In the segregated south, a young girl thinks that she can drink from a fountain marked "Whites Only" because she is wearing her white socks.

    . .Business returns to a once-prosperous restaurant when a mysterious stranger pays for his meal with a magical paper crane that comes alive and dances. The Paper Crane is illustrated with cut-paper collages and paintings. It is a wonderful book to use with children learning about patterns in storytelling. "A delight to the eye and imagination."—The Horn Book. "An enchanting book."—School Library JournalSupports the Common Core State Standards

    This debut picture book from Aaron Meshon includes audio and is a home run—don’t be surprised if the vivid illustrations and energetic text leave you shouting, “LET’S PLAY YAKYU!”

    But the vivid seasonal flora and fauna are framed by ever-present rusty razor wire, warning signs, and locked gates--and regularly interrupted by military exercises that continue decades after a 1953 ceasefire in the Korean War established the DMZ.

    In this poignant story, the counting rope is a metaphor for the passage of time and for a boy's emerging confidence in facing his blindness.

    Nobody keeps records of slaves' birthdays. All the time he dreams about freedom, but that dream seems farther away than ever when he is torn from his family and put to work in a warehouse. Henry grows up and marries, but he is again devastated when his family is sold at the slave market. Then one day, as he lifts a crate at the warehouse, he knows exactly what he must do: He will mail himself to the North. After an arduous journey in the crate, Henry finally has a birthday -- his first day of freedom.

    After their home is destroyed by a fire, Rosa, her mother and grandmother save their coins to buy a really comfortable chair for all to enjoy.

    Instead, Big Papa takes him away in his time machine—a 1952 Ford—back to all of the times when he, himself, was scared of something life was handing him.Full of heartfelt moments and thrilling magical realism, Big Papa and the Time Machine speaks to the African American experience in a touching dialogue between two family members from different generations, and emerges as a voice that shares history and asks questions about one family’s experience in 20th-century black America.“Wasn’t you scared?”“Oh, I was scared,” Big Papa said. “Sometimes you gotta walk with giants if you ever gonna know what you made of. That’s called being brave.”

    He goes about his day, calling on a friend, going to the store for his mom and visiting his grandfather's grave. But all the while, his mind strays to his father who is digging for coal deep under the sea.Written by Joanne Schwartz, this beautifully understated and haunting story brings a piece of history to life. Stunning illustrations by Sydney Smith, the award-winning illustrator of Sidewalk Flowers, show the striking contrast between a sparkling seaside day and the darkness underground where the miners dig.--front flap

    Meanwhile, in a small village in Morocco, a boy and his family go through their own morning routines and set out to a bustling market. In this ingenious, wordless picture book, readers are invited to compare, page by page, the activities and surroundings of children in two different cultures. Their lives may at first seem quite unalike, but a closer look reveals that there are many things, some unexpected, that connect them as well. Designed to be read side by side — one from the left and the other from the right —these intriguing stories are told entirely through richly detailed collage illustrations.

    A boy and his father take a walk through the city, sharing memories, and discovering all the ways in which they are perfectly designed for each other and to be themselves.

    Anthony and Frederick Douglass, get together for tea and conversation. They recount their similar stories fighting to win rights for women and African Americans. The premise of this particular exchange between the two is based on a statue in their hometown of Rochester, New York, which shows the two friends having tea.

    She eats up the littlest panda’s rice porridge, breaks his rocking chair, and rumples all the blankets on his futon. When Goldy takes responsibility for her actions, she makes a new friend (and a whole plate of turnip cakes!) just in time for Chinese New Year.

    Then she overhears two slaves talking about the Underground Railroad. In a flash of inspiration, Clara sees how she can use the cloth in her scrap bag to make a map of the land--a freedom quilt--that no master will ever suspect.

    A wild stallion becomes her friend and she decides to ride free with the herd even after she is found.