When it was published in serial form in 1905, it was a full third longer than the censored, commercial edition published in book form the following year. That expurgated commercial edition edited out much of the ethnic flavor of the original, as well as some of the goriest descriptions of the meat-packing industry and much of Sinclair's most pointed social and political commentary. The text of this new edition is as it appeared in the original uncensored edition of 1905. It contains the full 36 chapters as originally published, rather than the 31 of the expurgated edition. A new foreword describes the discovery in the 1980s of the original edition and its subsequent suppression, and a new introduction places the novel in historical context by explaining the pattern of censorship in the shorter commercial edition.

    The so-called divinities of Olympus have not a single worshipper among living men. They belong now not to the department of theology, but to those of literature and taste. There they still hold their place, and will continue to hold it, for they are too closely connected with the finest productions of poetry and art, both ancient and modern, to pass into oblivion.

    The 2nd section, On His Own, includes "The Light of the World", "The Battler", "The Killers", "The Last Good Country" & "Crossing the Mississippi".The 3rd section, War, has "Night Before Landing", "Nick Sat Against the Wall", "Now I Lay Me", "A Way You'll Never Be" & "In Another Country". The 4th section, Soldier Home, has "Big Two-Hearted River", "The End of Something", "The Three-Day Blow" & "Summer People". The 5th section, Company of Two, has "Wedding Day", "On Writing", "An Alpine Idyll", "Cross-Country Snow" & "Fathers & Sons".

    Contending with the perils and the varied cast of characters of the marriage market, Belinda strides resolutely toward independence. Admired by her contemporary, Jane Austen, and later by Thackeray and Turgenev, Edgeworth tackles issues of gender and race in a manner at once comic and thought-provoking. The 1802 text used in this edition also confronts the difficult and fascinating issues of racism and mixed marriage, which Edgeworth toned down in later editions.

    Against his mother's advice and wishes, he quits, and leaves home to become a professional baseball player

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.

    The People of the Mist is the tale of a British adventurer seeking wealth in the wilds of Africa, finding romance, and discovering a lost race and its monstrous god.

    A novel that chronicles the lives of two women who could not be more different: Becky Sharp, an orphan whose only resources are her vast ambitions, her native wit, and her loose morals; and her schoolmate Amelia Sedley, a typically naive Victorian heroine, the pampered daughter of a wealthy family.

    An engraving of a woman giving birth to rabbits, a plague ballad, theological pamphlets, and an articulated skeleton are ingeniously fleshed out into rollicking tales. Whether she's spinning the tale of a soldier tricked into marrying a dowdy spinster, or a Victorian surgeon's attempts to "improve" women, Donoghue fills us with the sights and smells of the period as she summons the ghosts of ordinary people, bringing them to unforgettable life in fiction.

    I - Destiny: Fleeing an abusive father and a hopeless life in Ireland in 1895, nineteen-year-old Tom Callahan takes passage on a ship bound for America. On board, he meets Katrina Hansen, a young Norwegian woman traveling to Utah. It's not a likely match. The brash Irishman is a Catholic, a brawler and a young man without prospects. Katrina is a refined young woman, yet naive in the ways of the world. Lured into a polygamous marriage, she finds herself abandoned on a remote Mexican beach as the man she loves, unaware of her status, seeks his fortune in Alaska. Destiny is a sprawling historical novel set at the turn of the 19th century, played out in such far-flung places as New York City, the gold fields of Alaska and Old Mexico.Vol.II - Conflict: Tom Callahan strikes it rich in the Alaska goldfield while Katrina struggles to remain alive in Mexico. Demonstrating her determination and faith, the reader is shown the resilience of this young woman who has grown beyond her years. Continuing through 1912 and the disastrous voyage of HMS Titanic, Conflict will keep you on the edge of your seat.Vol. III - Reunion: It's 1917 and American has entered World War I. Tom and Katie's son, in an effort to prove his worth to his father, has joined what President Woodrow Wilson is calling - the fight to make the world safe for democracy-. As the war ends, Tommy is selected for appointment to the Naval Academy, while his father is arrested and imprisoned in Ireland for gun running in the great Irish Civil War. Set against turbulent events in world history and filled with vivid scenes as well as tender emotions, Reunion takes the reader around the world.Vol. IV - Prelude: Tom and Katrina Callahan continue their story in the years between the two world wars. Their three children have grown up and are making their way in a world that is propelling itself toward World War II. Tess has her heart set on a Hollywood movie career; PJ is a successful sheep rancher in New Zealand and Tommy is pursuing his career in the Marine Corps and learning not only about war, but about the perils of romance. When Tommy finds himself in England prior to WWII, Winston Churchill calls on him to examine the economic growth of the German nation as they secretly prepare for war.Vol. V - Reprisal - Continuing the series into WWII as Marine Corps Lieutenant Colonel Thomas Callahan III faces personal tragedy during the Blitz in London as the war presents a very personal face. As he leaves his Embassy post to return to the United States, America joins Europe in the worldwide conflagration. For the second time in his young life, the son of Thomas and Katrina Callahan finds himself immersed in front-line battle, torn between his duty and the love of a beautiful woman who desires only his safety.The conclusion of The Callahans will leave you enthralled as the children and grandchildren of a once-young Irish immigrant and his Norwegian bride leave their mark upon the world.

    Hearing that Clym Yeobright is to return from Paris, she sets her heart on marrying him, believing that through him she can leave rural life and find fulfilment elsewhere. But she is to be disappointed, for Clym has dreams of his own, and they have little in common with Eustacia’s. Their unhappy marriage causes havoc in the lives of those close to them, in particular Damon Wildeve, Eustacia’s former lover, Clym’s mother and his cousin Thomasin. The Return of the Native illustrates the tragic potential of romantic illusion and how its protagonists fail to recognize their opportunities to control their own destinies.

    However, it was these early stories that first earned her a reputation as a writer with "the liveliest imagination and most delicate style of her time." Influenced by Joyce, Proust, and the theories of William James, Bergson, and Freud, she strove to write a new fiction that emphasized the continuous flow of consciousness, time's passage as both a series of sequential moments and a longer flow of years and centuries, and the essential indefinability of character.Readers can discover these and other aspects of her influential style in the eight stories collected here, among them a delightful, feminist put-down of the male intellect in "A Society" and a brilliant and sensitive portrayal of nature in "Kew Gardens." Also included are "An Unwritten Novel," "The String Quartet," "A Haunted House," "Blue & Green," "The Mark on the Wall," and the title story.In recent years, Woolf's fiction, feminism, and high-minded sensibilities have earned her an ever-growing audience of readers. This splendid collection offers those readers not only the inestimable pleasures of the stories themselves, but an excellent entrée into the larger body of Woolf's work.

    Male, female, deft, fraudulent, constantly shifting: which of the masquerade of passengers on the Mississippi steamboat Fidele is the confidence man? The central motif of Melville's last and most modern novel can be seen as a symbol of American cultural history.

    This volume contains the short stories, The Brigadier, The Story of Lieutenant Ergunoff, A Hapless Girl, A Strange Story, and Punin and Baburin, and the novel On the Eve.

    For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.” These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.