Tabitha Bird has gifted us this wonder’ Cass MoriartyMeet Willa Waters, aged 8 . . . 33 . . . and 93.On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.Can the three Willas come together, to heal their past and save their future, before it’s too late?'A courageous and magical debut novel that reminds us that while we can’t change events from our past, we do have the power to change the story we tell ourselves about them.' Sally Piper

    With these characters William will make us laugh and cry. And never again will we think that someone is just a regular bloke - everyone can be a king or a queen in their own suburb.

    In the Valley, where the rates of crime were the highest in the state, more than thirty people were known to police as firebugs. But the detectives soon found themselves on the trail of a man they didn’t know.The Arsonist takes readers on the hunt for this man, and inside the strange puzzle of his mind. It is also the story of fire in this country, and of a community that owed its existence to that very element. The command of fire has defined and sustained us as a species – understanding its abuse will define our future. A powerful real-life thriller written with Hooper’s trademark lyric detail and nuance, The Arsonist is a reminder that in an age of fire, all of us are gatekeepers.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    As daughters of the lighthouse keepers, the two girls share everything, until a fisherman, McPhail, arrives in their small community. When Kate witnesses the desire that flares between him and Harriet, she is torn by her feelings of envy and longing. But one moment in McPhail’s hut will change the course of their lives forever. Inspired by a true story, Skylarking is a stunning debut novel about friendship, love and loss, one that questions what it is to remember and how tempting it can be to forget.‘Kate Mildenhall’s impressive debut novel takes an historical case and re-imagines it with such sensitivity and insight that we feel this must be how it truly happened.’ —Emily Bitto

    Darwin, 1942, and as Japanese bombs rain down, motherless Molly Hook, the gravedigger's daughter, turns once again to the sky for guidance. She carries a stone heart inside a duffel bag next to the map that leads to Longcoat Bob, the deep-country sorcerer who put a curse on her family. By her side are the most unlikely travelling companions: Greta, a razor-tongued actress and Yukio, a fallen Japanese fighter pilot. Run, Molly, run, says the daytime sky. Run to the vine forests. Run to northern Australia's wild and magical monsoon lands. Run to friendship. Run to love. Run. Because the graverobber's coming, Molly, and the night-time sky is coming with him. So run, Molly, run.All Our Shimmering Skies is a story about gifts that fall from the sky, curses we dig from the earth and the secrets we bury inside ourselves. It is an odyssey of true love and grave danger, of darkness and light, of bones and blue skies; a buoyant, beautiful and magical novel abrim with warmth, wit and wonder; and a love letter to Australia and the art of looking up.

    The people she writes abut are young, old, rich, poor, married, widowed, Chinese, Lebanese, Christian, Muslim. What they have in common—no matter where they come from—is the desire we all share to feel that we belong. The stories explore universal themes of love, loss, family and identity, while at the same time asking crucial questions about the possibility of human connection in a globalised world.Melanie Cheng is an important new voice, offering a fresh perspective on contemporary Australia. Her effortless, unpretentious realism balances an insider’s sensitivity and understanding with an outsider’s clear-eyed objectivity, showing us a version of ourselves richer and more multifaceted than anything we’ve seen before.

    Every night she dresses for dinner and regales her fellow passengers with stories of a glamorous life travelling the world. The crew treat her with deference. And forbearance.But when Henry goes missing, Evelyn sets off to search every part of the ocean liner to find him; misadventures are had – all new to Evelyn. If only she could remember the events of the night before as clearly as she can recall the first time she met Henry on a passage from England to Australia in 1953 and fell in love – abandoning her dreams to become a midwife to be a wife instead – and the long-ago painful events that left Evelyn all at sea.Why is it so hard to remember some things and so hard to forget others? And where is Henry?

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    A young African boy, the son of one of her clients, has been murdered in a dingy back alley. Stella, in her forties and running low on empathy, heads into the night to comfort the grieving mother. But when she gets there, she makes a discovery that has the potential to uncover something terrible from her past — something she thought she'd gotten away with.Then Stella's neighbour Tania mysteriously vanishes. When Stella learns that Tania is the heir to a billion-dollar mining empire, Stella realises her glamorous young friend might have had more up her sleeve than just a perfectly toned arm. Who is behind her disappearance?Enlisting the help of her friend, Senior Constable Phuong Nguyen, Stella's investigation draws her further and further into a dark world of drug dealers, sociopaths, and killers, such as the enigmatic Mr Funsail, whose name makes even hardened criminals run for cover.One thing is clear: Stella needs to find answers fast — before the people she's looking for find her instead.Set in the bustling, multicultural innerwest of Melbourne, Good Money reveals a daring and exciting new voice in Australian crime fiction.

    He lives a quiet life with his two dogs in the tumbledown wreck his family home has become. It's a peaceful existence - ideal for the rehabilitating man. But his recovery is rudely interrupted by a brutal attack on Charles Bourgoyne, a prominent member of the local community. Suspicion falls on three young men from the local Aboriginal community. But Cashin's not so sure and as the case unfolds amid simmering corruption and prejudice, he finds himself holding on to something that it might be better to let go.

    Phoenix has nearly forgotten what freedom feels like. And Elsie has nearly given up hope. Nearly.After time spent in foster homes, Cedar goes to live with her estranged father. Although she grapples with the pain of being separated from her mother, Elsie, and sister, Phoenix, she's hoping for a new chapter in her life, only to find herself once again in a strange house surrounded by strangers. From a youth detention centre, Phoenix gives birth to a baby she'll never get to raise and tries to forgive herself for all the harm she's caused (while wondering if she even should). Elsie, struggling with addiction and determined to turn her life around, is buoyed by the idea of being reunited with her daughters and strives to be someone they can depend on, unlike her own distant mother. These are the Strangers, each haunted in her own way. Between flickering moments of warmth and support, the women diverge and reconnect, fighting to survive in a fractured system that pretends to offer success but expects them to fail. Facing the distinct blade of racism from those they trusted most, they urge one another to move through the darkness, all the while wondering if they'll ever emerge safely on the other side. A breathtaking companion to her bestselling debut The Break, Vermette's The Strangers brings readers into the dynamic world of the Stranger family, the strength of their bond, the shared pain in their past, and the light that beckons from the horizon. This is a searing exploration of race, class, inherited trauma, and matrilineal bonds that--despite everything--refuse to be broken.

    This is Marian Keyes meets Allison Pearson, with a dash of Caitlin Moran.Going from one child to two is never all that easy for a family, but when Emma's husband simultaneously fathers a third child three doors up the street, things get very tricky, very fast.No longer is it enough for Emma to be the best wife and mother - now she's trying to be the best ex-wife, and the best part-time parent to her ex's love child, and that's before she even thinks about adding a new bloke to the mix.Set in an upwardly mobile, ultra-competitive suburb, this is a funny, biting, heartwarming modern comedy that looks at the roles we play, how we compete, and what happens when we dare to strive for second-best.

    Is identity a myth? A constructed story we tell ourselves? Tribalism, nationalism and sectarianism are dividing the world into us and them. Communities are a tinderbox of anger and resentment. He passionately hopes we are not hard wired for hate. Grant argues that it is time to leave identity behind and to embrace cosmopolitanism. On Identity is a meditation on hope and community.

    Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property...Compelling, thrilling and ambitious, Storyland is our story, the story of Australia. 'The land is a book waiting to be read' as one of the characters says - and this novel tells us an unforgettable and unputdownable story of our history, our present and our future.