Response Unit is one of these teams. Efficient and ruthless, the task force is ordered to locate the leader of the cell. As they hunt him down, they begin to realise that this is far bigger than any of them could ever have imagined. Bombings, rocket attacks, betrayal and a series of unexpected and shocking twists leave the ARU fighting to stay alive.There's Archer, the youngest member of the team, keen to prove himself and justify his spot on the task force. His best friend, Chalky, who is forced to fight both the terrorists and his own demons. Porter, Deakins and Fox, tough and experienced men who’ve never dealt with anything of this magnitude. And Mac, their sergeant, who must make the quickest of decisions and lead his men against the invisible enemy.As events unfold, other people are drawn into the danger. The Prime Minister, desperately trying to find a solution and protect the capital. A mysterious female Mossad agent, who appears out of nowhere and joins the fight against the cell. Two Special Agents from the DEA, one of whom was a member of the SEAL team that stormed Osama Bin Laden’s compound and who for some reason is struggling with the memory. And the vicious, powerful leader of a Middle Eastern drug cartel, who operates in the shadows and is somehow connected to the terrorists.With crowds all over London celebrating the New Year, and with nine terrorists somewhere amongst them, the Armed Response Unit is faced with the most dangerous night of their lives. As the savage, shocking plans of the enemy are fully revealed, the ARU officers are faced with the ultimate question.How many times can a man cheat Death before Death evens the score?

    There’s just one chilling difference. Erin’s husband, Justin, has vanished.Bree knows how explosive the line between love and hate can be, yet the evidence against her troubled brother-in-law isn’t adding up. Teaming up with Justin’s old friend, former sheriff’s investigator and K-9 handler Matt Flynn, Bree vows to uncover the secrets of her sister’s life and death, as she promised Erin’s children. But as her investigation unfolds, the danger hits close to home. Once again, Bree’s family is caught in a death grip. And this time, it could be fatal for her.

    . . until the Inquisition, when they were wiped from the face of the earth, their hidden riches lost. But now two forces vying for the treasure have learned that it is not at all what they thought it was–and its true nature could change the modern world.Cotton Malone, one-time top operative for the U.S. Justice Department, is enjoying his quiet new life as an antiquarian book dealer in Copenhagen when an unexpected call to action reawakens his hair-trigger instincts–and plunges him back into the cloak-and-dagger world he thought he’d left behind.It begins with a violent robbery attempt on Cotton’s former supervisor, Stephanie Nelle, who’s far from home on a mission that has nothing to do with national security. Armed with vital clues to a series of centuries-old puzzles scattered across Europe, she means to crack a mystery that has tantalized scholars and fortune-hunters through the ages by finding the legendary cache of wealth and forbidden knowledge thought to have been lost forever when the order of the Knights Templar was exterminated in the fourteenth century. But she’s not alone. Competing for the historic prize–and desperate for the crucial information Stephanie possesses–is Raymond de Roquefort, a shadowy zealot with an army of assassins at his command.Welcome or not, Cotton seeks to even the odds in the perilous race. But the more he learns about the ancient conspiracy surrounding the Knights Templar, the more he realizes that even more than lives are at stake. At the end of a lethal game of conquest, rife with intrigue, treachery, and craven lust for power, lies a shattering discovery that could rock the civilized world–and, in the wrong hands, bring it to its knees.

    And she has just seen something she shouldn’t: something people will kill to keep hidden. On the other side of the world, an old spy hides from his past. Once, he was a man of action: so dedicated to the cause that he abandoned his baby daughter to keep his cover. Now the only thing he lives for is swimming in the local pool. Then, on Christmas eve, Klara is thrown into a terrifying chase through Europe. Only the Swimmer can save her. But time is running out...

    . . and an old nightmare.Eeny, meeny, miny, moe. Catch a tiger by its toe.It's seared into Atlee Pine's memory: the kidnapper's chilling rhyme as he chose between six-year-old Atlee and her twin sister, Mercy. Mercy was taken. Atlee was spared.She never saw Mercy again.Three decades after that terrifying night, Atlee Pine works for the FBI. She's the lone agent assigned to the Shattered Rock, Arizona resident agency, which is responsible for protecting the Grand Canyon.So when one of the Grand Canyon's mules is found stabbed to death at the bottom of the canyon-and its rider missing-Pine is called in to investigate. It soon seems clear the lost tourist had something more clandestine than sightseeing in mind. But just as Pine begins to put together clues pointing to a terrifying plot, she's abruptly called off the case.If she disobeys direct orders by continuing to search for the missing man, it will mean the end of her career. But unless Pine keeps working the case and discovers the truth, it could spell the very end of democracy in America as we know it...

    Seeming to select his victims at random, he acts out the rituals of the Spanish Inquisition before committing their bodies to the sacred waters of nearby Sebec Lake. Anne Quinn, an investigator for the Piscataquis County sheriff’s office, and Detective Douglas Bateman with the Major Crimes Unit of the Maine State Police join forces in tracking him down. Hiding in plain sight, the killer is clearly from the local community and plays a deadly “catch me if you can” game with Quinn and Bateman. He seems determined to humiliate them and demonstrate his superior intellect, leading them to suspect that perhaps there is a deeper motive and purpose behind his string of murders.

    Tracey Kavanagh was her usual upbeat self; right up until the moment she drowned her son and tied a rope around her neck killing herself and her unborn child. For Alex Moreton, this case couldn't have come at a worse time, battling with her partner over whether to have another child, she is superstitious about pushing their luck - they're happy enough as they are...aren't they? DC Kevin Coupland is dealing with a serious assault outside a wine bar in Swinton. Devoted family man Ricky Wilson is brutally stabbed following an altercation with youths while out with his wife and their children to celebrate her birthday. Coupland and Moreton's cases merge when it transpires that Tracey and Ricky were tragically connected. Is it possible that there could be more to these two investigations than pure coincidence? And what was Tracey Kavanagh so frightened of she thought wiping out her family was the answer? As the past collides with the present Coupland uncovers a tragic secret that will destroy Tracey's family, or what's left of it. Coupland must choose whether the truth shall come out - or be taken to the grave.Fragile Cord is an emotional rollercoaster charting the psychological meltdown of a mother with a deadly secret.Fans of Mark Billingham and Lynda La Plante will be gripped by this exceptional crime fiction series.Watch out for more from D.S. CouplandA Detective battling personal tragedy, Kevin Coupland will stop at nothing to protect a key witness in a drive-by shooting. Fragile Cord is the first book in the series – book two, A Place of Safety is out now. What people are saying about Fragile Cord‘A police procedural done right.’ ‘Keeps you guessing.’ ‘Tautly written, well-paced with a strong sense of place. Could be the start of a smart series.’ ‘A page-turner that keeps you guessing right to the final twist.’ ‘Once started I couldn’t put down.’ ‘Hope it’s not the last we hear of Coupland and Moreton!’ 'Emma Salisbury slaps you with a surprise right from the get-go and keeps you riveted trying to figure out "why, why, why?" Never during the basic story does she drop you little hints. Not one time. Why does a seemingly normal, happy family get torn asunder?' Carol Piner, Kindle Book Review

    Once the dead man was an honest lawyer. Now Stella Marz stares at the body of her former lover, hanging from a doorway in a gruesome tableau.For Stella Marz, the search for Jack Novak's killer leads into another bizarre homicide case, back through her own past and through the city where she was born and where now--a good Catholic girl turned career woman--she is in crisis. Somewhere in this city a hidden alliance of big money, big plans, and dark secrets is fueling a great American revival. And somehow Stella Marz will bring the darkness into the light--no matter what it reveals, no matter who it destroys. . . .

    Mute and without memory, he nonetheless stands out from the drifting crowd, perhaps because of the ancient human femur he carries everywhere. But when a series of gruesome murders strikes the homeless, the police are convinced Bone is involved, and Bone must desperately piece together his lost past.

    Scattered Bible verses and the image of a man lying in a pool of blood haunt her memory.The same night of the accident, a young woman is murdered and tossed in a dumpster. Kylie Milliard, Hagen’s only detective, doesn’t immediately recognize the victim, but Kylie soon discovers that Lily and the dead woman share a dark past…if only Lily could remember what it was.Lily and Kylie both want answers. But Kylie has to play by the book. Lily has to play it safe. And the more Lily learns about her identity, the more she fears the truth.

    From a #1 New York Times bestselling author comes this thrilling story that shows what happens when a dead man's secrets fall into the hands of vigilante antihero—drawing him down a dangerous road.Over twenty years ago, the heiress Patricia Lockwood was abducted during a robbery of her family's estate, then locked inside an isolated cabin for months. Patricia escaped, but so did her captors — and the items stolen from her family were never recovered. Until now. On the Upper West Side, a recluse is found murdered in his penthouse apartment, alongside two objects of note: a stolen Vermeer painting and a leather suitcase bearing the initials WHL3. For the first time in years, the authorities have a lead — not only on Patricia's kidnapping, but also on another FBI cold case — with the suitcase and painting both pointing them toward one man.Windsor Horne Lockwood III — or Win, as his few friends call him — doesn't know how his suitcase and his family's stolen painting ended up with a dead man. But his interest is piqued, especially when the FBI tells him that the man who kidnapped his cousin was also behind an act of domestic terrorism — and that the conspirators may still be at large. The two cases have baffled the FBI for decades, but Win has three things the FBI doesn't: a personal connection to the case; an ungodly fortune; and his own unique brand of justice.

    But these aren’t random kidnappings. They’re crimes of passion,planned and researched several months in advance, then executed with a singular objective in mind. Revenge.Ariane Walker is one of the victims, dragged from her apartment with few clues to follow. The police said there’s little they can do for her, but that isn’t good enough for her boyfriend, Jonathon Payne.With the help of his best friend (David Jones), Payne gives chase, hoping that a lead in New Orleans somehow pays off. Together, they uncover the mystery of Ariane’s abduction and the truth behind the South’s most violent secret.