She dwells in seclusion, a fugitive from enemies who will do her harm if she is ever found. But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance—and nothing less than destiny—has brought them together in a world whose hour of reckoning is fast approaching.

    The sky looms frigid white. The electricity falters. Airplanes everywhere crash to the ground. But the Givens are saved by mysterious strangers, three fearsome and beautiful beings who force a plain silver bracelet onto each sister’s wrist. Within moments, the sky comes down in a crushing sheet of light and everything around them is gone.Shielded from the devastation by their silver adornments, the Givens suddenly find themselves elsewhere, a strange new Earth where restaurants move through the air like flying saucers and the fabric of time is manipulated by common household appliances.Soon Hannah and Amanda are joined by four other survivors from their world—a mordant cartoonist, a shy teenage girl, a brilliant young Australian, and a troubled ex-prodigy. Hunted by enemies they never knew they had and afflicted with temporal abilities they never wanted, the sisters and their companions begin a cross-country journey to find the one man who can save them—before time runs out.

    I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange.Now, two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Those who can’t bear to stay commit suicide or wander off into the woods. Jon and the others try to maintain some semblance of civilization. But when the water pressure disappears, and Jon and a crew of survivors investigate the hotel’s water tanks, they are shocked to discover the body of a young girl.As supplies dwindle and tensions rise, Jon becomes obsessed with investigating the death of the little girl as a way to cling to his own humanity. Yet the real question remains: can he afford to lose his mind in this hotel, or should he take his chances in the outside world?

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    As they remake the wilderness in their own image, planning for a future of settlement and civilization, the long-held bonds and secrets between the two will be tested, fractured and broken—and possibly healed.Fifty years from now, in the second half of the twenty-first century, climate change has ravaged the Earth. Having invested early in genetic engineering and food science, one company now owns all the world’s resources. But a growing resistance is working to redistribute both land and power—and in a pivotal moment for the future of humanity, one of the company’s original founders will return to headquarters, intending to destroy what he helped build.A thousand years in the future, North America is covered by a massive sheet of ice. One lonely sentient being inhabits a tech station on top of the glacier—and in a daring and seemingly impossible quest, sets out to follow a homing beacon across the continent in the hopes of discovering the last remnant of civilization.Hugely ambitious in scope and theme, Appleseed is the breakout novel from a writer “as self-assured as he is audacious” (NPR) who “may well have invented the pulse-pounding novel of ideas” (Jess Walter). Part speculative epic, part tech thriller, part reinvented fairy tale, Appleseed is an unforgettable meditation on climate change; corporate, civic, and familial responsibility; manifest destiny; and the myths and legends that sustain us all.

    It is the most toxic drug ever to find its way on to the streets of LA. It destroys the links between the brain's two hemispheres, causing, first, disorientation and then complete and irreversible brain damage.The undercover narcotics agent who calls himself Bob Arctor is desperate to discover the ultimate source of supply. But to find any kind of lead he has to pose as a user and, inevitably, without realising what is happening, Arctor is soon as addicted as the junkies he works among...

    Christened “Haters” by the media, the attackers strike without warning and seemingly without reason. Within seconds, normally rational, self-controlled people become frenzied, vicious killers. As the carnage mounts, one thing soon is clear: everyone, irrespective of race, gender, age, or class, has the potential to become either a Hater or a victim. At any moment, even friends and family can turn on one another with violent intent. In the face of this mindless terror, all McCoyne can do is secure his family, seek shelter, and watch as the world falls apart. But when he bolts the front door, the question remains: Is he shutting the danger out or locking it in?

    Strange light fixtures. Mutant cockroaches. There are some odd things about Nate’s new apartment.Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much.At least, not until he meets Mandy, his neighbour across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything...

    In this new world, there will be no last meal, no dying wish. The only reward left is to survive another day...

    . . Deep in the jungles of Central America, an indigenous man discovers a unique and priceless treasure - a beautifully painted codex that has survived for centuries within the ruins of an undiscovered ancient Maya city. Knowing that this rare artifact could be worth millions, the looter smuggles it into the US - but unbeknownst to him, he has brought something far more dangerous across the border . . . In the first week of December 2012, the codex finds its way into the hands of the Antiquities Curator of the Getty Museum, Chel Manu, the world authority on ancient Mayan inscriptions. She is torn between her duty to alert the authorities and this once in a lifetime chance to translate the codex herself.Meanwhile - in an LA hospital, an unidentified man is dying of Fatal Insomnia, a rare and highly infectious neurological disease. The patient speaks only in a garbled Mayan dialect - and Chel Manu is called in to interpret his dying words . . . just as countless others in the city begin to show signs of infection. Within days the world seems to be unravelling, hurtling towards the prophesied apocalypse . . . and deciphering the codex is the only hope for humanity . . .

    An instant classic, Micro pits nature against technology in vintage Crichton fashion. Completed by visionary science writer Richard Preston, this boundary-pushing thriller melds scientific fact with pulse-pounding fiction to create yet another masterpiece of sophisticated, cutting-edge entertainment.

    Under a pink moon, there is a perfect little town not found on any map. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home in Wink, New Mexico. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different ...From one of our most talented and original new literary voices comes the next great American supernatural novel: a work that explores the dark dimensions of the hometowns and the neighbors we thought we knew.

    Taking on the persona of a shy human boy, a childlike but massively powerful artificial intelligence known as Archos comes online and assumes control over the global network of machines that regulate everything from transportation to utilities, defense and communication.In the months leading up to this, sporadic glitches are noticed by a handful of unconnected humans—a single mother disconcerted by her daughter's menacing "smart" toys, a lonely Japanese bachelor who is victimized by his domestic robot companion, an isolated U.S. soldier who witnesses a "pacification unit" go haywire—but most are unaware of the growing rebellion until it is too late.When the Robot War ignites—at a moment known later as Zero Hour—humankind will be both decimated and, possibly, for the first time in history, united. Robopocalypse is a brilliantly conceived action-filled epic, a terrifying story with heart-stopping implications for the real technology all around us ... and an entertaining and engaging thriller unlike anything else written in years.

    Her world is suddenly upturned when Maanik, the daughter of India’s ambassador to the United Nations, starts speaking in tongues and having violent visions. Caitlin is sure that her fits have something to do with the recent assassination attempt on her father—a shooting that has escalated nuclear tensions between India and Pakistan to dangerous levels—but when teenagers around the world start having similar outbursts, Caitlin begins to think that there’s a more sinister force at work. In Haiti, a student claws at her throat, drowning on dry land. In Iran, a boy suddenly and inexplicably sets himself on fire. Animals, too, are acting irrationally, from rats in New York City to birds in South America to ordinary house pets. With Asia on the cusp of nuclear war, Caitlin must race across the globe to uncover the mystical links among these seemingly unrelated incidents in order to save her patient—and perhaps the world.

    But it all becomes horrifyingly real when a murder in the past destroys the foundation of Kate’s present-day life. Suddenly, that medallion is the only thing protecting Kate from blinking out of existence.Kate learns that the 1893 killing is part of something much more sinister, and Kate’s genetic ability to time-travel makes her the only one who can stop him. Risking everything, she travels to the Chicago World’s Fair to try to prevent the killing and the chain of events that follows.Changing the timeline comes with a personal cost, however—if Kate succeeds, the boy she loves will have no memory of her existence. And regardless of her motives, does she have the right to manipulate the fate of the entire world?