But both are real.... — In the world of today and the near future, three people inexorably linked by a common interest in the work of H. P. Lovecraft, discover: — that the legendary creatures he created in his fantasies have hideous counterparts in reality... that his fiction is incredible fact... that his message is a warning...Bloch was a protège of H. P. Lovecraft, and, at the age of fifteen, the youngest member of the "Lovecraft Circle." This book, based on Lovecraftian themes, is his homage to the man.Of all the Lovecraft pastiches, Strange Eons most emphatically takes the bleak implications of his mythos to their logical conclusion.Cover Art by David Hada

    But from the moment of his arrival at the secluded country mansion strange and inexplicable events begin to transpire. Soon he is drawn into an impenetrable maze of horror, and by the time he discovers the role he is intended to play in a diabolical design, it will already be too late. For the seeds of evil have been sown, and the time to reap their wicked harvest is nigh!

    . . and more.

    Pandora and sail into a cruise of metaphysical terror, madness, and death.

    And Sir Gifford Hillary, outspoken in his views on top-secret measures to counter the threat of Soviet aggression, is partly responsible for tempers fraying.But danger and betrayal stalk closer to home. On a warm autumn night at Longshot Hall, Sir Gifford gets the shock of his life. Horrifically and inexplicably, he witnesses his own murder...Dennis Yates Wheatley (1897—1977) was an English author whose prolific output of stylish thrillers and occult novels made him one of the world's bestselling writers from the 1930s through the 1960s. His Gregory Sallust series was one of the main inspirations for Ian Fleming's James Bond stories. Born in South London, he was the eldest of three children of an upper-middle-class family, the owners of Wheatley & Son of Mayfair, a wine business. He admitted to little aptitude for schooling, and was expelled from Dulwich College. Soon after his expulsion Wheatley became a British Merchant Navy officer cadet on the training ship HMS Worcester. During the Second World War, Wheatley was a member of the London Controlling Section, which secretly coordinated strategic military deception and cover plans. His literary talents gained him employment with planning staffs for the War Office. He wrote numerous papers for the War Office, including suggestions for dealing with a German invasion of Britain. Dennis Wheatley died on 11th November 1977. During his life he wrote over 70 books and sold over 50 million copies.

    P. Lovecraft—an entire universe of gods and monsters that hundreds of writers have imitated. But Shea has done a lot more than merely mimic Lovecraft’s prose or add a new god or “forbidden book” to the Mythos. In his Mythos tales, Shea has infused his own unique vision and perspective. The much-reprinted “Fat Face” takes us into the seedy underworld of prostitutes and drug dealers in San Francisco, while other tales such as “Dagoniad,” “Copping Squid,” and “Tsathoggua” vividly meld Lovecraftian cosmic horror with the contemporary world of California, with its swimming pools and beachcombers. Shea was also fascinated with Lovecraft’s novel of Antarctic horror, At the Mountains of Madness, and his stories “Under the Shelf” and “Beneath the Beardmore” take us to that frozen land of death and terror. The title story, “Demiurge,” is a previously unpublished novella that draws upon Lovecraft’s tales of psychic possession in its chilling portrayal of a nameless monster who may be the harbinger of the overthrow of the entire human race. Michael Shea (1946–2014) was the award-winning author of The Color out of Time, the Nifft the Lean series of fantasy novels, and the classic tales “Polyphemus” and “The Autopsy.” This volume of his complete Cthulhu Mythos tales has been assembled by S. T. Joshi, a leading authority on Lovecraft and the Mythos. This volume features wraparound cover artwork and five interior illustrations by renowned artist Aeron Alfrey (MADHOUSE).

    Bethany's Sin was a weird name, but the village was quaint and far from the noise and pollution of the city.But Bethany's Sin was too quiet. There were no sounds at all...almost as if the night had been frightened into silence.Evan began to notice that there were very few men in the village, and that most of them were crippled. And then there was the sound of galloping horses. Women on horses. Riding in the night.Soon he would learn their superhuman secret. And soon he would watch in terror as first his wife, then his daughter, entered their sinister cabal.An ancient evil rejoiced in Bethany's Sin. A horror that happened only at night...and only to men.

    The quiet, peaceful place was straight out of a bygone era, with well-cared-for Colonial houses, a white-steepled church fronting a broad Common. Ned and Beth Constantine chanced upon the hamlet and immediately fell in love with it. This was exactly the haven they dream of. Or so they thought.For Ned and his family, Cornwall Coombe was to become a place of ultimate horror.

    It was the call of his own blood . . .  When Peter Constantine inherited a vast, remote estate, his life began to change.  Free at last from money worries, Peter and his wife, Meg, could relax—and Peter could explore his new, mysterious home. From the thick woods, the winding trails, the bizarre, sensual sculpture, came a pulsing, ancient call that stirred his very soul. Then he heard the music and saw the beautiful woman who beckoned him into the wood . . . into an ancient ritual, a blood curse, a world of violent, unbridled lust. Now his wife no longer knows him. Now Peter is transformed . . . into a pagan creature, driven by the suffocating need of animal desire . . . until pleasure is not enough, and no evil is forbidden, in . . . The Spirit Wood.

    But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?The third novel by Ken Greenhall (1928-2014), whose works are receiving renewed attention as neglected classics of modern horror, Childgrave (1982) is a slow-burn chiller that ranks among Greenhall’s best.“Writing in Shirley Jackson’s precise, sharp, chilly prose, Greenhall delivers a slippery book that can’t be pinned down, all about spectral photography, little dead girls, snowbound small towns, and the disquieting proposition that maybe God is not civilized.” - Grady Hendrix, author of Paperbacks from Hell“A very well-orchestrated, eerie tale.” - Publishers Weekly

     She soon discovers that both her sister and her new husband have tragically perished in a fire which destroyed their home. Alone in the bleak Norfolk brecklands, Deborah is at first forced to accept hospitality from the handsome yet forbidding widower, Sir Randall Gaunt. Yet even when Deborah later stumbles upon the warm companionship of Lord Stannard, the charming young aristocrat wooing her with such passionate urgency, the strange events that follow cause her feelings of uneasiness to grow. And then, before long Deborah becomes inextricably involved in a nightmare of unimaginable evil…

    A dark ritual turns a woman obsessed with supernatural powers against the people who love her most. A possessed TV proves that old B-Movie monsters can still terrify an unsuspecting audience…Scare Street’s roster of authors brings you eleven new tales of supernatural horror, in one blood-chilling volume. This macabre collection of short stories is guaranteed to get your pulse racing, and send shivers down your spine.Each deliciously dark tale will haunt your dreams, and keep you reading long past the witching hour. But wait…What was that noise? Did something move in the shadows?Just keep telling yourself… it’s only a story.

    Lovecraft from 1917-1935. Excludes collaborations.The eBook’s table of contents is listed below. It includes the year each story was written.The Tomb (1917)Dagon (1917)Polaris (1918)Beyond the Wall of Sleep (1919)Memory (1919)Old Bugs (1919)The Transition of Juan Romero (1919)The White Ship (1919)The Doom That Came to Sarnath (1919)The Statement of Randolph Carter (1919)The Terrible Old Man (1920)The Tree (1920)The Cats of Ulthar (1920)The Temple (1920)Facts Concerning the Late Arthur Jermyn and His Family (1920)The Street (1920)Celephaïs (1920)From Beyond (1920)Nyarlathotep (1920)The Picture in the House (1920)Ex Oblivione (1921)The Nameless City (1921)The Quest of Iranon (1921)The Moon-Bog (1921)The Outsider (1921)The Other Gods (1921)The Music of Erich Zann (1921)Herbert West — Reanimator (1922)Hypnos (1922)What the Moon Brings (1922)Azathoth (1922)The Hound (1922)The Lurking Fear (1922)The Rats in the Walls (1923)The Unnamable (1923)The Festival (1923)The Shunned House (1924)The Horror at Red Hook (1925)He (1925)In the Vault (1925)The Descendant (1926)Cool Air (1926)The Call of Cthulhu (1926)Pickman’s Model (1926)The Silver Key (1926)The Strange High House in the Mist (1926)The Dream-Quest of Unknown Kadath (1927)The Case of Charles Dexter Ward (1927)The Colour Out of Space (1927)The Very Old Folk (1927)The Thing in the Moonlight (1927)The History of the Necronomicon (1927)Ibid (1928)The Dunwich Horror (1928)The Whisperer in Darkness (1930)At the Mountains of Madness (1931)The Shadow Over Innsmouth (1931)The Dreams in the Witch House (1932)The Thing on the Doorstep (1933)The Evil Clergyman (1933)The Book (1933)The Shadow out of Time (1934)The Haunter of the Dark (1935)

    The little girl saw it, saw the evil that had been bequeathed her by the house that had bedeviled her ancestors. And there was no escaping it. It lived at the lonely mansion off the New England coast.. it followed her.. possessed her.. and it would not

    Moving into a former storage building on the farm of Sarr and Deborah Poroth, he expects to spend a productive summer free from essentially all distractions - he is quite wrong in this assumption. Meanwhile, in New York, the rather reserved Carol Conklin goes about trying to survive in the big city on a small income from her job at a library. She meets Jeremy in New York just before he leaves for the summer, and a connection is made which will find the couple developing a romantic relationship on somewhat strange terms. What Jeremy and Carol do not know is that this relationship is the work of a strange, little old man known as Mr. Rosebottom. Rosie is actually the Old One working to bring his master back after a very long absence, and Jeremy and Carol are the unsuspecting keys to his success