Villa legends pervade not only Mexico but the United States and beyond, existing not only in the popular mind and tradition but in ballads and movies. There are legends of Villa the Robin Hood, Villa the womanizer, and Villa as the only foreigner who has attacked the mainland of the United States since the War of 1812 and gotten away with it.Whether exaggerated or true to life, these legends have resulted in Pancho Villa the leader obscuring his revolutionary movement, and the myth in turn obscuring the leader. Based on decades of research in the archives of seven countries, this definitive study of Villa aims to separate myth from history. So much attention has focused on Villa himself that the characteristics of his movement, which is unique in Latin American history and in some ways unique among twentieth-century revolutions, have been forgotten or neglected. Villa’s División del Norte was probably the largest revolutionary army that Latin America ever produced. Moreover, this was one of the few revolutionary movements with which a U.S. administration attempted, not only to come to terms, but even to forge an alliance. In contrast to Lenin, Mao Zedong, Ho Chi Minh, and Fidel Castro, Villa came from the lower classes of society, had little education, and organized no political party.The first part of the book deals with Villa’s early life as an outlaw and his emergence as a secondary leader of the Mexican Revolution, and also discusses the special conditions that transformed the state of Chihuahua into a leading center of revolution. In the second part, beginning in 1913, Villa emerges as a national leader. The author analyzes the nature of his revolutionary movement and the impact of Villismo as an ideology and as a social movement. The third part of the book deals with the years 1915 to 1920: Villa’s guerrilla warfare, his attack on Columbus, New Mexico, and his subsequent decline. The last part describes Villa’s surrender, his brief life as a hacendado, his assassination and its aftermath, and the evolution of the Villa legend. The book concludes with an assessment of Villa’s personality and the character and impact of his movement.

    You probably know the names already: the Sicilian Defense, the Ruy Lopez, the French Defense, the Caro-Kann, the Benoni, the London System, the Scandinavian Defense and so on. But most chess players don't know WHY the openings are called what they are. In this entertaining book, bestselling author Nathan Rose lays out the origins of over 50 standard chess openings and their names. The tales are often deeply connected to the lives of the leading chess grandmasters, the historical events taking place at the time, and the critical chess world championship contests. All these stories are collected together in this, the first book dedicated to uncovering them. The names of the chess openings tell the history of chess. You will meet larger than life characters such as Bobby Fischer, Aron Nimzowitsch, Alexander Alekhine, Frank Marshall, Siegbert Tarrasch, Wilhelm Steinitz, and Paul Morphy. Some of these men won their fame in the chess world championship, while some gained wider renown for reasons other than their ability to play chess. You will be agog at Paul Morphy's stunning conquest of Europe and subsequent disappearance, the outrageous antics of Aron Nimzowitsch upon losing a game, and the eccentric names Alexander Alekhine gave his cats. You will also travel through the places and events that defined chess in the early years. As David Shenk showed in "The Immortal Game", the history of chess has often mirrored the history of society. There's the 1972 world chess championship that pitted the Soviet Union's Boris Spassky against America's irascible Bobby Fischer in the "Match of the Century". The 1939 chess olympiad in Argentina which coincided with the outbreak of World War II. The unveiling of the "Mechanical Turk" chess-playing contraption in 18th-century Vienna. And let's not forget the triumph of Deep Blue over Garry Kasparov. Over 50 standard chess openings and variations. The People: Ruy Lopez Philidor Defense Evans Gambit Petrov's Defense Schliemann-Jaenisch Gambit Falkbeer Countergambit Staunton Gambit Anderssen's Opening Morphy's Defense Caro-Kann Defense Bird's Opening Winawer Variation Albin Countergambit Steinitz Variation Chigorin Defense Alapin's Opening Maroczy Bind Tarrasch Defense Marshall Defense Rubinstein Variation Alekhine's Defense Grunfeld Defense Reti Opening Nimzowitsch Defense Najdorf Variation Pirc Defense Torre Attack Grob's Attack Larsen's Opening Benko Gambit Fischer Defense The Places: English Opening Scotch Opening French Defense Dutch Defense Danish Gambit Indian Defense Scandinavian Defense Sicilian Defense Catalan Opening Baltic Opening Slav Defense London System Paris Opening Berlin Defense Vienna Game Budapest Gambit Leningrad Variation Scheveningen Variation The Stories: Dragon Variation Giuoco Piano Benoni Defense Grand Prix Attack Orangutan Opening Fried Liver Attack Impress your friends with superior opening knowledge - withou

    Indeed our ability to do so is what separates we humans from the rest of the animal world. The moment man first converted a stone to a useful tool set him on a relentless path toward greater power over his environment. But have our creative ideas always produced desirable results in line with their original good intention? Have they really served us well?BAD IDEAS? traces the fascinating history of our attempts at self-improvement but also questions their value. The dubious consequences of the development of weaponry, for example, is self-evident. But what of apparently more innocuous inventions such as farming, writing or medicine? All started off for the greater good but have since produced unforeseen fallout that continues to this day. What are their undesirable side-effects, when did they emerge and where will they take us in the future?Written against a huge historical canvas, we join Robert Winston on a thrilling journey from our earliest days to the present. We learn about the history of modern science, engineering, IT and much more. We meet the individuals who played a key role in their development, and share quirky anecdotes about their lives and brainwaves. Inspiring, unusual, and at times controversial, BAD IDEAS? assesses the past and also looks forward to the opportunities and ethical challenges of the future. In so doing it celebrates man's extraordinary capacity for achievement whilst warning us that his good intentions can sometimes end up as thoroughly bad ideas.

    El Sicario is the hidden face of America's war on drugs. He is a contract killer who functioned as a commandante in the Chihuahuan State police, who was trained in the US by the FBI, and who for twenty years kidnapped, tortured and murdered people for the drug industry at the behest of Mexican drug cartels. He is a hit man who came off the killing fields alive. He left the business and turned to Christ. And then he decided to tell the story of his life and work. Charles Bowden first encountered El Sicario while reporting for the book "Murder City". As trust between the two men developed, Bowden bore witness to the Sicario's unfolding confession, and decided to tell his story. The well-spoken man that emerges from the pages of El Sicario is one who has been groomed by poverty and driven by a refusal to be one more statistic in the failure of Mexico. He is not boastful, he claims no major standing in organized crime. But he can explain in detail not only torture and murder, but how power is distributed and used in the arrangement between the public Mexican state and law enforcement on the ground - where terror and slaughter are simply tools in implementing policy for both the police and the cartels. And he is not an outlaw or a rebel. He is the state. When he headed the state police anti-kidnapping squad in Juarez, he was also running a kidnapping ring in Juarez. When he was killing people for money in Juarez, he was sharpening his marksmanship at the Federal Police range. Now he lives in the United States as a fugitive. One cartel has a quarter million dollar contract on his head. Another cartel is trying to recruit him. He speaks as a free man and of his own free will - there are no charges against him. He is a lonely voice - no one with his background has ever come forward and talked. He is the future - there are thousands of men like him in Mexico and there will be more in other places. He is the truth no one wants to hear.

    And in the process it provides the outsider with a riveting insight into life as a Member.

    Throughout this volume drama colludes with history, in a tale of two social outlaws who became legendary national heroes, yet—despite their triumph and only meeting, in 1914, in the Mexican capital—failed to make common cause and ultimately fell victim to intrigues more treacherous than their own. 16 pages of black-and-white photographs bring this gripping narrative to life. "McLynn ... tells it so well ... you can hear the strains of he Mexican patriotic standard ‘Zacatecas' as you read it."—Austin American-Statesman "An admirably clear account of the chaos of revolution, its rivalries and bloody struggles...."—The Spectator "Informative and insightful ... feels less like a history than a great story, as exciting as a Saturday serial Western."—Publishers Weekly

    A role model for generations of writers and performers, Doc was renowned for his mastery of virtually every popular style, from the gutbucket rhythm and blues of “Lonely Avenue” to the symphonic soul of “Save the Last Dance for Me” to the pure pop of “Viva Las Vegas.” His songs-“This Magic Moment,” “A Teenager in Love,” “Hushabye,” “Little Sister,” “Turn Me Loose,” and many others-have been recorded by everyone from Ray Charles, Elvis Presley, and B. B. King to Bob Dylan, Led Zeppelin, and Bruce Springsteen, with sales exceeding $100 million. Doc was ready-made for literature. His collaborator Mort Shuman once described him as an “entire rollicking soul neighborhood rolled into one man.” Garrulous, profane, hilarious, and Rabelaisian, Doc was never inhibited about offering his opinions and his friendship. His confidants, collaborators, and discoveries included Duke Ellington, John Lennon, Dr. John, Jimmy Scott, Bette Midler, and Lou Reed. In the words of renowned producer Jerry Wexler, “If the music industry had a heart, it would be Doc Pomus.” Despite, or more likely because of, his successes, few acquaintances knew that this writer of jukebox hits led one of the most dramatic and unlikely lives of his time. Spanning extravagant wealth and desperate poverty, suburban domesticity and the depths of New York’s underworld, worldwide fame and near-total obscurity, enduring love and persistent loneliness, Doc’s story remains one of the great untold American lives. Its chapters comprise a back-room history of rock ’n’ roll, touching on more than a half-century of American popular music-from the blues Doc performed with Lester Young to his collaborations with the luminaries of New York’s punk scene, shot through with vivid portraits of virtually every major player. Lonely Avenue is the first biography of this American original, so elegantly rendered that it reads like a novel, and fortified by full, exclusive access to Doc Pomus’s family, friends, voluminous journals, and archives.

    This novel deals with the attempts of the son of (fictional) Chola king Parthiban, Vikraman, to attain independence from the Pallavaruler, Narasimhavarman.

    Bush since, as she says, "the motorcade was only one car and he was sometimes the one driving it." As counselor to the president, she brought the working mom’s perspective to the White House, often asking of President Bush’s policies, "What does this mean for the average person?"Yet the move from Texas to Washington was hard on her family, and in a controversial, headline-making decision that reverberated across America, she summoned the courage to say, "Mr. President, I love you, but I need to move my family home to Texas." There, Hughes continues to advise the president, where the kitchen wall calendar marks the State of the Union message side by side with her son’s orthodontist appointments.Listening to Ten Minutes from Normal—the title comes from the campaign trail—one is instantly absorbed in what it’s like to be a "normal" person who goes to work at the White House as a part of the president’s inner circle. Told in Karen Hughes’s disarmingly down-to-earth, warm, often funny, and frank voice, the audiobook is a remarkable blend of an ordinary woman’s life, with all its compromises and everyday decisions, and a keenly insightful look at American politics and America’s forty-third president.This is an audiobook for the legions of women and men everywhere who are seeking new inspiration for how to reorder their priorities and achieve balance in their lives. Most important, in a post-9/11 world, Hughes redefines the very notion of what is "normal" as something special and precious, never to be taken for granted in America again.

    January 30, 1969 was one of those moments. There are those who were on the periphery of the event that day and heard what was going on; but as one of the few remaining insiders who accompanied the Beatles up onto the cold windswept roof of the Apple building, Ken Mansfield had a front row seat to the full sensory experience of the moment and witnessed what turned out to be beginning of the end. Ken shares in The Roof: The Beatles Final Concert, the sense that something special was taking place before his eyes that would live on forever in the hearts and souls of millions. As the US manager of Apple, Ken Mansfield was on the scene in the days, weeks, and months leading up to this monumental event. He shares his insights into the factors that brought them up onto that roof and why one of the greatest bands of all time left it all on that stage. Join Ken as he reflects on the relationships he built with the Fab Four and the Apple corps and what each player meant to this symphony of music history.

    Thirty thousand murdered since 2006; police chiefs shot within hours of taking office; mass graves comparable to those of civil wars; car bombs shattering storefronts; headless corpses heaped in town squares. And it is all because a few Americans are getting high. Or is it? The United States throws Black Hawk helicopters and drug agents at the problem. But in secret, Washington is confused and divided about what to do. Who are these mysterious figures tearing Mexico apart? they wonder. What is El Narco? El Narco draws the first definitive portrait of Mexico's drug cartels and how they have radically transformed in the last decade. El Narco is not a gang; it is a movement and an industry drawing in hundreds of thousands from bullet-ridden barrios to marijuana-growing mountains. And it has created paramilitary death squads with tens of thousands of men-at-arms from Guatemala to the Texas border. Journalist Ioan Grillo has spent a decade in Mexico reporting on the drug wars from the front lines. This piercing book joins testimonies from inside the cartels with firsthand dispatches and unsparing analysis. The devastation may be south of the Rio Grande, El Narco shows, but America is knee-deep in this conflict.

    Across five generations, the Bacardi family has held fast to its Cuban identity, even in exile from the country for whose freedom they once fought. Now National Public Radio correspondent Tom Gjelten tells the dramatic story of one family, its business, and its nation, a 150-year tale with the sweep and power of an epic. The Bacardi clan--patriots and bon vivants, entrepreneurs and intellectuals--provided an example of business and civic leadership in its homeland for nearly a century. From the fight for Cuban independence from Spain in the 1860s to the rise of Fidel Castro and beyond, there is no chapter in Cuban history in which the Bacardis have not played a role. In chronicling the saga of this remarkable family and the company that bears its name, Tom Gjelten describes the intersection of business and power, family and politics, community and exile.

    As the child of two Holocaust Survivors, Looking Up: A Memoir of Sisters, Survivors and Skokie tells the story of growing up with parents who have survived the unsurvivable, who land in Skokie, an idyllic northern suburb of Chicago, where they're suddenly free to live their lives, yet they find that their past has arrived with them. Through the pages of this book the author discovers that past, discovers why outside the house is the magic of her Skokie childhood but inside the Nazis are forever on the march, and ultimately finds that her parents' stories are her own.

    Reprint.

    Through vigorous draftsmanship, charismatic voices, irreverent sight gags, crass humor, and stellar character acting, animation's most talented and disturbed artists created an entity for the Nickelodeon cable network that pulled the art form out of a 25-year rut. The world has never been quite the same since - and we're eternally grateful!Now you too can join the rollercoaster ride that is the fascinating, insane real-life story of art, money, and ego that gave birth to Ren Hoek and Stimpson J. Cat. History Eraser Buttons need not apply. No stone has been unturned, no magic nose goblins unpicked, in this extensively detailed history of the show that defined a generation and changed an entire medium.It's everything you wanted to know about Ren & Stimpy - but were afraid to ask!