Fry transforms the adventures of Zeus and the Olympians into emotionally resonant and deeply funny stories, without losing any of their original wonder.This stunning book features classical artwork inspired by the myths, as well as learned notes from the author. Each adventure is infused with Fry's distinctive wit, voice, and writing style. Connoisseurs of the Greek myths will appreciate this fresh-yet-reverential interpretation, while newcomers will feel welcome. Retellings brim with humor and emotion and offer rich cultural contextCelebrating the thrills, grandeur, and unabashed fun of the Greek myths, Mythos breathes life into ancient tales—from Pandora's box to Prometheus's fire.This gorgeous volume invites you to explore a captivating world with the brilliant storyteller Stephen Fry as your guide.

    Against a medieval tapestry of color and pageantry, Jennifer Roberson has woven a rich, sweeping tale of a woman whose courage and passion could forever alter the destiny of that mist-shrouded land of lore we know in our hearts and see in our dreams...

    After thousands of years of other people's tellings, of all these different bridges, of words gotten wrong, I'll tell it myself.Seductresses and she-monsters, nymphs and demi-goddesses, populate the famous myths of Ovid's Metamorphoses. But what happens when the story of the chase comes in the voice of the woman fleeing her rape? When the beloved coolly returns the seducer's gaze? When tales of monstrous transfiguration are sung by those transformed? In voices both mythic and modern, Wake, Siren revisits each account of love, loss, rape, revenge, and change. It lays bare the violence that undergirds and lurks in the heart of Ovid's narratives, stories that helped build and perpetuate the distorted portrayal of women across centuries of art and literature.Drawing on the rhythms of epic poetry and alt rock, of everyday speech and folk song, of fireside whisperings and therapy sessions, Nina MacLaughlin, the acclaimed author of Hammer Head, recovers what is lost when the stories of women are told and translated by men. She breathes new life into these fraught and well-loved myths.

    Anaxandra has adjusted to her new life when, six years later, Siphnos is sacked by pirates, and she is the sole survivor. When a fleet of ships stops on the island to investigate, she assumes the identity of Princess Callisto to survive. The ships belong to Menelaus, king of Sparta, and he takes her back to Sparta with him. But Helen, wife ofMenelaus, does not believe that this child is Princess Callisto. Anaxandra manages to stay out of harm’s way—until Paris and Aeneas arrive. When Menelaus and his men depart to attend his grandfather’s funeral, Paris and Helen’s passionate affair plunges Sparta and Troy into war.

    Again and again. The life of a virgin goddess might suit Artemis or Athena, but Persephone, daughter of Zeus, wants no part of it. While the rest of the immortals cavort, she grows restless in the shadow of Olympos. Rules, rules. Always the rules. Her mother’s edict forbids her the company of any male god. She can’t speak to them, can’t look at them. Can’t even attend the Olympian feasts. As far as Demeter knows, her daughter remains a maiden. But Persephone leads a double life. She finds her affection elsewhere, and in plentiful supply. If only the sons of Man made her happy. If only she could put a name to this need she feels. It grows by the day, dark and unfulfilled. An eternity of enforced loneliness looms, and Persephone contemplates a drastic choice to escape it. Only one thing stands in her way. Hades. Where earthquakes rend hill and vale asunder, and the abyss yawns to devour falling screams, the black halls of the Underworld await. The Lord of the Dead follows only one set of rules: his own. And he expects Persephone to obey. Eris Adderly draws you into a spectacular world of dark mythology, where legends bloom with sensual new life and the stories you thought you knew turn out to be just the beginning. This scorching hot romance takes the reader on a journey of discovery and submission, including graphic descriptions of sexual acts, and is intended for mature readers only.

    Get revenge on the mean girl. Saving the world was never part of the curriculum. Prior to the Halloween dance, Sophie’s biggest problems are the bitchy girls at her boarding school and her mouthy behavior landing her in detention.Then she meets bad boy Kai. And gets the kiss that rocks her world.That kiss reawakens Sophie’s true identity: Persephone, Goddess of Spring. Now school is the least of her worries.She’s key to saving humanity and target numero uno of Hades and Zeus.All she’s gotta do is master her powers, land her bad boy crush, and save the world.Happy Sweet Sixteen!**Alternate-cover edition: 9780988054035

    This latest work from the author of Our Lady of 121st Street "shares many of the traits that have made Mr. Guirgis a playwright to reckon with in recent years: a fierce and questing mind that refuses to settle for glib answers, a gift for identifying with life's losers and an unforced eloquence that finds the poetry in lowdown street talk. [Guirgis brings to the play] a stirring sense of Christian existential pain, which wonders at the paradoxes of faith" (Ben Brantley, The New York Times).

    Among his possessions: women, imprisoned and fated to serve. The strong-minded Althea Lambros controls her own fate and lives to honor her dying mother’s plea to protect her two sisters at all costs. Althea’s journey toward crushing the tyranny has begun. It is a destiny foretold by the Fates. And she is following their visions.On the southern isle of Crete, hidden among mortal women who have fled the Titans, is the Boy God, son of Cronus and believed dead. He shares Althea’s destiny to vanquish the Almighty—fate willing. Because Cronus has caught wind of the plot. He’s amassing his own forces against Althea’s righteous rebellion and all those who will no longer surrender or run. There will be war. If she’s to survive to write their history, the indomitable Althea must soar higher than any god.

    NO EXIT is an unforgettable portrayal of hell. THE FLIES is a modern reworking of the Electra-Orestes story. DIRTY HANDS is about a young intellectual torn between theory and praxis. THE RESPECTFUL PROSTITUTE is an attack on American racism.

    Women must rely on their inner strength and cunning to survive the wars men wage for gold and glory.Clytemnestra of Mycenae struggles for control of her life after Agamemnon ruthlessly rips it apart. Leda of Sparta survives a brutal assault by Zeus, shouldering a terrible secret in silence. Penelope raises Ithaka’s sole heir alone, praying for Odysseus’ swift return. Thetis, the sea nymph, despairs of her son’s destiny and resorts to forbidden magic to save him. Hecuba of Troy mourns the loss of her second son to a dark prophesy. And Shavash of Pedasus prepares her daughter to marry the greatest warrior who ever lived.In a world where love leads to war and duty leads to destruction, the iron hearts of heroines will conquer all.Sing, Muse, sing their song of sacrifice...Replaces Song of Princes as the first book in the Homeric Chronicles.

    His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and sorrow, illuminated by a tragic vision of stunted and frustrated lives.' Fintan O'Toole, Irish TimesMartin McDonagh's searingly brilliant new play premi�res at the National Theatre, London in November 2003.

    This is the memoir that she has written—her legendary beauty still undimmed by age.Gossips began whispering about Princess Helen from the moment of her birth. A daughter of the royal house of Sparta, she was not truly the progeny of King Tyndareus, they murmured, but of Zeus, king of the gods. Her mother, Queen Leda, a powerful priestess, was branded an adulteress, with tragic consequences. To complicate matters, as Helen grew to adulthood her beauty was so breathtaking that it overshadowed even that of her jealous sister, Clytemnestra, making her even more of an outcast within her own family. So it came as something of a relief to her when she was kidnapped by Theseus, king of Athens, in a gambit to replenish his kingdom’s coffers. But Helen fell in love with the much older Theseus, and to his surprise, he found himself enamored of her as well. On her forced return to Sparta, Helen was hastily married off to the tepid Menelaus for the sake of an advantageous political alliance. Yet even after years of marriage, the spirited, passionate Helen never became the docile wife King Menelaus desired, and when she fell in love with another man—Paris Alexandros, the prodigal son of King Priam of Troy—Helen unwittingly set the stage for the ultimate conflict: a war that would destroy nearly all she held dear.

    Written in 1935, an exploration of the looming threat of World War II, set against the backdrop of the familiar story of the Trojan War

    With his boyish good looks, blue-blood pedigree, and the recent tidy valuation of his tech startup, Wes would have made any woman weak in the knees—any woman, that is, except perhaps his wife. Brilliant to the point of cunning, Diana possesses her own arsenal of charms, handily deployed against Wes in their constant wars of will and rhetorical sparring. Vivien and Dale live in Philadelphia, but with ties to the same prep schools and management consulting firms as Wes and Diana, they’re of the same ilk. With a wedding date on the horizon and carefully curated life of coupledom, Vivien and Dale make a picture-perfect pair on Instagram. But when Vivien becomes a visiting curator at The Metropolitan Museum of Art just as Diana is starting a new consulting project in Philadelphia, the two couples’ lives cross and tangle. It’s the summer of 2015 and they’re all enraptured by one another and too engulfed in desire to know what they want—despite knowing just how to act. In this wickedly fun debut, A. Natasha Joukovsky crafts an absorbing portrait of modern romance, rousing real sympathy for these flawed characters even as she skewers them. Shrewdly observed, whip-smart, and shot through with wit and good humor, The Portrait of a Mirror is a piercing exploration of narcissism, desire, self-delusion, and the great mythology of love.

    The other, stranger memories begin nine years ago, when she was ten and gate-crashed an odd funeral in the mansion near her grandmother's house. Polly's just beginning to recall the sometimes marvelous, sometimes frightening adventures she embarked on with Tom Lynn after that. And then she did something terrible, and everything changed.But what did she do? Why can't she remember? Polly must uncover the secret, or her true love — and perhaps Polly herself — will be lost.