Award-winning author Simon Hughes brings to life the history of the Ashes through 10 of the most iconic matches in the fixture's 135-year history. With an innovative and distinctive approach Hughes selects each match as a narrative spine packed with thrillingly evocative detail, alongside the issues, controversies, heroes and villains of each match. With both fascinating analysis of ten unforgettable Test matches and fast-paced history of cricket's fiercest rivalry, this is the perfect way for cricket lovers, both English and Australian, to prepare for the ten-match feast of Ashes cricket that begins in Nottingham in July 2013 and ends in Sydney in January 2014. It includes complete statistics and records of all the Ashes fixtures and results. The Tatser The free chapter tells the story of the Third Test in Adelaide in 1933, which was part of the infamous ‘bodyline series’. It gives you the build up from 1928 and carries right through to the aftermath of Jardine’s controversial tactics.

    These literary heroines did what they wanted and said what they thought, living wholly in the moment. They kicked open the door for twentieth-century women writers and set a new model for every woman trying to juggle the serious issues of economic independence, political power, and sexual freedom. Here are the social and literary triumphs and inevitably the penances paid: crumbled love affairs, abortions, depression, lost beauty, nervous breakdowns, and finally, overdoses and even madness. A vibrant mixture of literary scholarship, social history, and scandal, Bobbed Hair and Bathtub Gin is a rich evocation of a period that will forever intrigue and captivate us.

    An elaborately staged fake crime gang, run by a ‘Mr Big’, that lured Brett Cowan in with the promise of a hefty payout. It was the stuff of a TV crime series rather than an Australian police operation. The Sting reveals extraordinary new detail and a shocking insight into one of the country's most evil killers, and the operation that brought him down.Go behind the scenes in one of Australia’s most sensational undercover busts, including never-before-heard detail of the covert investigation, including how Cowan was slowly brainwashed into believing ‘Mr Big’.Read what Cowan’s family think of their black sheep.

    In I Would Leave Me If I Could, she reveals never-before-seen poetry of longing, love, and the nuances of bipolar disorder.

    Providing you with the antidote to every annoying little thing, these rules are not made to be broken.488 Rules for Life is not a self-help book, because it's not you who needs help, it's other people. Whether they're walking and texting, asphyxiating you on public transport with their noxious perfume cloud, or leaving one useless square of toilet paper on the roll, a lot of people just don't know the rules. But thanks to Kitty Flanagan's comprehensive guide to modern behaviour, our world will soon be a much better place. A place where people don't ruin the fruit salad by putting banana in it … where your co-workers respect your olfactory system and don't reheat their fish curry in the office microwave ... where middle aged men don't have ponytails …What started as a joke on Kitty Flanagan's popular segment on ABC TV's The Weekly, is now a quintessential reference book with the power to change society. (Or, at least, make it a bit less irritating.) What people are (Kitty Flanagan is) saying about this book: 'You're welcome everyone.''Thank god for me.''I'd rather be sad and lonely, but right.''There's not actually 488 rules in here but it sure feels like it'.

    Through poetic portraits, Taisia Kitaiskaia and Katy Horan honor the witchy qualities of well-known and obscure authors alike, including Virginia Woolf, Mira Bai, Toni Morrison, Emily Dickinson, Octavia E. Butler, Sandra Cisneros, and many more.Perfect for both book lovers and coven members, Literary Witches is a treasure and a source of inspiration. Kitaiskaia and Horan bring fresh insights on your most beloved authors, suggest enchanting new writers, and invite you to rediscover the magic of literature.

    A political betrayal. A constitutional crisis. The Palace Letters is the groundbreaking result of one historian’s fight to expose secret letters between the Queen and the then Australian governor general, Sir John Kerr, during the dismissal of prime minister Gough Whitlam in the 1970s. Whitlam was a progressive prime minister whose reforms proved divisive after two decades of conservative leadership in Australia. When he could not get a budget approved, it sparked a political deadlock that culminated in his unexpected and deeply controversial dismissal by Kerr.More than 200 letters between Kerr and the Queen from the period exist in the archive, and historians have long believed that they could reveal the extent to which Buckingham Palace knew about or approved of the dismissal. But until now they have remained hidden in the National Archives of Australia, protected from public scrutiny through their designation as ‘personal’.In the face of this, Professor Jenny Hocking embarked on a 10-year campaign and a four-year legal battle to force the Archives to release the letters. In 2015, she secured a stellar pro bono team that took her case all the way to the High Court of Australia. On 29 May 2020, the court ruled in her favour, requiring the correspondence to be released.Now, Professor Hocking is able to reveal the previously hidden trove of letters. And, drawing on never-before-published material from Kerr’s archives and submissions to the court, Hocking traces the collusion and deception behind the dismissal, and charts the role of High Court judges, the Queen’s private secretary, and the leader of the opposition, Malcolm Fraser, in Kerr’s actions, and any prior involvement of the Queen and Prince Charles in Kerr’s planning.

    Ned Kelly emerges as a man who hated conflict yet never escaped it. A thorough account of a most remarkable life. Author Biography: As an historical writer, IAN JONES has written for television and film, his work including THE SULLIVANS, AGAINST THE WIND, THE LAST OUTLAW and THE LIGHTHORSEMEN.

    In Bowraville, all three of the victims were Aboriginal. All three were killed within five months, between 1990 and 1991. The same white man was linked to each, but nobody was convicted.More than two decades later, homicide detective Gary Jubelin contacted Dan Box, asking him to pursue this serial killing. At that time, few others in the justice system seemed to know – or care – about the murders in Bowraville. Dan spoke to the families of the victims, Colleen Walker-Craig, Evelyn Greenup and Clinton Speedy-Duroux, as well as the lawyers, police officers and even the suspect involved in what had happened. His investigation, as well as the families’ own determined campaigning, forced the authorities to reconsider the killings. This account asks painful questions about what ‘justice’ means and how it is delivered, as well as describing Dan’s own shifting, uncomfortable realisation that he was a reporter who crossed the line.Praise for the Bowraville podcast:'It is a gripping true crime tale and an essay on racism; a challenge to the lies Australia tells itself about its treatment of Aboriginal and Torres Strait Islander people told through the voices of three Aboriginal families who have been indisputably let down … The podcast has galvanised the public in a way that two decades of print and television reporting on the Bowraville murders have not.’ The Guardian 'A masterful example of crime reporting which forensically details the worst of human nature, inexplicably compounded by the gross negligence of the only people who could provide justice. It’s stirred thousands, including the prime suspect, to re-engage with the case after trusting the journalist to take them to dark places.’ Walkley judges’ comments ‘Outstanding.’ Leigh Sales‘Moving, brilliant.’ Annabel Crabb'If you haven't listened to Bowraville by Dan Box, then you should.’ David Campbell

    How did a team with such hard-edged history reach crisis point under Smith, and what happened on their tour of South Africa to cause such a failure of culture on the world stage?This is a full and frank narrative of Smith’s captaincy, David Warner's influence, the dramas that beset Australian cricket, and a blow-by-blow account from Ashes high to Cape Town low, from someone who was there for every ball and every statement. Geoff Lemon writes a dramatic story that exposes how the actions of a few young men shook the very foundations of the Australian cricket establishment, and where the future might lead.

    Miller discovers that he is also searching for a defining part of himself, formed by his relation to Max Blatt, but whose significance will remain obscure until he finds Max, complete, in his history. With Max, Miller the novelist has written a wonderful work of non-fiction, as fine as the best of his novels. Always a truth-seeker, he has rendered himself vulnerable, unprotected by the liberties permitted to fiction. Max is perhaps his most moving book, a poignant expression of piety, true to his mentor's injunction to write with love.' Raimond Gaita, award-winning author of Romulus, My FatherI began to see that whatever I might write about Max, discover about him, piece together with those old shards of memory, it would be his influence on the friendships of the living that would frame his story in the present.According to your 1939 Gestapo file, you adopted the cover names Landau and Maxim. The name your mother and father gave you was Moses. We knew you as Max. You had worked in secret. From an early age you concealed yourself - like the grey box beetle in the final country of your exile, maturing on its journey out of sight beneath the bark of the tree.You risked death every day. And when at last the struggle became hopeless, you escaped the hell and found a haven in China first, and then Australia, where you became one of those refugees who, in their final place of exile, chose not death but silence and obscurity.Alex Miller followed the faint trail of Max Blatt's early life for five years. Max's story unfolded, slowly at first, from the Melbourne Holocaust Centre's records then to Berlin's Federal Archives. From Berlin, Miller travelled to Max's old home town of Wroclaw in Poland. And finally in Israel with Max's niece, Liat Shoham, and her brother Yossi Blatt, at Liat's home in the moshav Shadmot Dvora in the Lower Galilee, the circle of friendship was closed and the mystery of Max's legendary silence was unmasked.Max is an astonishing and moving tribute to friendship, a meditation on memory itself, and a reminder to the reader that history belongs to humanity.'A wonderful book. It is a story that needs to be heard.' Jay Winter, Charles J. Stille Professor of History, Yale University'It is a beautiful and haunting book…There is something sacred about this story, this delicate act of remembrance…There is a slow, elegant circling in the book's storytelling, as if those precious shards are held up to the light and turned to reveal their facets. But there is a compelling journey of discovery too, not so much into the light as into the darkness, into Max's silence. In Max, the reader becomes engaged in a fascinating, visceral wrestling with facts, the power of the imagination and the character of truth…This book so beautifully evokes the power of places in shaping our consciousness and perception.' - Tom Griffiths. Emeritus Professor, ANU

    It left the business of rock stardom to rock stars. But by 1992 alternative rock had spawned a revolution in music and style that transformed youth culture and revived a moribund music industry. Five years later, alternative rock was over, leaving behind a handful of dead heroes, a few dozen masterpieces, and a lot more questions than answers. What, if anything, had the alternative revolution meant? And had it been possible - as so many of its heroes had insisted - for it to be both on MtV and under the radar? Had it used the machinery of corporate rock to destroy corporate rock? In ENtERtAIN US! Craig Schuftan takes you on a journey through the nineties - from Sonic Youth's 'Kool thing' to Radiohead's 'Kid A', NEVERMIND to ODELAY, Madchester to Nu-Metal, Lollapalooza to Woodstock '99 - narrated in the voices of the decade's most important artists. this is the story of alternative rock - the people who made it, the people who loved it, the industry that bought and sold it, and the culture that grew up in its wake - in the last decade of the twentieth century.

    In the sparsely populated northern Queensland town of Desperance, loyalties run deep and battle lines have been drawn between the powerful Phantom family, leaders of the Westend Pricklebush people, and Joseph Midnight's renegade Eastend mob, and their disputes with the white officials of neighboring towns. Steeped in myth and magical realism, Wright's hypnotic storytelling exposes the heartbreaking realities of Aboriginal life. By turns operatic and everyday, surreal and sensational, the novel teems with extraordinary, larger-than-life characters. From the outcast savior Elias Smith, religious zealot Mossie Fishman, and murderous mayor Bruiser to activist Will Phantom and Normal Phantom, ruler of the family, these unforgettable characters transcend their circumstances and challenge assumptions about the downtrodden "other." Trapped between politics and principle, past and present, the indigenous tribes fight to protect their natural resources, sacred sites, and above all, their people. Already an international bestseller, Carpentaria has garnered praise from around the world.

    Nobody knew. The intention was clear: this was the No Advantage policy. Take them to a distant island, lock them away, punish them, forget about them. Criminals were given a sentence to serve; these men were not even given that. Lost hope ebbed out of the men in uncontrollable sobs and tears. Queue jumper, boat person, illegals. Asylum seekers are contentious front-page news but obtaining information about Australia’s regional processing centres is increasingly difficult. We learn only what the government wants us to know.Mark Isaacs worked for the Salvation Army inside the Nauru Detention Centre soon after it re-opened in 2012. He provided humanitarian aid to the men interned in the camp. What he saw there moved him to speak out.The Undesirables chronicles his time on Nauru detailing daily life and the stories of the men held there; the self-harm, suicide attempts, and riots; the rare moments of joy; the moments of deep despair.Mark's eyewitness account humanises a political debate usually ruled by misleading rhetoric.About the authorMark Isaacs became impassioned by the asylum seeker debate after a visit to Villawood Detention Centre while writing for Oxfam. Months later, in October 2012, Mark was employed by the Salvation Army to work at the regional processing centre in Nauru. While there, Mark established the Recreations program and Oceans program for asylum seekers. He eventually resigned from the Salvation Army in June 2013 and spoke out publicly against the government's No Advantage policy.

    In this deeply personal book, Behrendt uses Eliza’s tale as a starting point to interrogate how Aboriginal people – and indigenous people of other countries – have been portrayed in their colonizers’ stories. Citing works as diverse as Robinson Crusoe and Coonardoo, she explores the tropes in these accounts, such as the supposed promiscuity of Aboriginal women, the Europeans’ fixation on cannibalism, and the myth of the noble savage. Ultimately, Behrendt shows how these stories not only reflect the values of their storytellers but also reinforce those values – which in Australia led to the dispossession of Aboriginal people and the laws enforced against them.