She’s single, alone in a new city, and facing rock bottom again. And she’s not exactly child-friendly, so when she finds a tiny stowaway, five-year-old Sadie Beck, in the back of her Jeep on Halloween night, she’s in no mood to play.Then her world gets weird.Against her will, Kate begins to feel a surprising connection with the odd little girl. And when she realizes Sadie may be in real trouble, she vows to protect her at any cost.On their frantic journey across several state lines Kate rips through a complex landscape of moral choices her prior transgressions have left her woefully unprepared to handle. She begins, very seriously, to wonder who’s saving whom.When they exhaust all other options, Kate’s forced to go to the one place she swore she never would again, and to make the most difficult decision of her life.At once hilarious and heartbreaking, Chasing Kate is a raucous voyage of self-transformation, fueled by an unconventional love story, wending down the twisty road to redemption.

    Patrick is a struggling restaurateur who wishes he could spend more time with his wife. As they drift apart, Jane decides she wants more from her relationship than friendship, and so at age thirty-six she sets off on a journey to find what it takes to complete her life. She travels to India where she falls rapturously in lust with her tour guide, Rajiv. Meanwhile Patrick falls for baby-faced American food critic Stella, who could lose him more than his peace of mind; she could lose him his restaurant. Both affairs are disastrous and as their lives spiral toward disaster, Patrick and Jane reassess the decisions they’ve made. Has Jane thrown away true love with both hands?Prue Leith, one of England’s top chefs, displays her expertise in her insider’s details of the restaurant business and the breathtaking food of India. In Leaving Patrick, Leith has created a well-written and moving story with wry humor and intelligence about the real choices adults have to make once they start taking stock of their lives.

    His two children work abroad and he is alone after the funeral and grows deliberately recluse. A few weeks later he’s puzzled and annoyed when a lady arrives at his home delivering a schnauzer puppy. Called Rosie, it was ordered by his wife to be delivered to him after her death, together with a note from her. His wife had always wanted a dog but Will didn’t like them and had never agreed. But after a very difficult initial spell, he gradually grows to love Rosie and appreciate the companionship his little new friend brings to his life. Rosie also helps him overcome his grief and appreciate more than ever the wise and loving foresight of his wife. Two travel adventures follow in Switzerland and Austria where doggie-centred dramas ensue - including the injury and loss of Rosie. All dogs have a small monetary market value and many are worth nothing at all. But to their loving owners they are priceless.

    Then along came Louie, who saved her from shame with a beautiful lie. He changed several lives on that day. Now, recently widowed and with a troubled teenage daughter of her own, Ellis has returned to her childhood home, where life will catch her by surprise-and point her in new directions.

    At twenty-nine, she receives sudden, life-changing news. She realizes that her everyday life with her fiancé, Jake, was pretty amazing. Who cares about a sarcastic boss or a promotion when losing everything has become a terrifying reality? Cassie’s shocking news infiltrates the lives of everyone she loves, particularly Jake and her estranged sister, Sandy. Jake wants to be strong for Cassie, but this unexpected turn brings back painful memories—and a terrible secret he’s shared with no one. Sandy, who ran away to pursue stardom, is called home to face those she left behind. The golden child of the family, Sandy fell from her pedestal long ago. Will she be able to face her own failures? As Cassie struggles against an uncertain future, Jake and Sandy battle with the demons of the past. All three will learn valuable lessons about love, forgiveness and appreciating the days we’re given.

    From the author of Wild at Heart, a “wild, wacky, funny, well-written, and surreal” novel (Kansas City Star) about a woman struggling to make her way in “a New Orleans so feverishly peculiar that Anne Rice would feel at ease there” (Washington Post).

    There, she finds a foreign, civilized world -- and Manus, the architect son of a wealthy, devout family. Together Deirdre and Manus build a marriage that, like Dublin itself, is fraught with hope and threatened by legacies. When Deirdre's secret resurfaces, she is forced to confront the questions "How much of our parents do we carry? Do their sins and frailties shape who we become to our own children?"

    In an exemplary interpretation of the novel, this volume integrates theoretical concepts from narrotology, visual culture and cultural history into a close reading of the aesthetic and structural features of the novel. Interpretative insight into a postmodern novel is thus combined with the provision of transferable conceptual knowledge.

    The exalted, memorable characters in Kirn's acclaimed debut short story col lection confront the real hard bargains in life that spring up from the business of simply living, and Kirn transforms these hard-luck stories into strapping moral lessons which evoke the bonds that unite us all.

    . . Things really start heating up when Belinda is asked to remove a mirror from her shop window. Only to have it come crashing down soon after and shattering in to pieces. Would it mean seven years of bad luck? The moment Harrison walks in to the store and sets eyes on Belinda he is hooked. It was his lucky day. His decision is made. She would soon be his wife, the future Mrs. Scott. Their romance blossoms from a friendship in to a meaningful relationship. After a business trip Harrison cannot wait to get home. But the strangest twist of words changes everything. On the very same day that Harrison proposes to Belinda. Belinda is not about to apologize. She is old fashioned . . . in so many ways!

    Shortly before the story opens he has endured a ridiculously humiliating incident that put him off his instrument—as part of a string quartet, he was sent unaware by the Musicians’ Union to “open” for a reunion tour of over-the-hill Hessian metal-gods Volstagg (based on Meat Loaf), who threw the classical musicians offstage. Biding his time until he can afford to leave Philth Town (a tweaked Philadelphia), he now works in a deli run by a despotic Dutchman and lives in a boarding house (The Desmon), among whose other residents are Armless Rob (self-explanatory), Yancey Fishnet (dominatrix), Emmylou Mattressback (basically what you’d expect), and others. Including Tinsel Greetz, an ill-informed anarchist prone to disaster, and Charlie's best friend.As the story opens, Tinsel has founded a “barter system” economy for the various misfits in the Desmon and its affiliated businesses (The Grain Shack, the dive bar Maxine’s, a veterinary office) which results in the destruction of the Shack, a huge pack of dogs being left at the Desmon for Tinsel to deal with, threats of lawsuits and bodily harm, and Tinsel hiding out with his inexplicably understanding girlfriend Zelda. Charlie has been supplementing his deli paycheck via the “Willard Rounds,” the illegal method Philth Town’s Sanitation Department has evolved to deal with its out-of-control sewer rat problem: paying “slag-hands” to go down into the sewers armed with pipes and duffel bags and pays them a fee per quantity of dead rats (“Willard,” above, and “Ben,” as the rats are collectively called, are references to the movies Willard [1971, recently remade starring Crispin Glover] and Ben [1972] in which rats avenge the wrongs done to their human guardians). Tinsel is persona non grata and has lost his gig playing guitar at a bar, so Charlie initiates him into life as a slag-hand, ending in a ridiculously generous haul. To celebrate, Charlie and Tinsel get drunk and—unfortunately—trash Zelda's apartment just as a foreign investor is about to come buy some of her photographs for a French media conglomerate. Furious, Zelda throws them out whereupon they are beaten up by skinheads and end up waking up the next morning worse for wear in a hotel room in one of the poshest hotels in the city, with Louise (the “investor,” who's actually a French journalist). Charlie is instantly, stupidly in love with Louise, reduced to stammering incoherence and suddenly relating to the lyrics of “Total Eclipse of the Heart.” And strange as it might seem, it appears to be mutual.Over the next forty-eight hours, Charlie is on a hellbent journey from disaffected, self-destructive, downwardly mobile slacker to redeeming his former creativity and maturity, as Tinsel and Louise vie for his loyalties. Along the way there are hilarious scenes where the two cleaned-up slag-hands attempt to navigate the stressful environment of a nice restaurant (complete with compulsive table-crumbers and a schmaltzy table-side troubadour who receives his comeuppance when Charlie takes his violin and bears down with classical fury, getting a standing ovation); the three play a vicious game of Death Match culminating in watching a Felix Trinidad-Hector Camacho fight at Maxine’s; and a final denouement in which fallen cinematic genius Delvin Corollo is shooting a vapid costume drama outside the hotel (based on Martin Scorsese and The Age of Innocence) and Tinsel and Charlie conspire to destroy the shoot.Brewing under the surface, Charlie is being forced to confront the “hate” part of his “love-hate” relationship with his extremely trying friend. Louise has offered to take him with her when she leaves town—to cover an uprising in New Guinea, and whatever comes next. Tinsel shows no sign of abandoning his hare-brained schemes—he’s planning to rob a bank now—and Charlie has become disgusted with himself for putting up with Tinsel’s behavior, which includes not only a lack of hygiene and normalcy, but more seriously a streak of casual misogyny and xenophobia that Charlie has always assumed was a joke, but now is not so sure. In a final scene both hilarious and poignant, Charlie takes his revenge on the evil Dutchman who persecuted him at the deli and gives Tinsel the means to attempt the bank job—in other words, enough rope to hang himself.

    His mother has run off with her hairdresser. His father has taken to talking to the walls, but at least he's talking, as his brother has gone entirely mute. At school, Julie Dyer blows confusing smoke rings at him and Hoop the Mental says there is no God. When Taliesin tries to find this out for sure no one seems to have the answer-no one except Billy Evans, an old man with an exceptional and miraculous talent.

    Unable to resume his normal life, he flies south to North Carolina to visit his aged father, a widowed Episcopal priest who is cared for by live-in nurse Audrey Thornton and her grown son, Marcus. During his stay -- with help from his cantankerous father, Audrey, Marcus, and an alluring old flame named Gwyn -- Mabry is compelled to explore his tormented relationship with his father and a world he fondly remembers but has long since abandoned. Back in New York a week later, Mabry faces his old life, which lies in ruins before his eyes. There, he must once again confront change and uncertainty -- and a daunting disease that may prove fatal. In an elegantly crafted and profoundly moving novel, Reynolds Price follows one man's wrenching journey to come to terms with two familiar worlds that have been radically altered.

    The narrator, Steve Geddes, is a writer doing a book on collectors, especially those with "unlikely, bizarre, or exceptionally useless collections." His research leads him to the Havergals, a wealthy, eccentric couple. They "collect people"; that is, she does the "collecting" while he watches-"a bout of troilism," as Geddes calls it. By accident, Geddes learns that reclusive "cult author" Thornton McCain may have written a book that Geddes hasn't heard of. Geddes the observer becomes both obsessed collector and, for the randy Havergals, object to be collected. An insightful delight from start to finish; recommended for all fiction collections.

    In his fourteenth collection of poems, Pulitzer Prize winner Stephen Dunn reveals his concerns, ranging from meditations on salvation and time to the difficulties and pleasures of loving in this "already brutal century." In language that Gerald Stern has called "unbearably fearless and beautiful," Dunn continues to probe the elusive in the lives we live.