The couple spend many happy evenings together planning for the future.One night Rachel wakes up screaming and tells Eliza that an ant has crawled into her eye and is stuck there. She knows it sounds mad - but she also knows it's true. As a scientist, Eliza won't take Rachel's fear seriously and they have a bitter fight. Suddenly their entire relationship is called into question.Inspired by some of the best-known thought experiments in philosophy, particularly philosophy of mind, Love and Other Thought Experiments is a story of love lost and found across the universe.

    An only child, he lives alone with Emilie, the mother he adores but who treats him with bitter severity. He begins an intense friendship with a Jewish boy his age, talented and mercurial Anton Zweibel, a budding concert pianist. Moving backward to the war years and the painful repercussions of an act of conscience, and forward through the lives and careers of two men, The Gustav Sonata explores the passionate love of childhood friendship as it is lost, transformed, and regained over a lifetime. Moving between the 1930s and the 1990s, this fierce and beautifully orchestrated novel explores the vast human issues of racism and tolerance, flight and refuge, cruelty and tenderness. It is a powerful and deeply moving addition to the beloved oeuvre of one of our greatest contemporary novelists.

    At almost thirty, she is adrift and alienated from life. Stuck in a mindless job and reluctant to pursue her passion for food, she suppresses her appetite and recedes to the corners of rooms. But when she meets Stevie, a spirited and effervescent artist, their intense friendship sparks a change in Roberta, a shift in her desire for more. Together, they invent the Supper Club, a transgressive and joyous collective of women who gather to celebrate, rather than admonish, their hungers. They gather after dark and feast until they are sick; they break into private buildings and leave carnage in their wake; they embrace their changing bodies; they stop apologizing. For these women, each extraordinary yet unfulfilled, the club is a way to explore, discover, and push the boundaries of the space they take up in the world. Yet as the club expands, growing both in size and rebellion, Roberta is forced to reconcile herself to the desire and vulnerabilities of the body--and the past she has worked so hard to repress. Devastatingly perceptive and savagely funny, Supper Club is an essential coming-of-age story for our times.

    Like her fictional forebears Kate Reddy and Bridget Jones, Alice plays many roles (which she never refers to as “wearing many hats” and wishes you wouldn’t, either). She is a mostly-happily married mother of three, an attentive daughter, an ambivalent dog-owner, a part-time editor, a loyal neighbor and a Zen commuter. She is not: a cook, a craftswoman, a decorator, an active PTA member, a natural caretaker or the breadwinner. But when her husband makes a radical career change, Alice is ready to lean in—and she knows exactly how lucky she is to land a job at Scroll, a hip young start-up which promises to be the future of reading, with its chain of chic literary lounges and dedication to beloved classics. The Holy Grail of working mothers―an intellectually satisfying job and a happy personal life―seems suddenly within reach.Despite the disapproval of her best friend, who owns the local bookstore, Alice is proud of her new “balancing act” (which is more like a three-ring circus) until her dad gets sick, her marriage flounders, her babysitter gets fed up, her kids start to grow up and her work takes an unexpected turn. Readers will cheer as Alice realizes the question is not whether it’s possible to have it all, but what does she―Alice Pearse―really want?

    Nature.Bea’s five-year-old daughter, Agnes, is slowly wasting away. The smog and pollution of the City—an over-populated, over-built metropolis where most of the population lives—is destroying her lungs. But what can Bea do? No one leaves the City anymore, because there is nowhere else to go. But across the country lies the Wilderness State, the last swath of open, protected land left. Here forests and desert plains are inhabited solely by wildlife. People are forbidden. Until now. Bea, Agnes, and eighteen others volunteer to live in the Wilderness State as part of a study to see if humans can co-exist with nature. Can they be part of the wilderness and not destroy it? Living as nomadic hunter-gatherers, this new community wanders through the grand country, trying to adhere to the strict rules laid down by the Rangers, whose job it is to remind them they must Leave No Trace. As the group slowly learns to live and survive on the unpredictable and often dangerous land, its members battle for power and control and betray and save each other. The farther they roam, the closer they come to their animal soul.To her dismay, Bea discovers that, in fleeing to the Wilderness State to save Agnes, she is losing her in a different way. Agnes is growing wilder and closer to the land, while Bea cannot shake her urban past. As she and Agnes grow further apart, the bonds between mother and daughter are tested in surprising and heartbreaking ways.Yet just as these modern nomads come to think of the Wilderness State as home, its future is threatened when the Government discovers a new use for the land. Now the migrants must choose to stay and fight for their place in the wilderness, their home, or trust the Rangers and their promises of a better tomorrow elsewhere.

    Alas, her husband, Fletcher, a self-employed high-end cabinetmaker, now spurns the “toxic” dishes that he’d savored through their courtship, and devotes hours each day to manic cycling. Then, when Pandora picks up her older brother Edison at the airport, she doesn’t recognize him. In the years since they’ve seen one another, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It’s him or me.Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.

    Rosemary begins her story in the middle. She has her reasons. “Until Fern’s expulsion...,” Rosemary says, “she was my twin, my funhouse mirror, my whirlwind other half and I loved her.” As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence.In We Are All Completely Beside Ourselves, Karen Joy Fowler weaves her most accomplished work to date—a tale of loving but fallible people whose well-intentioned actions lead to heartbreaking consequences.

    “An absurd, hilarious romp through the haunted house of late-stage capitalism.”—Carmen Maria Machado, author of In the Dream House Told entirely through clever and captivating Slack messages, this irresistible, relatable satire of both virtual work and contemporary life is The Office for a new world.Gerald, a mid-level employee of a New York–based public relations firm has been uploaded into the company’s internal Slack channels—at least his consciousness has. His colleagues assume it’s an elaborate gag to exploit the new work-from home policy, but now that Gerald’s productivity is through the roof, his bosses are only too happy to let him work from . . . wherever he says he is. Faced with the looming abyss of a disembodied life online, Gerald enlists his co-worker Pradeep to help him escape, and to find out what happened to his body. But the longer Gerald stays in the void, the more alluring and absurd his reality becomes. Meanwhile, Gerald’s colleagues have PR catastrophes of their own to handle in the real world. Their biggest client, a high-end dog food company, is in the midst of recalling a bad batch of food that’s allegedly poisoning Pomeranians nationwide. And their CEO suspects someone is sabotaging his office furniture. And if Gerald gets to work from home all the time, why can’t everyone? Is true love possible between two people, when one is just a line of text in an app? And what in the hell does the :dusty-stick: emoji mean? In a time when office paranoia and politics have followed us home, Calvin Kasulke is here to capture the surprising, absurd, and fully-relatable factors attacking our collective sanity…and give us hope that we can still find a human connection.

    When news spreads of a high school teacher's relationship with his underage student, participants and observers alike soon take part in an elaborate show of concern and dismay. But beneath the surface of the teenage girls' display, there simmers a new awareness of their own power. They obsessively examine the details of the affair with the curiosity, jealousy, and approbation native to any adolescent girl, under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

    But then Lillian had to leave the school unexpectedly in the wake of a scandal and they’ve barely spoken since. Until now, when Lillian gets a letter from Madison pleading for her help.Madison’s twin stepkids are moving in with her family and she wants Lillian to be their caretaker. However, there’s a catch: the twins spontaneously combust when they get agitated, flames igniting from their skin in a startling but beautiful way. Lillian is convinced Madison is pulling her leg, but it’s the truth.Thinking of her dead-end life at home, the life that has consistently disappointed her, Lillian figures she has nothing to lose. Over the course of one humid, demanding summer, Lillian and the twins learn to trust each other—and stay cool—while also staying out of the way of Madison’s buttoned-up politician husband. Surprised by her own ingenuity yet unused to the intense feelings of protectiveness she feels for them, Lillian ultimately begins to accept that she needs these strange children as much as they need her—urgently and fiercely. Couldn’t this be the start of the amazing life she’d always hoped for?With white-hot wit and a big, tender heart, Kevin Wilson has written his best book yet—a most unusual story of parental love.

    For years, he and his wife, Gillian, have lived beyond their means. Now their debts and bad decisions are catching up with them, and Kyung is anxious for his family’s future.A few miles away, his parents, Jin and Mae, live in the town’s most exclusive neighborhood, surrounded by the material comforts that Kyung desires for his wife and son. Growing up, they gave him every possible advantage—private tutors, expensive hobbies—but they never showed him kindness. Kyung can hardly bear to see them now, much less ask for their help. Yet when an act of violence leaves Jin and Mae unable to live on their own, the dynamic suddenly changes, and he’s compelled to take them in. For the first time in years, the Chos find themselves living under the same roof. Tensions quickly mount as Kyung’s proximity to his parents forces old feelings of guilt and anger to the surface, along with a terrible and persistent question: how can he ever be a good husband, father, and son when he never knew affection as a child?As Shelter veers swiftly toward its startling conclusion, Jung Yun leads us through dark and violent territory, where, unexpectedly, the Chos discover hope. Shelter is a masterfully crafted debut novel that asks what it means to provide for one's family and, in answer, delivers a story as riveting as it is profound.

    Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.

    Clyde, the father, works long, exhausting shifts at the petroleum plant in southern Trinidad; Joy, his wife, looks after the home. Their two sons, thirteen years old, wake early every morning to travel to the capital, Port of Spain, for school. They are twins but nothing alike: Paul has always been considered odd, while Peter is widely believed to be a genius, destined for greatness. When Paul goes walking in the bush one afternoon and doesn't come home, Clyde is forced to go looking for him, this child who has caused him endless trouble already, and who he has never really understood. And as the hours turn to days, and Clyde begins to understand Paul's fate, his world shatters--leaving him faced with a decision no parent should ever have to make.

    The news triggers a self-destructive tailspin, centred around Irina’s relationship with her obsessive best friend, and a shy young man from her local supermarket who has attracted her attention…Boy Parts is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboo regions of sexuality and gender roles in the twenty-first century.