This volume brings together new poems and a generous selection of work from Dobyns's seven previously published collections.

    Inspired by stories from her Brazilian-born mother, Traci Brimhall’s third collection—a lush and startling “autobiomythography”—is reminiscent of the rich imaginative worlds of Latin American magical realists. Set in the Brazilian Amazon, Saudade is one part ghost story, one part revival, populated by a colorful cast of characters and a recurring chorus of irreverent Marias.

    From vantage points on both sides of the Atlantic, Chatti investigates the perpetual exile that comes from always being separated from some essential part of oneself.“Tunsiya is Arabic for Tunisian/female, and Amrikiya is Arabic for American/female. This naming makes a cross of empowerment even as it is it requires great effort to bear it. Muslim female power is real and undeniable in thesecoming of age poems. In this collection, arcs spark between Tunisian and American citizenship, male and female duality, sky and earth, and yes and no. This is one of the punchiest and powerful chapbooks to appear in recent years. Leila Chatti is someone to watch.” —JOY HARJO“I marvel at Leila Chatti’s poems, their deceptive ease, their ‘calligraphy of smoke,’ their luminous concern with identity and self, love and family, her aesthetic command. ‘I orbited the town of my origin.’ She writes an America that belongs to the world, not the other way around. ‘What kind of world will we leave/ for our mothers?’ In poems filled with vision, desire, tenderness, she disarms our most guarded partialities, those we hide in our slumber, or deep under our tongues: ‘a Muslim girl who loved her father’; ‘ghost of a word mixed up with our bodies.’ Leila Chatti is a remarkable poet. Take notice.” —FADY JOUDAH“Leila Chatti is a major star. She writes exquisite, indelible, necessary poems, from two worlds mixing, rich as the threads of finest tapestries— glistening, warm. I’m struck by her vibrant sense of detail and perfect pacing. We need her honest, compassionate voice so much, at this moment, and everywhere.”—NAOMI SHIHAB NYE

    I’m religious, he’s his own God. He’s a playboy, I’m a virgin. He’s chiseled. Well, I have my own curves! And yet we fit perfectly together. Tristan Blackwood and Bethany Ballard are an unlikely couple, especially with Tristan’s eccentric older sister warning her neighbor Bethany, to stay away. Bethany is ecstatic when Tristan shows an interest in her. And there is no way she was going to let Colleen ruin her one chance of real love. In a drunken stupor, Colleen reveals a dark secret of the Blackwood family. A secret that can never be revealed to Tristan. If exposed it could shatter the very foundation of his existence. Yet, if Bethany keeps this secret away from him, will he ever be able to forgive her?

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    

    Whether focused on a lesson, a teacher, or the girls themselves as they collectively school -- or refuse to -- the poems explore ways girls are trained in the broadest sense of the word.Gossips, the second section, is a shorter sequence narrated by women as they talk about other women in a variety of isolations; these poems, told from the outside looking in, highlight a speculative voicing of all the gossips cannot know. In Early Lessons, the third section, children narrate as they also observe similarly solitary women, the children's innocence allowing them to see in farther than the gossips can. The fourth section offers studies of women and men in situations in which gender, with all of its complexities, figures powerfully.The follow-up to the Pulitzer Prize-winning collection Late Wife, Figure Studies upholds Emerson's place among contemporary poetry's elite.The Mannequin above Main Street MotorsWhen the only ladies' dress shop closed, she was left on the street for trash, unsalvageable, one arm missing, lost at the shoulder, one leg at the hip. But she was wearing a blue-sequined negligee and blonde wig, so they helped themselves to her on a lark -- drunken impulse -- and for years kept her leaning in a corner, beside an attic window, rendered invisible. The dusk was also perpetual in the garage below, punctuated only by bare bulbs hung close over the engines. An oily grime coated the walls, and a decade of calendars promoted stock-car drivers, women in dated swimsuits, even their bodies out of fashion. Radio distorted there; cigarette smoke moaned, the pedal steel conceding to that place a greater, echoing sorrow. So, lame, forgotten prank, she remained, back turned forever to the dark storagebehind her, gaze leveled just above anyone's who could have looked up to mistake in the cast of her face fresh longing -- her expression still reluctant figure for it.

    Hunanyan, the #1 bestselling author of Black Book of Poems, comes his highly-anticipated second collection of poetry.

    Disappointing lovers surface in the bedroom; in the bathroom, "the drained tub ticks with mollusks & lobsters;" revenge fantasies and death lurk in the basement where they rightly belong. With lush imagery and au courant asides, Hothouse surprises and delights.Karyna McGlynn is the author of I Have to Go Back to 1994 and Kill a Girl and three chapbooks. She is currently a Visiting Assistant Professor of Creative Writing and Translation at Oberlin College.

    With formal invention and a wild personae, ZIRCONIA compels one to follow gem-strewn trails of feminine intuition, savagery, ennui, fantasy, and intimacy to their diabolically fruitful conclusions.

    Plum, her debut for Picador Poetry, is a wise, sometimes rude and piercingly candid account of her memories from childhood to attempted adulthood. This is a book about growing up, about guilt, flesh, fruit, friendships, work and play - and the urgent need to find a voice for the poems that will somehow do the whole glorious riot of it justice.Throughout Plum, McNish allows her recent poems to be interrupted by earlier writing from her younger selves – voices that speak out from the past with disarming and often very funny results. Plum is a celebration, a salute to a life in which we are always growing, tripping, changing and discovering new selves to add to our own messy stores. It will leave the reader in no doubt as to why McNish is considered one of the most important poets of the new generation.Praise for Hollie McNish‘She writes with honesty, conviction, humour and love. She points out the absurdities we've grown too used to and lets us see the world with fresh eyes’ Kate Tempest'Her rhymes have a driving quality, urgent words pinning down fleeting feelings' Observer

    Laird boldly engages with topics ranging from fatherhood and marriage to mass destruction and the cosmos. Go Giants is a brash, brave, and wildly imaginative new collection.From Go Giants:Go in peace to love and serve the.Go and get help. Go directly to jail.Go down in flames. Go up in smoke.Go for broke. Go tell Aunt Rhody.Go tell the Spartans. Go to hell.Go into detail. Go for the throat.

    Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]

    Four electrifying suspense novels featuring brilliant criminalist and quadriplegic Lincoln Rhyme: The Vanished Man, The Twelfth Card, The Cold Moon and The Broken Window.

    BUNDLED FOR YOUR CONVENIENCE. Dominic vs. Stephan. Two powerful men. Each lost to his plan of revenge until he meets the right woman. MAID FOR THE BILLIONAIRE Book 1: The Legacy CollectionDominic Corisi knew instantly that Abigail Dartley was just the distraction he was looking for, especially since having her took a bit more persuading than he was used to. So when business forces him to fly to China, he decides to take her with him, but on his terms. No promises. No complications. Just sex.Abby has always been the responsible one. She doesn’t believe in taking risks; especially when it comes to men – until she meets Dominic. He’s both infuriating and intoxicating, a heady combination. Their trip to China revives a long forgotten side of Abby, but also reveals a threat to bring down Dominic’s company. With no time to explain her actions, Abby must either influence the outcome of his latest venture and save his company or accept her role as his mistress and leave his fate to chance. Does she love him enough to risk losing him for good?FOR LOVE OR LEGACYBook 2: The Legacy CollectionNicole Corisi will lose her inheritance if she doesn’t find a way around the terms of her father’s will, but she will have to partner up with her estranged brother’s rival to do it. As pretense becomes painfully real, Nicole will have to choose between Stephan and the family he is driven to destroy.Stephan Andrade has been planning his revenge ever since Dominic Corisi unscrupulously took over his father’s company. With Corisi Enterprises gambling its reputation on the success of a new software network for China, Stephan finally has his chance to take back his legacy. Dominic’s younger sister, Nicole, asks Stephan for his help and provides him with an opportunity to exact his revenge on a personal level.It all goes smoothly until he falls in love.