Chi-chen Wang's translation is skillful and accurate.

    It's a pleasant way of expanding one’s vocabulary, immersing in the French language and building confidence. There is no need for a dictionnary: key words are listed under each paragraph and translated out of the context. At the end of the book, all new words are summed up in a complete vocabulary section. Simple and easy to read, the short stories use a good mix of grammar constructs, with basic and useful vocabulary. The stories are written in tenses used in normal conversation : present tense, and just a little bit of future tense, passé composé and imparfait. With the MP3, you can practice your pronunciation and your listening (40 minutes/ read by the author). These stories are now available in the past tenses passé composé and imparfait [ASIN: B00PM4SO5M] Beginners : Level A0 - A1 About the author : Sylvie Lainé lives in Normandy where she teaches French to adults and teenagers. Her work with students of various nationalities and different ages allowed her to understand their difficulties and their challenges. Having looked for enjoyable reads to occasionnaly escape grammar and exercise books, but finding nothing simple enough for her beginners, she came up with the idea to write stories herself. She is passionate about writing and now publishes short stories tailored to the needs of English speakers.

    Chang Geng, who lived in a small countryside village, shared a distant relationship with his mother while his stepfather was away most of the year round, and the only people he was close to were two little kids, the village teacher, and his yi fu – adoptive father. But his life was flipped upside down one day following the barbaric Man tribes’ invasion, and it turned out that his entire identity had been an illusion – not only was Chang Geng himself not the country boy he thought he was, but also his mother, his teacher, and even his beloved yi fu…

    Ranging through history, literature, folklore, linguistics, and sociology, this is a breezy, straightforward primer of surprising breadth.

    The protagonist, a writer, is at a publisher-sponsored retreat to finish his novel. The beauty of the location however cannot compensate for the anxiety and hallucinations he experiences while watching a flock of brown birds pass by his window, and his sense of temporal disorientation is further compounded by the appearance of a strange woman who calls him Ge Fei. Fiction and reality blend into one as the story unfolds. Ge Fei’s prose renders in exquisite detail the fragility of time."It is impossible to enter the deeper aspects of contemporary Chinese literature without also entering the world of Ge Fei." - Enrique Vila-Matas

    Beijing, sometime in the near future: a month has gone missing from official records. No one has any memory of it, and no one can care less. Except for a small circle of friends, who will stop at nothing to get to the bottom of the sinister cheerfulness and amnesia that has possessed the Chinese nation. When they kidnap a high-ranking official and force him to reveal all, what they learn - not only about their leaders, but also about their own people - stuns them to the core. It is a message that will rock the world... Terrifying methods of cunning, deception and terror are unveiled by the truth-seekers in this thriller-expose of the Communist Party's stranglehold on China today.'An all-encompassing metaphor for today's looming superpower' OBSERVER

    In the story, a mother takes extreme measures to provide her four mentally disabled children with a normal life. She feeds them a medicinal soup made from the bones of her dead husband when she finds out that bones 'the closer from kin the better' can cure their illness. When she runs out of her husband's bones, she resorts to a measure that only a mother can take.

    A man of simple needs whose greatest ambition is to one day own his own rickshaw, Xiangzi is nonetheless thwarted, time and again, in his attempts to improve his lot in life.One of the most important and popular works of twentieth-century Chinese literature, Rickshaw Boy is an unflinchingly honest, darkly comic look at a life on the margins of society and a searing indictment of the philosophy of individualism.

    In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the story of a young man who bears a striking resemblance to a dictator and so finds a calling to immortality. In “The Princess of Nebraska,” a man and a woman who were both in love with a young actor in China meet again in America and try to reconcile the lost love with their new lives. “After a Life” illuminates the vagaries of marriage, parenthood, and gender, unfolding the story of a couple who keep a daughter hidden from the world. And in “A Thousand Years of Good Prayers,” in which a man visits America for the first time to see his recently divorced daughter, only to discover that all is not as it seems, Li boldly explores the effects of communism on language, faith, and an entire people, underlining transformation in its many meanings and incarnations.These and other daring stories form a mesmerizing tapestry of revelatory fiction by an unforgettable writer.From the Hardcover edition.

    It has been called the Hong Kong Novel, and was first published in 1962 as a serial in a Hong Kong evening paper. As the unnamed Narrator, a writer at odds with a philistine world, sinks to his drunken nadir, his plight can be seen to represent that of a whole intelligentsia, a whole culture, degraded by the brutal forces of history: the Second Sino-Japanese War and the rampant capitalism of post-war Hong Kong.The often surrealistic description of the Narrator's inexorable descent through the seedy bars and night-clubs of Hong Kong, of his numerous encounters with dance-girls and his ever more desperate bouts of drinking, is counterpointed by a series of wide-ranging literary essays, analysing the Chinese classical tradition, the popular culture of China and the West, and the modernist movement in Western and Chinese literature.The ambiance of Hong Kong in the early 1960s is graphically evoked in this powerful and poignant novel, which takes the reader to the very heart of Hong Kong. Hong Kong director Freddie Wong made a fine film version of the novel in 2004.

    During the next four decades, Wang Qiyao indulges in the decadent pleasures of pre-liberation Shanghai, secretly playing mahjong during the antirightist Movement and exchanging lovers on the eve of the Cultural Revolution. Surviving the vicissitudes of modern Chinese history, Wang Qiyao emerges in the 1980s as a purveyor of "old Shanghai"--a living incarnation of a new, commodified nostalgia that prizes splendor and sophistication--only to become embroiled in a tragedy that echoes the pulpy Hollywood noirs of her youth.From the violent persecution of communism to the liberalism and openness of the age of reform, this sorrowful tale of old China versus new, of perseverance in the face of adversity, is a timeless rendering of our never-ending quest for transformation and beauty.

    These exiles men and women were subjected to horrific conditions, and by 1961 the camp was closed because of the stench of death: of the rougly three thousand inmates, only about five hundred survived.In 1997, Xianhui Yang traveled to Gansu and spent the next five years interviewing more than one hundred survivors of the camp. In Woman from Shanghai he presents thirteen of their stories, which have been crafted into fiction in order to evade Chinese censorship but which lose none of their fierce power. These are tales of ordinary people facing extraordinary tribulations, time and again securing their humanity against those who were intent on taking it away.Xianhui Yang gives us a remarkable synthesis of journalism and fiction—a timely, important and uncommonly moving book.

    One by one, over a hundred men and women are forced by the harsh feudal officialdom to take to the hills. They band together and defeat every attempt of the government troops to crush them. Within this framework we find intrigue, adventure, murder, warfare, romance ... in a connected series of fascinating individual tales, told in the suspenseful manner of the traditional storyteller.

    In this intimate memoir, Shen Fu recounts the domestic and romantic joys of his marriage to Yun, the beautiful and artistic girl he fell in love with as a child. He also describes other incidents of his life, including how his beloved wife obtained a courtesan for him and reflects on his travels through China. Shen Fu's exquisite memoir shows six parallel "layers" of one man's life, loves and career, with revealing glimpses into Chinese society of the Ch'ing Dynasty.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.