As a Houston prosecutor he sent sixteen men to death row, and watched seven of them die. But now, in the aftermath of his wife's death, the grief-stricken father packs up his four-year-old daughter, Annie, and returns to his hometown in search of healing. But peace is not what he finds there. Natchez, Mississippi, is the jewel of the antebellum South, a city of old money and older sins, where passion, power, and racial tensions seethe beneath its elegant façade. After twenty years away, Penn is stunned to find his own family trapped in a web of intrigue and danger. Determined to save his father from a ruthless blackmailer, Penn stumbles over a link to the town's darkest secret: the thirty-year-old unsolved murder of a black Korean War veteran. But what drives him to act is the revelation that this haunting mystery is inextricably bound up in his own past. Under a blaze of national media attention, Penn reopens the case, only to find local records destroyed, the FBI file sealed, and the town closing ranks against him.…Turning AngelTurning Angel marks the long-awaited return of Penn Cage, the lawyer hero of The Quiet Game, and introduces Drew Elliott, the highly respected doctor who saved Penn’s life in a hiking accident when they were boys. As two of the most prominent citizens of Natchez, Drew and Penn sit on the school board of their alma mater, St. Stephen’s Prep. When the nude body of a young female student is found near the Mississippi River, the entire community is shocked—but no one more than Penn, who discovers that his best friend was entangled in a passionate relationship with the girl and may be accused of her murder.The Devil’s PunchbowlAs a prosecutor in Houston, Penn Cage sent killers to death row. But as mayor of his hometown—Natchez, Mississippi—Penn will face his most dangerous threat. Urged by old friends to try to restore this fading jewel of the Old South, Penn has ridden into office on a tide of support for change. But in its quest for new jobs and fresh money, Natchez has turned to casino gambling, and now five steamboats float on the river beside the old slave market, like props from Gone With the Wind.

    

    Abduction is a high-tech thriller about a mysterious transmission from the bottom of the Atlantic Ocean that will change everything you know about life on Earth. Two great thriller by the master of the medical thriller.

    

    This is Coyote's country--a landscape of the imagination, where nothing is as it appears.

    In these poems, which explore aspects of race, identity, and popular culture, Beatty was honing the comic, satirical voice and vivid imagination that came to full realization in his acclaimed fiction. Joker, Joker, Deuce "moves to fierce urban rhythms, both cool and hot," writes Jessica Hagedorn. "A rush of intense visual images and electric word music."

    Harrison's novels and poems over the last two decades have been increasingly preoccupied with mortality, never so much as in Dead Man's Float, his very good new book of verse. Here he details the shocks of shingles and back surgery, as well as the comprehensive low wheeze of a fraying body... The joys in Mr. Harrison's world have remained consistent. If sex is less frequently an option, his appetites for food and the outdoors are undiminished. In one poem, he goes out into a rainstorm at night and sits naked at a picnic table. In another, he writes: 'I envied the dog lying in the yard/so I did it.'... The title of this volume, Dead Man's Float, refers to a way to stay alive in the water when one has grown tired while far from shore. As a poet, however, Mr. Harrison is not passively drifting. He remains committed to language, and to what pleasures he can catch."--Dwight Garner, The New York Times"Few enough are the books I decide to keep beyond a culling or two. Barring fire or flood, Dead Man's Float will be in my library for the rest of my life. If it's the last poetry collection we get from Harrison--and I hope it isn't--it is as fine an example of his efforts as any."--Missoula Independent"Harrison's poems succeed on the basis of an open heart and a still-ravenous appetite for life."--The Texas Observer"Forthright and unaffected, even brash, Harrison always scoops us straight into the world whether writing fiction or nonfiction [and] goes in deep, acknowledging our frailness even as he seamlessly connects with a world that moves from water to air to the sky beyond."--Library Journal"Harrison pours himself into everything he writes... in poems, you do meet Harrison head-on. As he navigates his seventies, he continues to marvel with succinct awe and earthy lyricism over the wonders of birds, dogs, and stars as he pays haunting homage to his dead and contends with age's assaults. The sagely mischievous poet of the North Woods and the Arizona desert laughs at himself as he tries to relax by imagining that he's doing the dead man's float only to sink into troubling memories...Bracingly candid, gracefully elegiac, tough, and passionate, Harrison travels the deep river of the spirit, from the wailing precincts of a hospital to a "green glade of soft marsh grass near a pool in a creek" to the moon-bright sea."--Donna Seaman, Booklist"Jim Harrison has been a remarkably productive writer across a multitude of genres... His poetry is earthy, witty, keenly observed and tied closely to the natural world [and] mortality looms large in Dead Man's Float, his 14th collection of poems... [F]orceful, lucid, fearlessly honest, Harrison knows that the nearness of death intensifies life."--Arlice Davenport, Wichita Daily EagleWarblerThis year we have two gorgeousyellow warblers nesting in the honeysuckle bush.The other day I stuck my head in the bush.The nestlings weigh one twentieth of an ounce, about the size of a honeybee. We stared ateach other, startled by our existence.In a month or so, when they reach the sizeof bumblebees they'll fly to Costa Rica without a map.Jim Harrison (1937-2016) was one of America's most versatile and celebrated writers.

    But like his celebrated teacher, Elizabeth Bishop, Gioia is meticulously painstaking and self-critical about his own poems. In an active 25-year career he has published only two previous volumes of poetry. Although Gioia is often recognized as a leading force in the recent revival of rhyme and meter in American poetry, his own work does not fit neatly into any one style.Interrogations at Noon displays an extraordinary range of style and sensibility—from rhymed couplets to free verse, from surrealist elegy to satirical ballad. What unites the poems is not a single approach but their resonant musicality and powerful but understated emotion. This new collection explores the uninvited epiphanies of love and marriage, probing the quiet mysteries of a seemingly settled domestic life. Meditating on the inescapable themes of lyric poetry—time, mortality, nature, and the contradictions of the human heart—Gioia turns them to provocative and unexpected ends.

    

    A terrifying Halloween treat perfect for Stephen King fans... BY THE LIGHT OF THE MOONWhen Dylan O'Conner pulls into a motel, all he wants is sleep. But he soon finds himself bound, gagged and being injected with a mysterious fluid by a lunatic doctor, who claims Dylan will be the carrier of his 'life's work'. He warns Dylan and fellow victim Jillian that he's being pursued and that they too are now targets. They're sceptical. But soon they realise he isn't so mad after all. . .ONE DOOR AWAY FROM HEAVEN Leilani Maddoc's tenth birthday is nine months away. Micky Bellsong is convinced that in nine months and one day, the girl will be dead. Micky's decision to save the child's life - and pit herself against an adversary as fearsome as he is cunning - takes her on a journey of incredible peril and stunning discoveries, a journey that will change her for ever...SEIZE THE NIGHTOne by one, the children of Moonlight Bay are disappearing. No one knows if they are dead or alive. Christopher Snow has glimpsed the dark and torrid secrets of the small-town community where he has spent his life. And only he has the key to the truth - a truth that could only exist in the genetic chaos of Moonlight Bay.

    A practising lawyer, Wade is forced to confront truths that challenge his most basic notions of justice and good.Part of the Storycuts series, this short story was previously published in the collection Ford County.

    There may also be some violence – these are very bad men!Matteo Zalotti has won the battle to regain control of his London mafia empire. Now he intends to confirm his place with the other mafia families around the world by marrying the only daughter of the New York mafia don, Leon Brunelli.The very last thing Matteo needs right now is to take one look at the prim and proper Grace Morrissy and be driven almost insane with the desire and longing to take her and make her his own.Matteo Zalotti isn’t like any other man Grace has ever met. He’s so much more. More handsome. More wealthy. More powerful. More intense. More dangerous. Everything about the man, from his glittering blue eyes, expertly tousled dark hair, bespoke suits, and handmade Italian leather shoes, sends out red warning signals. But that warning is a temptation in itself for someone who has always lived by the rules. Ultimately, it proves to be a danger Grace can’t resist.But no one crosses Leon Brunelli and lives.Not even Matteo Zalotti.

    intelligence agencies wracked by internal power struggles and paralyzed by bureaucracy, the president has been forced to establish his own clandestine group--Covert-One. It's activated only as a last resort, when the threat is on a global scale and time is running out.THE UTOPIA EXPERIMENTWhen Dresner Industries unveils the Merge, a device that is destined to revolutionize the world and make the personal computer and smartphone obsolete, Covert-One operative Colonel Jon Smith is assigned to assess its military potential. He discovers that enhanced vision, real-time battlefield displays, unbreakable security, and near-perfect marksmanship are only the beginning of a technology that will change the face of warfare forever--and one that must be kept out of the hands of America's enemies at all costs.Meanwhile, in the mountains of Afghanistan, CIA operative Randi Russell encounters an entire village of murdered Afghans--all equipped with enhanced Merge technology that even the Agency didn't know existed. As Smith and Russell delve into the circumstances surrounding the Afghans' deaths, they're quickly blocked by someone who seems to have access to the highest levels of the military--a person that even the president knows nothing about.Is the Merge really as secure as its creator claims? And what secrets about its development is the Pentagon so desperate to hide? Smith and Russell are determined to learn the truth. But they may pay for it with their lives . . .

    Pendergast is missing, presumed dead.A SHOCKING RETURNSick with grief, Pendergast's ward, Constance, retreats to her chambers beneath the family mansion at 891 Riverside Drive--only to be taken captive by a shadowy figure from the past.AN INTERNATIONAL MANHUNTProctor, Pendergast's longtime bodyguard, springs to action, chasing Constance's kidnapper through cities, across oceans, and into wastelands unknown.BUT IN A WORLD OF BLACK AND WHITE, NOTHING IS AS IT SEEMSAnd by the time Proctor discovers the truth, a terrifying engine has stirred-and it may already be too late . . .

    Littlefoot, the eighteenth book from one of this country's most acclaimed poets, is an extended meditation on mortality, on the narrator's search of the skies for a road map and for last instructions on "the other side of my own death." Following the course of one year, the poet's seventieth, we witness the seasons change over his familiar postage stamps of soil, realizing that we are reflected in them, that the true affinity is between writer and subject, human and nature, one becoming the other, as the river is like our blood, "it powers on, / out of sight, out of mind." Seeded with lyrics of old love songs and spirituals, here we meet solitude, resignation, and a glad cry that while a return to the beloved earth is impossible, "all things come from splendor," and the urgent question that the poet can't help but ask: "Will you miss me when I'm gone?