Looking back on the hardships of his early life, where difficult days are faced with courage but the valleys swell with the sound of Welsh voices, it becomes clear that there is nowhere so green as the landscape of his own memory. An immediate bestseller on publication in 1939, How Green Was My Valley quickly became one of the best-loved novels of the twentieth century. Poetic and nostalgic, it is an elegy to a lost world.Richard Dafydd Vivian Llewellyn Lloyd (1906-1983), better known by his pen name Richard Llewellyn, claimed to have been born in St David's, Pembrokeshire, Wales; after his death he was discovered to have been born of Welsh parents in Hendon, Middlesex. His famous first novel How Green Was My Valley (1939) was begun in St David's from a draft he had written in India, and was later adapted into an Oscar-winning film by director John Ford. None But the Lonely Heart, his second novel, was published in 1943, and subsequently made into a film starring Cary Grant and Ethel Barrymore. As well as novels including Green, Green My Valley Now (1975) and I Stand on a Quiet Shore (1982), Llewellyn wrote two highly successful plays, Poison Pen and NooseIf you enjoyed How Green Was My Valley, you might like Barry Hines' A Kestrel for a Knave, also available in Penguin Modern Classics.'Vivid, eloquent, poetical, glowing with an inner flame of emotion'The Times Literary Supplement

    She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall.Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

    The story of John Self and his insatiable appetite for money, alcohol, fast food, drugs, pornography, and more, Money is ceaselessly inventive and thrillingly savage; a tale of life lived without restraint, of money and the disasters it can precipitate.

    A henpecked husband copes with the frustrations of his dull life by imagining he is a fearless airplane pilot, a brilliant doctor, and other dashing figures.

    This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

    Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    Obsessed with an irresistible fascination for the enigmatic Sarah, Charles is hurtled by a moment of consummated lust to the brink of the existential void. Duty dictates that his engagement to Tina must be broken as he goes forth once again to seek the woman who has captured his Victorian soul & gentleman's heart.

    This short novel about a wedding was written in 1932 by a niece of Lytton Strachey and first published by The Hogarth Press.

    A pleasant romantic tale set in the Victorian era, Under the Greenwood Tree is one of Thomas Hardy's most gentle and pastoral novels.

    But instead, he discovers that his father has died, his home is overrun by livestock and drunken servants, and Elizabeth, having believed Ross dead, is now engaged to his cousin. Ross must start over, building a completely new path for his life, one that takes him in exciting and unexpected directions....Thus begins an intricately plotted story spanning loves, lives, and generations. The Poldark series is the masterwork of Winston Graham, who evoked the period and people like only he could, and created a world of rich and poor, loss and love, that listeners will not soon forget.

    That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby - and that the baby should be raised as an Italian! - are matters requiring immediate correction by Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.

    But is their breeding sufficient to allow them to rise above their changed circumstance or deep down are they really just like everyone else?

    Finding the town all but deserted, she is party to the machinations of her socially mobile hosts in their attempts to gather a respectable crowd, and Austen assembles a classic cast of characters of varying degrees of absurdity of sense.The last of Austen’s fiction works, written in the year before her death, when she was gravely ill, Sanditon affords a glimpse of the ultimate creative powers and preoccupations of one of the greatest figures in English literature.

    Echoes of Waiting for Godot resound, reality and illusion mix, and where fate leads heroes to a tragic but inevitable end.