Here you’ll find an exploration of pain, heartbreak and wonder at what the world might bring us next.

    Fortune smiles on him when he is introduced to Matilda Sweet, a woman in need of work. Though unusual, Christopher senses that her fresh ideals and positive outlook can only benefit his sisters, so he hires her as a companion.By the time they arrive at Christopher’s family home, the two are fast friends. But Matilda’s unorthodox ways and her convict heritage make her a second class citizen to the family. Christopher has responsibilities, and they include an advantageous match. A breeches-wearing, fish-pond-swimming, plain-talking convict’s daughter will never figure in. After all, romance is a luxury the upper classes cannot afford…

    Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.

    She does NOT do love potions.Not even for Courtney, her pregnant new client who showed up three weeks before Christmas seeking a love potion because her husband was cheating on her.So, Courtney asked about poison, instead.She said she was joking. That's what happens between wives and husbands. They get angry and talk about killing each other. They don't really mean it.It seems to make sense ... until Courtney’s husband turns up dead on Christmas Eve.He was poisoned, of course.And who is the number one suspect? Courtney. Of course.But did she actually do it? Or is she being set up?It's up to Charlie to sort through all the twists and turns in a case that gets more complicated the deeper she digs.Meet Charlie. Better known as “Aunt Charlie” from the award-winning Secrets of Redemption series. She's back, making teas and solving cases in this funny, twisty, cozy mystery series set in the 1990s in Redemption, Wisconsin.

    It introduces the reader to a vast archipelago, home to several ancient Elvin civilizations, whose survival is at stake as they confront the unavoidable rise of men, and their thirst for conquest and wealth.

    Sandeep Jatwa. Shekhar Kapoor is a successful businessman who has never done a decent thing in his entire life. For him it is all about what he can get and how fast he can get it. He goes through life cheating and insulting people, even after he receives a mysterious telephone call from what is called the City of Justice. Ignoring the cryptic warnings, Shekhar continues to live his life as he pleases, until one day, shortly after insulting a beggar in the street, Shekhar crashes his car and is KILLED. And it is only when he is standing before the Bookkeeper, and being shown where his life had gone wrong, that Shekhar finally understands what life is all about. But is it too late for him? Can he be given another chance, to undo all the wrongs he has done? Or is there a chance that Shekhar Kapoor can find redemption where there had previously been no hope?

    I disagree. We are made up of stories. The stories we hear from our mothers, the ones we tell our daughters. The tales we share with sisters and friends. The ones we never say out loud, but are heavy on our minds and run like a fever in our blood.There are a multitude of great divides between us; race, religion, cultures, the way we dress, the languages we speak, but the stories we tell bridge us together in the universal tongue of smiles, tears, pain and laughter. They remind us that, as women, we’re all chasing similar fairy-tales.This book is a call to celebrate the bridges, delight in our stories and to focus on the joy in our lives right now, rather than racing behind the happily-ever-after. That will come in it’s own time.

    – Shubhangi Swarup (Latitudes of Longing)

    But it’s nothing without her. Second in line to the throne of a beautiful island nation, I have my pick of the sexiest women, fastest cars, whatever my heart desires. What I want is my freedom — so much that they call me The Runaway Duke. Some call me The Duke of Debauchery. Both are correct. When Iliana walks into my life, with her little llama t-shirt and big green eyes, it’s only supposed to be one night. But the fates think differently and cross our paths in the most unexpected way. Now, as outside forces attempt to tear us apart, I don’t want to run. But is it safe for her to stay? *** This is a full-length romance novel with an HEA, no cheating and no cliffhanger. ***

    But they’re real, they’re honest, and hopefully they’ll make you feel a little less alone." -Ashley Dun

    But unlike others around him, he sees this not as a curse, but as an opportunity to cherish life and all the bitter-sweet gifts it brings with it.Amidst frequent visits to the doctor, multiple surgeries that risk his life being, and a life that meant surveillance all the time, Rick has to fight for himself each day. But he pulls through, thanks to his family and friend Jacob, who become his pillars of strength.And then, at a time when he is least expecting it, and with someone he meets by accident – love happens. It’s a new feeling for his heart and he is scared to lose it.Will Lisa really understand the goodness of his heart or just walk away?Inside the Heart of Hope is a story of strong will, perseverance and optimism which will make you wonder if sky is really the limit.

    H. Swaney brings a depolarizing voice to the poetry world with this debut collection. Amongst the topics of mental health, self-love, and social progress, readers will find a soft but powerful voice that uncovers the beauty that exists inside of all of us. Examining life and its circle from seed to withering to regrowth, the thought-provoking nature of this collection will bring readers to a place of self-exploration, reflection, and a deeper understanding of their place in the world.

    As the family struggles to make a living from the drought-stricken land, everyone pitches in – and Sara finds herself letting people in to the empty spaces in her heart.But the longer she spends out bush, the more she becomes plagued by elusive visions of her dark and troubled childhood. The fragments of memory lead her deep into the red centre of Australia, where at picturesque Kings Canyon she must confront the horrifying secrets of her past.

    There are two stories here.Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin.A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory...The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' Books+Publishing'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' Cassandra Atherton