Armaan Malhotra is a celebrity artist with an aversion to commitment in relationships. Unlike his famous works of art that are filled with colours, he is careful to keep his personal life a blank canvas. Zara is a spirited, independent young woman who has carved out a niche for herself professionally. Branded as ‘illegitimate’ since her childhood, she hopes to find happiness in a practical marriage some day. Her mother's indiscretion has haunted her all her life, teaching her pragmatism and independence the hard way. Having known each other as children, Zara finds Armaan arrogant and insensitive in spite of a secret crush she had on him as a teenager. Armaan finds Zara stubborn and defiant even though he feels irresistibly drawn to her. Both detest the sight of each other. Under pressure from Armaan's mother, Zara and Armaan agree on a short-term arranged marriage. Soon, the undercurrent of tension and fierce attraction blows up into a full-fledged battle on their honeymoon. Thrown together in an unexpected situation, they are compelled to alter their prejudiced notions about each other as their marriage begins to take on a different hue from what they had wanted. Could the true colours of love transform their antagonism into deep abiding faith?

    This unique book is a compilation of 365 intimate letterswritten by Osho [from 1962 to 1971] to his disciples and friends while hewas traveling in India on subjects as diverse as solitude, love, meditationand receptivity; as well as our fruitless efforts to make our lives secure,the stupidity of the human mind, and the ability to laugh at oneself.

    McCarthy examines how the work undermines traditional concepts of fiction and explores parallels and contrasts between Camus's work and that of Jean-Paul Sartre. Providing students with a useful companion to The Stranger, this second edition features a revised guide to further reading and a new chapter on Camus and the Algerian War. First Edition Hb (1988): 0-521-32958-2 First Edition Pb (1988): 0-521-33851-4

    Timely, topical, modern and fresh - The antidote to the 'Indian' novel. 'An impassioned plea for tolerance in a country rife with competing interests, this marvelous new novel by David Davidar follows a young man's heroic love for his country. While it draws on the wisdom of past thinkers to recast a vision of tolerance for the present, it holds to an emotional core of idealism and the compelling rhythm of youth.Unflinching. Unsentimental. Deeply Moving. I loved it.' Kiran Desai

    In colonial India a young woman finds herself faced with an impossible choice, the consequences of which will echo through the generations… 1928. In British-ruled India, headstrong Sita longs to choose her own path, but her only destiny is a good marriage. After a chance meeting with a Crown Prince leads to a match, her family’s status seems secured and she moves into the palace, where peacocks fill the gardens and tapestries adorn the walls. But royal life is far from simple, and her failure to provide an heir makes her position fragile. Soon Sita is on the brink of losing everything, and the only way to save herself could mean betraying her oldest friend… 2000. When Priya’s marriage ends in heartbreak, she flees home to India and the palace where her grandmother, Sita, once reigned as Queen. But as grandmother and granddaughter grow closer, Priya has questions. Why is Sita so reluctant to accept that her royal status ended with Independence? And who is the mysterious woman who waits patiently at the palace gates day after day? Soon Priya uncovers a secret Sita has kept for years – and which will change the shape of her life forever… A breathtaking journey through India from British rule to Independence and beyond; a world of green hills, cardamom-scented air, and gold thread glinting in the sun, brought to life by Renita D’Silva’s exquisite writing. If you love Kathryn Hughes, Dinah Jefferies or Kristin Hannah, this is the novel for you. What readers are saying about Renita D’Silva: ‘WOW!!… I was absolutely blown away by this book and couldn’t put it down. I’m going straight to Amazon to buy another book by Renita D’Silva – I need more! Just incredible… this is an absolutely stunning book which I can’t praise enough.’ Roxanne Starr, 5 stars ‘So compelling I literally didn’t want to put it down… A sheer joy to read and I am putting myself out on a limb by saying this is the best book I have read in this genre this year… A truly outstanding book.’ Best Crime Books and More, 5 stars ‘Every now and again a book comes along that I can't stop thinking about long after I've turned the last page. A Daughter's Courage was one of those books… An absolutely beautiful story… I really can't say anything that will adequately describe how much I enjoyed this book so I will just say that I highly recommend it… I loved every minute of it.’ Twin Spin, 5 stars ‘Renita D’Silva has done it again… Truly sensational story… Stunning… Remarkable and overwhelming… Renita’s words are like liquid gold… This book even took over my dreams. My mind was completely mesmerised… I cannot recommend this book enough.’ Little Miss No Sleep, 5 stars ‘Heartrending... beautiful... a dream... I did not just love this book, I actually LIVED it. A Daughter's Courage is one of the most beautiful books I've ever read.

    In him was distilled the terrible powers of Mahadeva, at its fiercest and most deadly. Although he fought many wars and slew many tyrants, his gifts to humanity have always been those of mercy, compassion and love. What makes this possible?For Kartikeya, there have always been more questions than answers. Did he really walk away from his family over a piece of fruit? What about the women in his life—was he the ravisher he is at times accused of being, or the protector of women? Was he the violent warrior who revelled in bloodlust, or a gentle family man? What was his relationship with his more popular sibling, Ganesha?Anuja Chandramouli weaves together myth, imagination and folklore while looking to answer these questions and recreates for modern readers the story of one of the most enigmatic gods—Kartikeya.

    Presents the life and career of the Irish novelist, including his childhood, his days as a newspaper columnist, his marriage, and his final days.

    Brooks shows that Faulkner's strong attachment to his region, with its rich particularity and deep sense of community, gave him a special vantage point from which to view the modern world.Books's consideration of such novels as Light in August, The Unvanquished, As I Lay Dying, and Intruder in the Dust shows the ways in which Faulkner used Yoknapatawpha County to examine the characteristic themes of the twentieth century. Contending that a complete understanding of Faulkner's writing cannot be had without a thorough grasp of fictional detail, Brooks gives careful attention to what happens: In the Yoknapatawpha novels. He also includes useful genealogies of Faulkner's fictional clans and a character index.

    With the elegance and verve for which he is well known, Stephen Greenblatt, author of the best-selling Will in the World, shows that Shakespeare was strikingly averse to such absolutes and constantly probed the possibility of freedom from them. Again and again, Shakespeare confounds the designs and pretensions of kings, generals, and churchmen. His aversion to absolutes even leads him to probe the exalted and seemingly limitless passions of his lovers.Greenblatt explores this rich theme by addressing four of Shakespeare’s preoccupations across all the genres in which he worked. He first considers the idea of beauty in Shakespeare’s works, specifically his challenge to the cult of featureless perfection and his interest in distinguishing marks. He then turns to Shakespeare’s interest in murderous hatred, most famously embodied in Shylock but seen also in the character Bernardine in Measure for Measure. Next Greenblatt considers the idea of Shakespearean authority—that is, Shakespeare’s deep sense of the ethical ambiguity of power, including his own. Ultimately, Greenblatt takes up Shakespearean autonomy, in particular the freedom of artists, guided by distinctive forms of perception, to live by their own laws and to claim that their creations are singularly unconstrained.A book that could only have been written by Stephen Greenblatt, Shakespeare’s Freedom is a wholly original and eloquent meditation by the most acclaimed and influential Shakespearean of our time.

    His life, too, is the stuff of legend, from his survival of the siege of Leningrad in early childhood to his expulsion from the Soviet Union and his achievements as a Nobel Prize winner and America’s poet laureate.In this penetrating biography, Brodsky’s life and work are illuminated by his great friend, the late poet and literary scholar Lev Loseff. Drawing on a wide range of source materials, some previously unpublished, and extensive interviews with writers and critics, Loseff carefully reconstructs Brodsky’s personal history while offering deft and sensitive commentary on the philosophical, religious, and mythological sources that influenced the poet’s work. Published to great acclaim in Russia and now available in English for the first time, this is literary biography of the first order, and sets the groundwork for any books on Brodsky that might follow.

    Boyd adds another counterintuitive and provocative thesis to his corpus. While conservative scholars and pastors have struggled for years to show that the Bible is without errors, Boyd considers this a fool's errand. Instead, he says, we should embrace the mistakes and contradictions in Scripture, for they show that God chose to use fallible humans to communicate timeless truths. Just as God ultimately came to save humanity in the form of a human, God chose to impart truth through the imperfect medium of human writing. Instead of the Bible's imperfections being a reason to attack its veracity, these "problems" actually support the trustworthiness of Christian Scripture. Inspired Imperfection is required reading for anyone who's questioned the Bible because of its contradictions.

    This "Columbia Critical Guide" starts with extracts from Melville's own letters and essays and from early reviews of "Moby-Dick" that set the terms for later critical evaluations. Subsequent chapters deal with the "Melville Revival" of the 1920s and the novel's central place in the establishment, growth, and reassessment of American Studies in the 1940s and 1950s. The final chapters examine postmodern New Americanist readings of the text, and how these provide new models for thinking about American culture.

    Burroughs' attempt to redefine a complacent society's notion of sanity and normalcy and to reinvent their own lives through jazz, drugs, and law-breaking.

    Will there be a happily ever after?

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