Steinbeck immortalized Monterey's bohemian spirit in Cannery Row, but the area's true lifeblood was his best friend and mentor, Ed Ricketts. Today Ed Ricketts is usually remembered as "Doc"—the beer-drinking philosopher-scientist who presided over Monterey's population of "whores, pimps, gamblers, and sons of bitches" in Cannery Row—but Ricketts was actually a trailblazing ecologist who did seminal work in the emerging field on the Pacific Coast. His ideas were decades before their time, and his two books, Between Pacific Tides and Sea of Cortez (coauthored with Steinbeck), are still considered classics. Now, some sixty years after his untimely death, Ricketts' ecological approach and ethic seem more relevant than ever.

    Funny. Leaving no stone unturned." . . . So say the publishers about this book I've written. What I say is that this is the story of my life, told as clear as a Texas sky and in the same rhythm that I lived it. It's a story of restlessness and the purity of the moment and living right. Of my childhood in Abbott, Texas, to the Pacific Northwest, from Nashville to Hawaii and all the way back again. Of selling vacuum cleaners and encyclopedias while hosting radio shows and writing song after song, hoping to strike gold. It's a story of true love, wild times, best friends, and barrooms, with a musical sound track ripping right through it. My life gets lived on the road, at home, and on the road again, tried and true, and I've written it all down from my heart to yours. Signed,Willie Nelson

    Except it wasn’t that simple. Self-confessed latch-key kids, theirs was far from an easy ride.Inspired by both the energy of British punk bands like the Sex Pistols and Buzzcocks and cult American bands such as Dead Kennedys and Husker Du, Green Day formed in 1989. The band gigged relentlessly across the US, quickly selling out every underground club that booked them, and their 1994 major label debut Dookie was a 10-million-selling worldwide hit album that seized the zeitgeist while rock music was still reeling from the death of Nirvana's Kurt Cobain. They toured the world, headlined all the big festivals, won countless awards and released multi-million selling albums.In 2004 Green Day reached a career pinnacle with the concept album American Idiot, a sophisticated commentary on modern life—not least dissatisfaction with their president and America’s continued cultural and economic imperialism. The No. 1 success of the Grammy-winning album extended Green Day's fan base even further—from pre-teen kids to previously skeptical critics.This book is the world’s first full biography on Green Day. An authority on punk and hardcore, author Ben Myers charts the band members’ difficult childhoods, the context of the band within the US and world punk scene and their glittering rise to success. Myers has also interviewed the band for various magazines at different stages of their career.

    Some are adventurers seeking danger from the back of their horses. Others are travelers discovering the beauties of the countryside they slowly ride through. A few are searching for inner truths while cantering across desolate parts of the planet. Then there is Messanie Wilkins. She was acting on orders from the Lord! In 1954, at the age of 63, Wilkins had plenty to worry about. A destitute spinster in ill health, Wilkins had been told she had less than two years left to live, provided she spent them quietly. With no family ties, no money, and no future in her native Maine, Wilkins decided to take a daring step. Using the money she had made from selling homemade pickles, Wilkins bought a tired summer camp horse and made preparations to ride from the Atlantic coast to the Pacific Ocean. Yet before leaving she flipped a coin, asking God to direct her to go or not. When the coin came up heads several times in a row, one of America's most unlikely equestrian heroines set off. What followed was one of the twentieth century's most remarkable equestrian journeys. Accompanied by her faithful horse, Tarzan, Wilkins suffered through a host of obstacles including blistering deserts and freezing snow storms, yet never lost faith that she would complete her 7,000 mile odyssey. "Last of the Saddle Tramps" is thus the warm and humorous story of a humble American heroine bound for adventure and the Pacific Ocean. The classic tale is amply illustrated with photographs.

    The book opens with Leaf Fielding's arrest in a pre-dawn police raid and ends five years later with his release from jail.The narrative moves back and forth between the harsh world of prison and his previous life - from a childhood at a brutal boarding school onto undergraduate days and his LSD epiphany in the summer of love, 1967.Acid transformed him in an instant from nerdy scholar to footloose freak. His ten years of adventures in the hippie underground gave the title to this book - a quote from a Bob Dylan song - they also took him across Europe, to the Andes, to Indochina and on to the edge of the known universe. They also led inexorably to his downfall.

    The personal journey has been rewarding and challenging in equal measure, spanning many of the sport's most passionate heartlands such as New Zealand, Ireland, England and Wales. Gatland reflects in characteristically forthright and intelligent fashion on a lifetime spent playing and coaching the sport which has been his passion since as a young boy he first picked up an oval ball on New Zealand's North Island, dreaming of joining the ranks of the mighty All Blacks.Along the way we encounter the greatest matches, players and rivalries the sport has to offer, get introduced to a stunning cast of unforgettable characters who grace the story with their humour and humanity, and emerge with a striking appreciation of how rugby has managed to retain its appeal for millions around the globe.

    But just as this was no ordinary home, theirs was no ordinary family. Lynn Knight tells the remarkable story of the three adoptions within it: of her great-grandfather, a fairground boy given away when his parents left for America in 1865; of her great-aunt, rescued from an Industrial School in 1909; and of her mother, adopted as a baby in 1930 and brought to Chesterfield from London."--Front flyleaf of book jacket.

    They were all under contract to CBS Records, making it the most successful label of the era. And, as the company’s president, Walter Yetnikoff was the ruling monarch. He was also the most flamboyant, volatile and controversial personality to emerge from an industry and era defined by sex, drugs and debauchery. Having risen from working-class Brooklyn and the legal department of CBS, Yetnikoff, who freely admitted to being tone deaf, was an unlikely label head. But he had an uncanny knack for fostering talent and intimidating rivals with his appalling behavior—usually fueled by an explosive combination of cocaine and alcohol. His tantrums, appetite for mind-altering substances and sexual exploits were legendary. In Japan to meet the Sony executives who acquired CBS during his tenure, Walter was assigned a minder who confined him to a hotel room. True to form, Walter raided the minibar, got blasted and, seeing no other means of escape, opened a hotel window and vented his rage by literally howling at the moon. In Howling at the Moon, Yetnikoff traces his journey as he climbed the corporate mountain, danced on its summit and crashed and burned. We see how Walter became the father-confessor to Michael Jackson as the King of Pop reconstructed his face and agonized over his image while constructing Thriller (and how, after it won seven Grammies, Jackson made the preposterous demand that Walter take producer Quincy Jones’s name off the album); we see Walter, in maniacal pursuit of a contract, chase the Rolling Stones around the world and nearly come to blows with Mick Jagger in the process; we get the tale of how Walter and Marvin Gaye—fresh from the success of “Sexual Healing”—share the same woman, and of how Walter bonds with Bob Dylan because of their mutual Jewishness. At the same time we witness Yetnikoff’s clashes with Barry Diller, David Geffen, Tommy Mottola, Allen Grubman and a host of others. Seemingly, the more Yetnikoff feeds his cravings for power, sex, liquor and cocaine, the more profitable CBS becomes—from $485 million to well over $2 billion—until he finally succumbs, ironically, not to substances, but to a corporate coup. Reflecting on the sinister cycle that left his career in tatters and CBS flush with cash, Yetnikoff emerges with a hunger for redemption and a new reverence for his working-class Brooklyn roots.Ruthlessly candid, uproariously hilarious and compulsively readable, Howling at the Moon is a blistering You’ll Never Eat Lunch in this Town Again of the music industry.

    The secret, though, that surrounded my parents’ unhappy life together, was divulged to me by accident . . .’ Hidden under some papers in his father’s bureau, the sixteen-year-old Derek Malcolm finds a book by the famous criminologist Edgar Lustgarten called The Judges and the Damned. Browsing through the Contents pages Derek reads, ‘Mr Justice McCardie tries Lieutenant Malcolm – page 33.’ But there is no page 33. The whole chapter has been ripped out of the book. Slowly but surely, the shocking truth emerges: that Derek’s father, shot his wife’s lover and was acquitted at a famous trial at the Old Bailey. The trial was unique in British legal history as the first case of a crime passionel, where a guilty man is set free, on the grounds of self-defence. Husband and wife lived together unhappily ever after, raising Derek in their wake. Then, in a dramatic twist, following his father’s death, Derek receives an open postcard from his Aunt Phyllis, informing him that his real father is the Italian Ambassador to London . . . By turns laconic and affectionate, Derek Malcolm has written a richly evocative memoir of a family sinking into hopeless disrepair. Derek Malcolm was chief film critic of the Guardian for thirty years and still writes for the paper. Educated at Eton and Merton College, Oxford, he became first a steeplechase rider and then an actor after leaving university. He worked as a journalist in the sixties, first in Cheltenham and then with the Guardian where he was a features sub-editor and writer, racing correspondent and finally film critic. He directed the London Film Festival for a spell in the 80s and is now President of both the International Film Critics Association and the British Federation of Film Societies. He lives with his wife Sarah Gristwood in London and Kent and has published two books – one on Robert Mitchum and another on his favourite 100 films. He is a frequent broadcaster on radio and television and a veteran of film festival juries all over the world.

     Following an insatiable appetite to explore the uncivilized West, Larpenteur joined the Rocky Mountain Fur Company in 1833 and traveled west to the mouth of the Yellowstone River. An important part of fur-trade history, chronicling the business in the American West in the nineteenth century, Forty Years a Fur Trader is also an insightful source of Native American history. Larpenteur had daily dealings with the Native American tribes of Montana, Wyoming and North Dakota and his journals reveal that he and many of the other trappers showed great respect to the native people, learning to live among them without attempting to eradicate established Native American life. Forty Years a Fur Trader on the Upper Missouri is the preeminent source for the history of the fur trade in the American West. Drawing upon daily journals recorded by Charles Larpenteur it provides fascinating insight into the history of the Midwest in the nineteenth century. “Its true inwardness is turned inside out by a chronicler whose eyes never opened to see much difference between good and evil, and who so saw nothing to conceal.” — The American Historical Review Charles Larpenteur was an American fur trader, whose memoir and diary frequently have been used as a source to fur trade history. He diligently kept a daily diary during his time in the trade and used it to write this book at the end of his life. He died in 1872.

    The Judge, as he was known to all, took on some of the most dangerous fast bowlers of all time with a skill and fearlessness that ensured hero status. His savage square cut drew roars of approval from fans all around the world, especially those of his beloved England and Hampshire. But when he was prematurely dumped from the England set-up at the age of 32, he had to face his toughest opponent of all – himself. Smith suffered a debilitating loss of identity, especially when he retired from professional cricket in 2003, and struggled to deal with the contradictions in his personality. Was he the Judge, the fearless warrior, or Robin Smith, the frantic worrier?Without a support structure to transition from cricket to the outside world, Smith suffered from mental health, alcohol, marital and financial problems until he hit rock bottom and planned to take his own life. In The Judge, he revisits his experience of extreme darkness and challenges received wisdom about masculinity and mental health. He also shares the many highs and lows of his eventful international and county career, including his exhilarating battles with the West Indies and his struggles against mystery spin. And he reflects fondly on a time when cricketers worked hard and partied even harder; a time almost unrecognisable to the modern day.

    To save her from living alone with a difficult father, her older sister sends her a one-way plane ticket to leave New Jersey. Landing in San Francisco, she is thrust into a lifestyle way beyond what she is ready for, and that challenges all previous notions of how one behaves. It is 1963, and we are brought along as Ilene becomes immersed in the unfolding of the sixties during the earliest days of sexual freedom, psychedelic drugs, the jazz scene, and rock ’n’ roll. This is a deeply personal story of how one young woman manages to survive and even to thrive in the face of the whirlwind of experiences coming at her. It is filled with a rich tapestry of moments that run the gamut from the sublime to the ridiculous, and everything in between.

    Songwriter. Swamp child. Soul man. Tex Perkins is a true rock'n'roll animal. In this loud, uncut, no-holds-barred, laugh-out-loud and take-no-prisoners memoir, the enigmatic king of the Australian music underground lays bare an extraordinary life lived on the road, on the stage and on the edge.Raised a bible-thumping Catholic and beaten bloody on the streets of Brisbane for being a "cow-punk", skinny Gregory Perkins flees to Sydney and mutates into "Tex", rogue leader of the Dums Dums, Thug and Salamander Jim before finding a strange kind of success, celebrity, sex symboldom and icon status as Tex Perkins, snake-hipped, honey-voiced, often bloodied frontman of influential Aussie bands the Cruel Sea, Beasts of Bourbon and Tex, Don & Charlie... and inventor of "Zoneball".Gigs. Albums. Tours. Fights. Feuds. Arrests. Drugs. High times. Low roads. This is a wild ride of a life written loudly, proudly and full of punk energy.

    He did not claim he was God’s agent. Did he believe in God? Did he look for a sign when he was desperate? Did he follow the Divine Will? Many believers are not followers; many followers are not believers. Is he a believer or a follower or both?

    Louis Cardinals in 1995, he thought his career in baseball was over. After more than three decades and4,200 games as a player and manager, one thing had always eluded him--winning a World Series.  He had all but given up his dream when the New York Yankees made him an offer to manage their 1996 club.  Encouraged by his wife and others, he accepted, and so began one of the greatest seasons in the fabled history of the New York Yankee franchise and one of the most inspiring, heartwarming stories in all ofbaseball.  Here is the ultimate insider's record of that unforgettable season by the man whose personal struggles captured the hearts and imaginations of fanseverywhere. Tough, gritty, but always fair and honest, Torre vividly reveals how he turned a potentially volatile mix of talented youngsters such as AndyPettitte and Derek Jeter, seasoned veterans like Wade Boggs and Paul O'Neill, and so-called "problem" players like Darryl Strawberry and Dwight Gooden into a cohesive unit that cared more about winning than personal egos.  He explains how he played his hunches and earned his team's confidence and respect as hefocused his players from spring training on toward one goal: the World Series. And he did it all in a pressure-filled sports city that expects nothing lessthan a champion.But how he did it is only part of this remarkable story.  For at the same time that Torre was overcoming the odds on the field, his family was facing muchgreater hardships off the field.  He speaks candidly and emotionally of the tragedy of his oldest brother Rocco's sudden death, and the agonizing ordeal ofhis other older brother, Frank, who waited for the heart transplant that could save his life.  It was his wife, Ali, who gave him the faith to believeanything was possible. Together with his sisters Rae and Sister Marguerite, a nun from Queens, they dared to dream the impossible.  In a fairy-tale endingnot even the best Hollywood scriptwriter could imagine, Frank Torre got his new heart the day before the Yankees won their first World Series championshipsince 1978--and Joe Torre won his first ever.Here is Joe Torre's own story--told for the first time in his own words--from his early childhood in Brooklyn, to his celebrated baseball career playing with the likes of Hank Aaron and Bob Gibson, to his stint as the first native New Yorker ever to manage the Yankees.  Offering a rare behind-the-scenes look at a season to remember and a man who went through so much to reach the pinnacle of his profession, Chasing the Dream is more than just another sportsstory.  It is a poignant reminder of why we love the game--and how, sometimes, nice guys do finish first.From the Hardcover edition.