There is no Table of Contents. Instead, there is a "Track List," making it easy to refer to them to your friends with a, "Hey did you read track seven?!" There are no chapters. Instead, the book is divided into two parts, or as one would say in the 90's, two "sides." Side A holds poetry that touches on all aspects of the human condition like life, death, love, moving on, evolving, growing up, hometowns, family dynamic, life after trauma, and make-ups and breakups. Side B holds the "remixes" of these poems, in the form of blackout poetry, also known as "found poetry." Side B gives the material a fresh twist by creating new poetry out of Side A. There is also a very special surprise at the end of each track. Alicia decided to self publish this effort after leaving her publishing house. She views this book as her "independence" and official separation from that venture. She also drew the front and back cover herself. Alicia is a contributing writer for many blogs and news outlets, including the Huffington Post and multiple Gannett Publications. She writes regularly on drug addiction and how it directly affects families. Because of this, she has chosen to donate 100% of royalties to the Willow Tree Center in New Jersey. www.willowtree.org. Follow Alicia on Instagram: @thealiciacook or check out her website: www.thealiciacook.com.

    Ever since, Gretchen and her brother, Ansel, have felt the long branches of the witch's forest threatening to make them disappear, too.Years later, when their stepmother casts Gretchen and Ansel out, they find themselves in sleepy Live Oak, South Carolina. They're invited to stay with Sophia Kelly, a beautiful candy maker who molds sugary magic: coveted treats that create confidence, bravery, and passion.Life seems idyllic and Gretchen and Ansel gradually forget their haunted past -- until Gretchen meets handsome local outcast Samuel. He tells her the witch isn't gone -- it's lurking in the forest, preying on girls every year after Live Oak's infamous chocolate festival, and looking to make Gretchen its next victim. Gretchen is determined to stop running and start fighting back. Yet the further she investigates the mystery of what the witch is and how it chooses its victims, the more she wonders who the real monster is.Gretchen is certain of only one thing: a monster is coming, and it will never go away hungry.

    R. Myers' Rogue Princess, a gender-swapped sci-fi YA retelling of Cinderella.Princess Delia knows her duty: She must choose a prince to marry in order to secure an alliance and save her failing planet. Yet she secretly dreams of true love, and feels there must be a better way. Determined to chart her own course, she steals a spaceship to avoid the marriage, only to discover a handsome stowaway. All Aidan wanted was to “borrow” a few palace trinkets to help him get off the planet. Okay, so maybe escaping on a royal ship wasn’t the smartest plan, but he never expected to be kidnapped by a runaway princess!Sparks fly as this headstrong princess and clever thief battle wits, but everything changes when they inadvertently uncover a rebel conspiracy that could destroy their planet forever.

     Then Cosette is born, Giftless. An attempt to hide her misfortune brings her before the King, who entraps her to use her Gift as a pawn in his war. Caught in a lie, Cosette desperately searches for a power strong enough to free her. Intrigued by whispers of an old king and a dark curse, she calls upon Rumpelstiltskin and finds him trapped in a magic deeper than she bargained for. Now, Cosette must fight to reclaim her freedom from the King and break Rumpel’s curse. When time runs out, she’ll lose more than her heart. She’ll lose her life.THE STORYTELLER’S DAUGHTER is the perfect introduction to YA that will satisfy fans of Gail Carson Levine’s ELLA ENCHANTED, as well as Jessica Day George’s DRAGON SLIPPERS and PRINCESS OF GLASS, and Cameron Dokey’s THE WORLD ABOVE.

     Neil Gaiman, “Orange”   Aimee Bender, “The Color Master”   Joyce Carol Oates, “Blue-bearded Lover”   Michael Cunningham, “The Wild Swans”   These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.   Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.   Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

    Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

    They have to—he’s cursed. Every man must respect him. Every woman must desire him. One look, and all is lost.Ember would rather carve out a piece of her soul than be enslaved by passions not her own. She turns to the dark arts to save her heart and becomes the one woman in the kingdom able to resist the Prince’s Charm.Poor girl. If Ember had spent less time studying magic and more time studying human nature, she might have guessed that a man who gets everything and everyone he wants will come to want the one woman he cannot have.Novella / 32,000 wordsWarning: This story contains sex, violence, and naughty words.It’s based on a fairytale, but it isn’t for kids.

    Worse yet, she fears she has been afflicted with the dreaded Disease, said to be carried by humans—emotions. Can she face the darkness long enough to surface in the light?Above the sea, Brooke has nothing left to give. Depression and anxiety have left her feeling isolated. Forgotten. The only thing she can rely on is the numbness she finds within the cool and comforting ocean waves. If only she weren’t stuck at Fathoms—a new group therapy home that promises a second chance at life. But what’s the point of living if her soul is destined to bleed?Merrick may be San Francisco’s golden boy, but he wants nothing more than to escape his controlling father. When his younger sister’s suicide attempt sends Merrick to his breaking point, escape becomes the only option. If he can find their mom, everything will be made right again—right?When their worlds collide, all three will do whatever it takes to survive, and Coral might even catch a prince in the process. But what—and who—must they leave behind for life to finally begin?Taking a new twist on Hans Christian Andersen’s beloved—yet tragic—fairy tale, Coral explores mental health from multiple perspectives, questioning what it means to be human in a world where humanity often seems lost.

    These stories are about coming to terms with our animal natures, exploring the ways in which we might renegotiate our fractured relationship with the natural world, and uncovering the wildness - and wilderness - within. Beautifully illustrated by Helen Nicholson, Foxfire, Wolfskin and Other Stories of Shapeshifting Women is her first collection of short stories. All are either reimaginings of older tales, or contain characters, beings and motifs which appear in older tales.

    Her life is brutal but simple: fight and survive. Until the day she sees the impossible on the battlefield—her brother, fighting with the enemy—the brother she watched die five years ago.Faced with her brother's betrayal, she must survive the winter in the mountains with the Riki, in a village where every neighbor is an enemy, every battle scar possibly one she delivered. But when the Riki village is raided by a ruthless clan thought to be a legend, Eelyn is even more desperate to get back to her beloved family.She is given no choice but to trust Fiske, her brother’s friend, who sees her as a threat. They must do the impossible: unite the clans to fight together, or risk being slaughtered one by one. Driven by a love for her clan and her growing love for Fiske, Eelyn must confront her own definition of loyalty and family while daring to put her faith in the people she’s spent her life hating.Part Wonder Woman, part Vikings—and all heart.

    But maybe there’s more to the stories than even the Wickeds know. Is it time to finally get revenge? After all, they’re due for a happily-enough-ever-after. Even if they have to write it themselves.

    But first they must remember what that is...

    You've read the Brothers Grimm, you've watched the Disney cartoons, and you cheered as these virtuous women lived happily ever after. But real princesses didn't always get happy endings. Sure, plenty were graceful and benevolent leaders, but just as many were ruthless in their quest for power and all of them had skeletons rattling in their royal closets. Princess Stephanie von Hohenlohe was a Nazi spy. Empress Elisabeth of the Austro-Hungarian empire slept wearing a mask of raw veal. Princess Olga of Kiev slaughtered her way to sainthood while Princess Lakshmibai waged war on the battlefield, charging into combat with her toddler son strapped to her back. Princesses Behaving Badly offers true tales of all these princesses and dozens more in a fascinating read that's perfect for history buffs, feminists, and anyone seeking a different kind of bedtime story.

    For the first time, the complete collection of Maya Angelou's published poems-including "On the Pulse of Morning"-in a permanent collectible, handsome hardcover edition.

    Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, competition judge Louise Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”