Set in various locations, from New York to the west coast of Ireland to the nameless realms of the imagination, his stories conjure a world where beautiful but deranged kids make lethal bombs, where talented sculptors spend their careers dismembering themselves in pursuit of their art, where wasters ris up with axes and turn into patricides. "Getting It in the Head" is a brilliant, bracing tour de force.

    A Sally Rooney short story originally published by The New Yorker in print and online in March 2019.

    The great Irish humorist and writer Flann O'Brien, aka Brian O'Nolan,aka Myles na Gopaleen, also wrote a newspaper column called "CruiskeenLawn." The Best of Myles collects the best and funniest, covering suchsubjects as plumbers, the justice system, and improbable inventions.

    In a community where truth is often tribal and partial, the secret they share threatens to destroy what they have each built in the present.

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    But Donn longs for a wider kingdom. He deserts his bride, roams the world, fights in wars, is footloose - yet finds that he is homesick. Sixteen years later he returns to take up the threads of his old life, to learn to love his afflicted daughter, and to bring progress to the neglected green valley. Light comes, water flows, the land prospers. Then, on a night of innocent festivity, a monstrous crime is perpetrated. His kingdom violated, Donn dedicates himself to a terrible revenge that can only destroy the avenger as well as the hunted

    A comedy depends on stopping the story at exactly the right moment."   Mia Fredrickson, the wry, vituperative, tragicomic poet narrator of The Summer Without Men, has been forced to reexamine her own life. One day, out of the blue, after thirty years of marriage, Mia’s husband, a renowned neuroscientist, asks her for a “pause.” This abrupt request sends her reeling and lands her in a psychiatric ward. The June following Mia’s release from the hospital, she returns to the prairie town of her childhood, where her mother lives in an old people’s home. Alone in a rented house, she rages and fumes and bemoans her sorry fate. Slowly, however, she is drawn into the lives of those around her—her mother and her close friends,“the Five Swans,” and her young neighbor with two small children and a loud angry husband—and the adolescent girls in her poetry workshop whose scheming and petty cruelty carry a threat all their own. From the internationally bestselling author of What I Loved comes a provocative, witty, and revelatory novel about women and girls, love and marriage, and the age-old question of sameness and difference between the sexes.

    Now they are on the brink of the inevitable.Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.

    Nobody remembers when it started; rain on the western seaboard is a condition of living. But now – just as Father Coffey proclaims the coming of the electricity – the rain clouds are lifting. Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his fallings in and out of love, Christy's past gradually comes to light, casting a new glow on a small world. Harking back to a simpler time, This Is Happiness is a tender portrait of a community – its idiosyncrasies and traditions, its paradoxes and kindnesses, its failures and triumphs – and a coming-of-age tale like no other. Luminous and lyrical, yet anchored by roots running deep into the earthy and everyday, it is about the power of stories: their invisible currents that run through all we do, writing and rewriting us, and the transforming light that they throw onto our world.

    It is time to return from Dublin, London and New York to Rossmore and the old stone house overlooking the Irish Sea where they grew up. But ancient jealousies surface as each sister confronts the past and the decisions they have made.For work-driven Kate it is time to take stock of her role as a high-flying ambitious lawyer and single parent; life is a battle between work and looking after Molly with little time for a proper relationship. Even Patrick, the man she once fell for, has ended up marrying her sister. Beautiful and intense Moya must take a hard look at her marriage to the charming but unfaithful Patrick and consider her own worth. For wild child Romy who has travelled the world and hasn't put a foot on Irish soil for years, it is time to finally stop running and find the courage to confront her family.A good and caring mother, Maeve Dillon has somehow over the years labelled each of her three daughters: Moya the beautiful, Kate the brains, and Romy, the bold and wild one. Now it is finally time for all three to break out of the box.

    The Crock of Gold contains 6 books: Book 1 – The Coming of Pan, Book 2 – The Philosopher's Journey, Book 3 – The Two Gods, Book 4 – The Philosopher's Return, Book 5 – The Policemen, and Book 6 – The Thin Woman's Journey. All rotate around the astonishing story of what happens when Pan shows up in Ireland, what Angus Og does about it, and what becomes of the Daughter of Murrachu who gets caught in between them. A mad-cap quest ensues as fairies, leprechauns and a philosopher being hunted by the police all get involved in the antics of the two gods.

    His work is credited with turning the Gothic's focus from the external sources of horror to the inward effects of terror, thus helping to create the psychological basis for supernaturalist literature that continues to this day. Inspired by the Dutch painter Godfried Schalcken, 'Schalken the Painter' is a timeless Gothic tale. Many of the earliest occult stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive.

    These are her collected pieces: regular bulletins from the woman writing under the covers.Marian loves shoes and her LTFs (Long-Term Friends), hates realtors and lost luggage, and she once had a Christmas office party that involved roasting two sheep on a spit, Moroccan-style. She's just like you and me ...Featuring a wide compilation of Marian's journalism from magazines and newspapers, plus some exclusive, previously unpublished material, Under the Duvet is bursting with funny stories: observations on life, in-laws, weight loss, parties and driving lessons that will keep you utterly gripped -- either wincing with recognition or roaring with laughter.

    You're sellotaped to the inside pane of the jumble shop window. A photograph of your mangled face and underneath an appeal for a COMPASSIONATE AND TOLERANT OWNER. A PERSON WITHOUT OTHER PETS & WITHOUT CHILDREN UNDER FOUR.A misfit man finds a misfit dog. Ray, aged fifty-seven, ‘too old for starting over, too young for giving up’, and One Eye, a vicious little bugger, smaller than expected, a good ratter. Both are accustomed to being alone, unloved, outcast – but they quickly find in each other a strange companionship of sorts. As spring turns to summer, their relationship grows and intensifies, until a savage act forces them to abandon the precarious life they’d established, and take to the road.

    With this collection, "A Bit of Singing and Dancing," she establishes herself as one of the very few novelists practising the art of the short story with total success. Whether she is relating the tragic series of events in the conservatory, or conjuring up the pathos of an unusual lodger, or portraying the ineffable Ossie in Venice, her powers of description are sharp, compassionate, and subtle. A French village, an English seaside town out of season, a hospital ward, these are some of her varied backgrounds. The eleven stories in this collection are a clear indication of Susan Hill's unique skill.