It's a secret that he's sworn to his parents to keep, and never tell. Griffin is a Jumper: a person who can teleport to any place he has ever been.  The first time was when he was five, and his parents crossed an ocean to protect the secret. The most important time was when he was nine. That was the day that the men came to his house and murdered his parents. Griffin knows that the men were looking for him, and he must never let them find him. Griffin grows up with only two goals: to survive, and to kill the people who want him dead. And a Jumper bent on revenge is not going to let anything stand in his way. Jumper, based on Steven Gould's earlier novel of the same name, will be a  major motion picture scheduled for release by 20th Century Fox starring Hayden Christensen, Jamie Bell and Samuel L. Jackson, and directed by Doug Limon.  Jumper: Griffin's Story features the character played by Jamie Bell in the film.

    But as March Madness heats up, Paige falls deathly ill. Days later, she wakes up attached to an IV and learns that the whole world has perished. Everyone she loves, and all of her dreams for the future—they’re gone.But Paige is a warrior, so she pushes through her fear and her grief. And as she gets through each day—scrounging for food, for shelter, for safety—Paige encounters a few more young survivors. Together, they might stand a chance. But as they struggle to endure their new reality, they learn that the apocalypse did not happen by accident. And that there are worse things than being alone.

    Aggie's. With a new friend, clever and scrappy Gylfie, he uncovers a training camp for the leader's own nefarious goal.

    He’d like nothing more than to fly away to a palm tree with his beloved sister, Aggie. But when Aggie is purchased by twelve-year-old Fritz, and Alastair is adopted by elderly dance-enthusiast and pie-baker Albertina Plopky, the future looks ready to crash-land.In-between anxiously plucking his feathers, eating a few books, and finding his own poetic voice, Alastair plots his way to a family reunion. But soon he’s forced to choose between the life he’s always dreamed of and admitting the truth: that sometimes, the bravest adventure is in letting go.

    We'd been so sure someone would find us by now. Emma had always orbited Henri, her fierce, magnetic queen bee of an older sister, and the two had always been best friends. Until something happened that wrecked them. I'd trusted Henri more than I'd trusted myself. Wherever she told me to go, I'd follow. Then the unthinkable occurs—a watery nightmare off the dazzling coast. The girls wash up on shore, stranded. Their only companion is Alex, a troubled boy agonizing over his own secrets. Trapped in this gorgeous hell, Emma and Alex fall together as Emma and Henri fall catastrophically apart. For the first time, I was afraid we'd die on this shore. To find their way home, the sisters must find their way back to each other. But there’s no map for this—or anything. Can they survive the unearthing of the past and the upheaval of the present?

    She is spending her summer working as an acrobat with the cirque while her husband, Theo, is translating a biography of the pioneering photographer Eadweard Muybridge. Late one night, Kay fears someone is following her home. Surprised to see that the lights of the toy shop are on and the door is open, she takes shelter inside.The next morning Theo wakes up to discover his wife is missing. Under police suspicion and frantic at her disappearance, he obsessively searches the streets of the Old City. Meanwhile, Kay has been transformed into a puppet, and is now a prisoner of the back room of the Quatre Mains, trapped with an odd assemblage of puppets from all over the world who can only come alive between the hours of midnight and dawn. The only way she can return to the human world is if Theo can find her and recognize her in her new form. So begins a dual odyssey: of a husband determined to find his wife, and of a woman trapped in a magical world where her life is not her own.

    He is entering high school, adulthood on the horizon not far off in distance, and contemplating a future away from his mother, father, and his precocious younger sister. And Dave is not the only one approaching adulthood and its freedoms on Wy'east that summer. Martin, a pine marten (a small animal of the deep woods, of the otter/mink family), is leaving his own mother and siblings and setting off on his own as well. As Martin and Dave's paths cross on forest trails and rocky mountaintops, they—and we—witness the full, unknowable breadth and vast sweep of life, and the awe-inspiring interconnectedness of the world and its many inhabitants, human and otherwise. Martin Marten is a coming-of-age tale like no other, told in Brian Doyle's joyous, rollicking style.

    Seals, dolphins and Ala the seagull all guide him on his travels and help him during times of great danger and great joy.And before his song is over, Hruna is put to the ultimate test when he leads a daring rescue amongst the icebergs, and saves his pod from the whalers.

    High up on the mountain, the Sanctuary is a place of refuge. It is a place where humans save dogs, who, in turn, save the humans. It is a place where the past does not exist, where hopelessness is chased away, where the future hasn’t been written, where orphans and strays can begin to imagine a new meaning for “family.” Evie is making her way to the Sanctuary. She has lied to gain entry. She has pretended to know more than she does about dogs, but she is learning fast. Once the indomitable Mrs. Auberchon lets her pass, she will find her way. Like the racing greyhound who refuses to move, the golden retriever who returns to his job as the Sanctuary’s butler every time he’s adopted, and the Rottweiler who’s a hopeless candidate for search-and-rescue, Evie comes from a troubled past. But as they all learn, no one should stay prisoner to a life she didn’t choose. This is the story of two women and a whole pack of dogs who, having lost their way in the world, find a place at a training school—and radical rescue center—called the Sanctuary. It is a story of strays and rescues, kidnappings and homecomings, moving on and holding on and letting go. And it is, ultimately, a moving and hilarious chronicle of the ways in which humans and canines help each other find new lives, new selves, and new hope.

    via a magical portal and an evil traitor named Malquin, all they want to do is get home to Caelum—soon. Then they meet Liv, a filmmaker foster girl who just wants to get out of the system and on with her life. As she and Cedric bond, they’ll discover that she’s more connected to his world than they ever could’ve imagined…and that finding home is no easy task…

    ft., 2BR 2BA, eat-in kitchen, one block to parks and playgrounds. No broker’s fee.Susan and Alex Wendt have found their dream apartment.Sure, the landlady is a little eccentric. And the elderly handyman drops some cryptic remarks about the basement. But the rent is so low, it’s too good to pass up.Big mistake. Susan soon discovers that her new home is crawling with bedbugs... or is it? She awakens every morning with fresh bites, but neither Alex nor their daughter Emma has a single welt. An exterminator searches the property and turns up nothing. The landlady insists her building is clean. Susan fears she’s going mad—until a more sinister explanation presents itself: she may literally be confronting the bedbug problem from Hell.

    

    When Sylvie Patterson, a bookish student at a Northern California boarding school, falls in love with a spirited, elusive classmate named Gabe, they embark on an experiment that changes their lives. Their headmaster, Dr. Adrian Keller, is a charismatic medical researcher who has staked his career on the therapeutic potential of lucid dreaming: by teaching his patients to become conscious during sleep, he believes he can relieve stress and trauma. Over the next six years, Sylvie and Gabe become consumed by Keller’s work, following him across the country.But when an opportunity brings the trio to the Midwest, Sylvie and Gabe stumble into a tangled relationship with their mysterious neighbors—and Sylvie begins to doubt the ethics of Keller’s research. As she navigates the hazy, permeable boundaries between what is real and what isn’t, who can be trusted and who cannot, Sylvie also faces surprising developments in herself—an unexpected infatuation, growing paranoia, and a new sense of rebellion.With stirring, elegant prose, “Chloe Benjamin has crafted an eerie, compelling first novel which, like the lingering effects of a vivid dream, resonates long past its finish” (Karen Brown, The Longings of Wayward Girls).

    poet laureate, joins with David Allen Sibley, America's foremost bird illustrator, to celebrate the winged creatures that have inspired so many poets to sing for centuries. From Catullus and Chaucer to Robert Browning and James Wright, poets have long treated birds as powerful metaphors for beauty, escape, transcendence, and divine expression.Here, in this substantial anthology, more than one hundred contemporary and classic poems are paired with close to sixty original, ornithologically precise illustrations. Part poetry collection, part field guide, part art book, Bright Wings presents verbal and visual interpretations of the natural world and reminds us of our intimate connection to the "bright wings" around us. Each in their own way, these poems and pictures honor the enchanting creatures that have been, and continue to be, longtime collaborators with the poet's and painter's art.Poet and bird pairings include: Wallace Stevens and the Blackbird; Emily Dickinson and the Robin; Marianne Moore and the Frigate Pelican; Thomas Hardy and the Goldfinch; Sylvia Plath and the Pheasant; John Updike and the Seagull; Walt Whitman and the Eagle; Billy Collins and the Sparrow.

    As an aspiring geologist, she knows the last part is impossible. But when her best friends drag her onto the uneven ground anyway, Eliza knows to be worried.And when the earth opens under her feet, there isn't even time to say I told you so.As she scrambles through one cave, which leads to another, and another, Eliza finds herself in an impossible world—where a small group of people survive underground, running from vicious creatures, eating giant bugs, and creating their own subterranean society. Eliza is grateful to be alive, but this isn't home. Is she willing to risk everything to get back to the surface?