Her husband, Ted Hughes, brought the collection to life in 1966, and its publication garnered worldwide acclaim. This collection showcases the beloved poet’s brilliant, provoking, and always moving poems, including "Ariel" and once again shows why readers have fallen in love with her work throughout the generations.

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    Written by an unknown poet in about the eighth century, this masterpiece of Anglo-Saxton literature transforms legends, myth, history, and ancient songs into the richly colored tale of the hero Beowulf, the loathsome man-eater Grendel, his vengeful water-hag mother, and a treasure-hoarding dragon. The earliest surviving epic poem in any modern European language. Beowulf is a stirring portrait of a heroic world–somber, vast, and magnificent.

    After nine long years of trying to grow their family into the perfect dream come true, fated mates, Ryan and Layna, are ready to give up. Not on each other but on their dreams. When they're given the chance to help an abandoned baby temporarily, they're faced with a pain harsher than what they've already been through. The pain of hope. But this little one isn't what any of them expected, and when the fiery truth comes out, hearts are bound to melt.A visit from a shadow of Christmas past, a lost child, and the reunion P. Jameson fans have been asking for, all wrapped up with a shiny bow as we revisit the Ouachitas in Merrily Ever After.

    Champion of "cubism," Guillaume Apollinaire (1880-1918) fashions in verse the sonic equivalent of what Picasso accomplishes in his cubist works: simultaneity. Apollinaire has been so influential that without him there would have been no New York School of poetry and no Beat Movement. This new translation reveals his complex, beautiful, and wholly contemporary poetry. Printed with the original French on facing pages.

    

    

    The weather had been extreme that month: days of drenching rain, sudden showers of hail, temperatures passing record highs. Local children whispered that an angel had fallen to earth in a thunderstorm. There were roving groups who swore they had found signs. Footprints in the grass, black feathers, a campfire in the woods behind the high school where there were sparks of shimmering ash. One neighborhood boy vowed that he had seen a man in a black cloak rise above the earth and walk on air, and although no one believed his account, mothers began to keep their children home. They locked the doors, called in the dogs, kept the lights on after dusk..."Alice Hoffman is the New York Times bestselling author of Practical Magic, The Dovekeepers, and The Marriage of Opposites. Hoffman’s work has been published in more than twenty translations and more than one hundred foreign editions. Her novels have received mention as notable books of the year by The New York Times, Entertainment Weekly, The Los Angeles Times, Library Journal, and People Magazine. She has also worked as a screenwriter and is the author of the original screenplay “Independence Day,” a film starring Kathleen Quinlan and Diane Wiest. Her teen novel Aquamarine was made into a film starring Emma Roberts. Her short fiction and non-fiction have appeared in The New York Times, The Boston Globe Magazine, Kenyon Review, The Los Angeles Times, Architectural Digest, Harvard Review, Ploughshares and other magazines.Flyleaf Journal Issue #15December 2014Illustrated by Timothy TangHand Lettering by Heidi Unkefer

    Check behind the sofa. And prepare to be thrilled...Get a taste of 12 of the most terrifying, stomach-churning crime and thriller books of 2012, from some of the best authors on the scene:The Affair by Lee ChildThe Silent Girl by Tess GerritsenDead Centre by Andy McnabFinders Keepers by Belinda BauerNow You See Me by S J BoltonDead To Me by Cath StaincliffeThe Summer of Dead Toys by Antonio HillVanished by Liza MarklundBryant and May and The Invisible Code by Christopher FowlerAnother Time, Another Life by Leif PerssonThe Two Deaths of Daniel Hayes by Marcus SakeyThe Quarry by Johan TheorinKiller thrillers - examine the evidence . . .

    On 3rd August 2012, Tia Sharp, a 12-year-old school girl, was reported missing from her grandmotherOCOs house in New Addington, south London. A call by her mother alerted the police to TiaOCOs disappearance and a massive search operation began. A nationwide appeal was launched to find Tia and her family, including her step-grandfather, 37-year-old Stuart Hazell, made a public appeal to find her. It was reported that Tia had disappeared after being dropped off at a train station to go shopping, but in the days that followed a very different story emerged. Only seven days after Tia was reported missing the terrible news came that her body had been found; wrapped in bin bags and hidden in her grandmotherOCOs attic. The truth that unfolded over the course of the day horrified the public; not only had the police searched the house on three separate occasions before discovering TiaOCOs body, late the following evening, Stuart HazellOCothe man who Tia trusted, the man who appealed for her returnOCoas change with murder. Nigel Cawthorne examines the appalling case of an evil step-grandfather who betrayed his familyOCOs trust, deceived friends and neighbors, and cut short the life of a young, well-loved girl."

    Virtually unknown and only published in pulp magazines before he died in poverty, he is now regarded as one of the most significant 20th-century authors in his genre. Lovecraft was born in Providence, Rhode Island, where he spent most of his life. Among his most celebrated tales is "The Call of Cthulhu", canonical to the Cthulhu Mythos. Never able to support himself from earnings as author and editor, Lovecraft saw commercial success increasingly elude him in this latter period, partly because he lacked the confidence and drive to promote himself. He subsisted in progressively straitened circumstances in his last years; an inheritance was completely spent by the time he died at the age of 46.

    Nina is the girl he dreams of but can never have. Will he open up enough for Nina to heal him or will his fate remain Shadowed? Chained: A shy scientist with no experience of anything outside the laboratory. An enslaved warrior with a shadowed past. Can they rescue each other before it’s too late? Or will both be forever Chained in darkness… Divided: One girl who was supposed to be a nun Two hot warriors constantly at odds with each other Both of them want her But neither one can have her alone. Because with these Kindred, it takes two...

    And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground. Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber

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