The complexities of South Africa are illuminated upon in this acclaimed work that takes a close, clear look at the strange realities within that country.

    Norrie Epstein - whose The Friendly Shakespeare was called "spirited, informative and provocative" by The New York Times - strips away the polite veneer of Victorian society to reveal Dickens's life and times in all their squalor and glory, from his childhood days toiling in a blacking factory while his father languished in debtor's prison, to his first visit to the United States, where he was hailed as the greatest living writer. The Friendly Dickens includes an illuminating guide to all of Dickens's works and lively appreciations of characters both major and minor, interviews with aficionados from Patrick Stewart to biographer Phyllis Rose, eye-catching illustrations, copious quotations, a highly opinionated filmography and informative sidebars on almost every page.

    S. Eliot, Robert Crawford presents us with the first volume of a definitive biography of this poetic genius. Young Eliot traces the life of the twentieth century’s most important poet from his childhood in St. Louis to the publication of his revolutionary poem The Waste Land. Crawford’s depiction of Eliot’s childhood—laced with tragedy and shaped by an idealistic, bookish family in which knowledge of saints and martyrs was taken for granted—provides readers with a new understanding of the foundations of some of the most widely read poems in the English language. Meticulously detailed and incisively written, Young Eliot portrays a brilliant, shy, and wounded American who defied his parents’ wishes and committed himself to an artistic life as an immigrant in England, creating work that is astonishing in its scope and vulnerability.     Quoting extensively from Eliot’s poetry and prose as well as drawing on new interviews, archives, and previously undisclosed memoirs, the award-winning biographer Robert Crawford shows how the poet’s background in Missouri, Massachusetts, and Paris made him a lightning rod for modernity. Most impressively, Young Eliot reveals the way he accessed his inner life—his anguishes and his fears—and blended them with his omnivorous reading to create his masterpieces "The Love Song of J. Alfred Prufrock" and The Waste Land. At last, we experience T. S. Eliot in all his tender complexity as student and lover, penitent and provocateur, banker and philosopher—but most of all, Young Eliot shows us as an epoch-shaping poet struggling to make art among personal disasters.

    The book sounds both an urgent warning & offers important policy insights into how this trend towards dehumanization can be halted & finally reversed. Dubos asserts that we are as much the product of our total environment as of our genetic endowment. In fact, the environment we live in can greatly enhance, or severely limit, the development of human potential. Yet we're deplorably ignorant of the effects of our surroundings on human life. We create conditions which can only thwart human nature. So Human an Animal is a book with hope no less than alarm. Science can change our suicidal course by learning to deal analytically with the living experience of humans, by supplementing the knowledge of things & of the body machine with a science of human life. Only then can we give larger scope to human freedom by providing a rational basis for option & action.The unbelievable future Man's nature & human history Biological remembrance of things pastThe living experience The pursuit of significanceThe science of humanity

    Lincoln was asked to memorialize the gruesome battle. Instead he gave the whole nation “a new birth of freedom” in the space of a mere 272 words. His entire life and previous training and his deep political experience went into this, his revolutionary masterpiece.By examining both the address and Lincoln in their historical moment and cultural frame, Wills breathes new life into words we thought we knew, and reveals much about a president so mythologized but often misunderstood. Wills shows how Lincoln came to change the world and to effect an intellectual revolution, how his words had to and did complete the work of the guns, and how Lincoln wove a spell that has not yet been broken.

    They were born worlds apart: Winston Churchill to Britain's most glamorous aristocratic family, Mohandas Gandhi to a pious middle-class household in a provincial town in India. Yet Arthur Herman reveals how their lives and careers became intertwined as the twentieth century unfolded. Both men would go on to lead their nations through harrowing trials and two world wars--and become locked in a fierce contest of wills that would decide the fate of countries, continents, and ultimately an empire. Gandhi & Churchill reveals how both men were more alike than different, and yet became bitter enemies over the future of India, a land of 250 million people with 147 languages and dialects and 15 distinct religions--the jewel in the crown of Britain's overseas empire for 200 years. Over the course of a long career, Churchill would do whatever was necessary to ensure that India remain British--including a fateful redrawing of the entire map of the Middle East and even risking his alliance with the United States during World War Two. Mohandas Gandhi, by contrast, would dedicate his life to India's liberation, defy death and imprisonment, and create an entirely new kind of political movement: satyagraha, or civil disobedience. His campaigns of nonviolence in defiance of Churchill and the British, including his famous Salt March, would become the blueprint not only for the independence of India but for the civilrights movement in the U.S. and struggles for freedom across the world. Now master storyteller Arthur Herman cuts through the legends and myths about these two powerful, charismatic figures and reveals their flaws as well as their strengths. The result is a sweeping epic of empire and insurrection, war and political intrigue, with a fascinating supporting cast, including General Kitchener, Rabindranath Tagore, Franklin Roosevelt, Lord Mountbatten, and Mohammed Ali Jinnah, the founder of Pakistan. It is also a brilliant narrative parable of two men whose great successes were always haunted by personal failure, and whose final moments of triumph were overshadowed by the loss of what they held most dear.

    9 illustrations.

    B. White was obeying that oft-repeated maxim: "Write what you know." Helpless pigs, silly geese, clever spiders, greedy rats-White knew all of these characters in the barns and stables where he spent his favorite hours. Painfully shy his entire life, "this boy," White once wrote of himself, "felt for animals a kinship he never felt for people." It's all the more impressive, therefore, how many people have felt a kinship with E. B. White. With Charlotte's Web, which has gone on to sell more than 45 million copies, the man William Shawn called "the most companionable of writers" lodged his own character, the avuncular author, into the hearts of generations of readers.In The Story of Charlotte's Web, Michael Sims shows how White solved what critic Clifton Fadiman once called "the standing problem of the juvenile-fantasy writer: how to find, not another Alice, but another rabbit hole" by mining the raw ore of his childhood friendship with animals in Mount Vernon, New York. translating his own passions and contradictions, delights and fears, into an all-time classic. Blending White's correspondence with the likes of Ursula Nordstrom, James Thurber, and Harold Ross, the E. B. White papers at Cornell, and the archives of Harper Collins and the New Yorker into his own elegant narrative, Sims brings to life the shy boy whose animal stories--real and imaginary--made him famous around the world.

    Combining memoir and appreciation, On Conan Doyle is a highly engaging personal introduction to Holmes's creator, as well as a rare insider's account of the curiously delightful activities and playful scholarship of The Baker Street Irregulars. Because Arthur Conan Doyle wrote far more than the mysteries involving Holmes, this book also introduces readers to the author's lesser-known but fascinating writings in an astounding range of other genres. A prolific professional writer, Conan Doyle was among the most important Victorian masters of the supernatural short story, an early practitioner of science fiction, a major exponent of historical fiction, a charming essayist and memoirist, and an outspoken public figure who attacked racial injustice in the Congo, campaigned for more liberal divorce laws, and defended wrongly convicted prisoners. He also wrote novels about both domestic life and contemporary events (including one set in the Middle East during an Islamic uprising), as well as a history of World War I, and, in his final years, controversial tracts in defense of spiritualism. On Conan Doyle describes all of these achievements and activities, uniquely combining skillful criticism with the story of Dirda's deep and enduring affection for Conan Doyle and his work. This is a book for everyone who already loves Sherlock Holmes, Dr. Watson, and the world of 221B Baker Street, or for anyone who would like to know more about them, but it is also a much-needed celebration of Arthur Conan Doyle's genius for every kind of storytelling.

    The author of 'The Life and Times of the Thunderbolt Kid' isn't, after all, a Shakespeare scholar, a playwright, or even a biographer. Reading 'Shakespeare The World As Stage', however, one gets the sense that this eclectic Iowan is exactly the type of person the Bard himself would have selected for the task. The man who gave us 'The Mother Tongue' and 'A Walk in the Woods' approaches Shakespeare with the same freedom of spirit and curiosity that made those books such reader favorites. A refreshing take on an elusive literary master.

    A monumental work of scholarship - arguably the most important book about Beckett ever published - SAMUEL BECKETT is also fascinating reading. Beckett's life has been as rich as his writing is spare, and Deirdre Bair tells his story superbly: the upper-middle-class Irish childhood; the early years in Paris and Beckett's complex relationship to Joyce; the psychological anguish of his apprenticeship, poured out by Beckett in more than 300 remarkable, heretofore-unknown letters to a confidant, Thomas McGreevy; Beckett's heroic service with the French Resistance, also unknown till now; "the siege in the room," that extraordinary period after the Second World War during which Beckett created the first masterpieces that would make him world famous; Beckett's increasing involvement with the theatre and his desperate attempts to guard his privacy against the encroachments of celebrity.SAMUEL BECKETT chronicles Beckett's tumultuous relationship with his family, recounts the psychosomatic illnesses that have often kept him from writing, and traces (where they exist) the autobiographical strains in his work. The book tells of his relationships with publishers, actors, directors, and friends. Above all, it portrays Beckett himself, the poet of despair, the angular, enigmatic artist who, in the words of his Nobel Prize citation, "has transmuted the destitution of modern man into his exaltation."When Deirdre Bair began the research for this book, Beckett said he would not authorize it nor would he read it before it was published. To friends he wrote, "I am sure Mrs. Bair is a serious scholar and is out to do a fine book. I will neither help nor hinder her." After literally hundreds of interviews and years of research in Ireland, England, France, Italy, Spain, Northern Ireland, Canada and the United States, after correspondence with people living on every continent, Deirdre Bair has produced a book that is everything a scholar or a reader could hope for: SAMUEL BECKETT is one of the remarkable literary biographies of our time.Deirdre Bair received her B.A. from the University of Pennsylvania and worked as a journalist on newspapers and magazines before returning to academic life and taking a M.A. and Ph.D. at Columbia University. She has taught at Trinity College (Connecticut) and Yale University, and teaches now in the English Department of the University of Pennsylvania. She is married, has two children, and lives in Connecticut. (Taken from the inside jacket material of the First Harcourt Brace Jovanovich Edition, 1978.)

    Drawing on dozens of interviews and on materials from forty archives in the United States and abroad--including still-classified KGB dossiers--Tanenhaus traces the remarkable journey that led Chambers from a sleepy Long Island village to center stage in America's greatest political trial and then, in his last years, to a unique role as the godfather of post-war conservatism. This biography is rich in startling new information about Chambers's days as New York's "hottest literary Bolshevik"; his years as a Communist agent and then defector, hunted by the KGB; his conversion to Quakerism; his secret sexual turmoil; his turbulent decade at Time magazine, where he rose from the obscurity of the book-review page to transform the magazine into an oracle of apocalyptic anti-Communism. But all this was a prelude to the memorable events that began in August 1948, when Chambers testified against Alger Hiss in the spy case that changed America. Whittaker Chambers goes far beyond all previous accounts of the Hiss case, re-creating its improbably twists and turns, and disentangling the motives that propelled a vivid cast of characters in unpredictable directions. A rare conjunction of exacting scholarship and narrative art, Whittaker Chambers is a vivid tapestry of 20th century history.

    In an array of poetic forms from the rhyming lyric to the philosophical meditation to the prose essay, 3 Sections confronts perplexing divisions of contemporary life—a wayward history, an indeterminate future, and a present condition of wanting to outthink time. This is an extraordinary book, witty and vivacious, by one of America’s best poets.

     The author who created her was Lucy Maud Montgomery, a writer who revealed very little of herself and her method of crafting a story.  On the centenary of its publication, Irene Gammel tells the braided story of both Anne and Maud and, in so doing, shows how a literary classic was born.  Montgomery’s own life began in the rural Cavendish family farmhouse on Prince Edward Island, the place that became the inspiration for Green Gables.  Mailmen brought the world to the farmhouse’s kitchen door in the form of American mass market periodicals sparking the young Maud’s imagination.  From the vantage point of her small world, Montgomery pored over these magazines, gleaning bits of information about how to dress, how to behave and how a proper young lady should grow.  She began to write, learning how to craft marketable stories from the magazines’ popular fiction; at the same time the fashion photos inspired her visual imagination.  One photo that especially intrigued her was that of a young woman named Evelyn Nesbit, the  model for painters and photographers and lover of Stanford White.  That photo was the spark for what became Anne Shirley.  Blending biography with cultural history, Looking for Anne of Green Gables is a gold mine for fans of the novels and answers a trunk load of questions: Where did Anne get the “e” at the end of her name?  How did Montgomery decide to give her red hair?  How did Montgomery’s courtship and marriage to Reverend Ewan Macdonald affect the story?  Irene Gammel's dual biography of Anne Shirley and the woman who created her will delight the millions who have loved the red haired orphan ever since she took her first step inside the gate of Green Gables farm in Avonlea.

    in works from 'Our Lady of the Flowers' to 'The Screens', he created a scandalous personal mythology while savaging the conventions of his society. His career was a series of calculated shocks marked by feuds, rootlessness, and the embrace of unpopular causes and outcast peoples. Now this most enigmatic of writers has found his ideal biographer in novelist Edmund White, whose eloquent and often poignant chronicle does justice to the unruly narrative of Genet's life even as it maps the various worlds in which he lived and the perverse landscape of his imagination.