How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.

    But when the cab arrived, she'd already gone.Sarah was never seen again.Four months later, on June 9, 1996, 23-year-old Jane Rimmer disappeared from the same area, her body later found in bushland south of Perth. When the body of a third young woman, 27-year-old Ciara Glennon, was found north of the city, having vanished from Claremont in August 1997, it was clear a serial killer was on the loose, and an entire city lived in fear he would strike again.A massive manhunt focused first on taxi drivers, then the outspoken local mayor and a quiet public servant. However, almost 20 years later, Australia's longest and most expensive investigation had failed to make an arrest, until forensic evidence linked the murders to two previous attacks - and an unlikely suspect.Stalking Claremont, by local newsman Bret Christian, is a riveting story of promising young lives cut short, a city in panic, an investigation fraught by oversights and red herrings, and a surprising twist that absolutely no one saw coming.

    Determined to solve the mystery of her birth and the reason why she was bequeathed the hotel Belle runs into difficulties with the townsfolk and their desire to keep their secrets safe.Sixty years later Sophie Matheson is on a quest to find Belle and her family after discovering the wedding dress. The Sweet Wattle Creek Centenary brings more challenges when her past catches up and she must fight for all that matters to her. Who were Belle and Martha and what links their lives together?

    As the final recoil echoes through the paddocks, a revered sheep-breeding dynasty comes to a bloody and inglorious end. No one could have anticipated the orgy of violence that wiped out three generations of the Wettenhall family, much less the lurid scandals about Darcy Wettenhall, the man behind the world famous Stanbury sheep stud, that would emerge from the aftermath. Almost three decades later, the web of secrets and lies that led to this bizarre and seemingly motiveless murder spree are unravelled with the help of Bob Perry, Darcy Wettenhall’s secret lover for a decade prior to his murder. From the bucolic majesty, privilege and snobbery of the Western District’s prized pastoral lands and dynasties to the bleak, loveless underworld of orphanages, rodeo stables and homeless shelters, The Devil’s Grip is a courageous and thought-provoking meditation on the fragility of reputation, the folly of deception and the power of shame.

    As if adjusting to a new and isolated lifestyle isn’t enough, the handsome new owner of Tullagulla shows up and Grace is thrown into turmoil. Torn between the gentle stranger and her hot-headed husband, Grace is forced to confront her feelings and question her loyalties, while her love for Tullagulla further challenges her ability to make a life changing decision. When tragedy strikes, will a century old ghost help her or destroy her? "The Cedar Tree is a sweeping story of outback life and the every day struggles of life on the land. The characters are raw and relatable. I can't wait to read more in this series." Sarah Williams, Bestselling Author.Similar in style to Barbara Hannay, Cathryn Hein, Sarah Williams, Fiona McArthur, Victoria Purman, Fiona Palmer and Tricia Stringer.

    On the occasional trip into nearby White Gum Creek he keeps to himself and that's the way he likes it. And though over the last six years the townsfolk have tried to reach out to Nick, he's pushed them all away.Whenever Nick comes into the Gumnut Bakery, Natasha Duroz tries to engage him in conversation when she serves him. There's something about him that intrigues Tash, but she's not sure if it's because she feels sorry for him or there's something more.At last encouraged by the warmth of a few old and new friends, Nick gradually begins to re-engage with the outside world. Then, suddenly some minor vandalism on his farm escalates and odd things begin to happen on Winters Hill. Is someone out to hurt Nick or have his years of solitude been playing tricks on his mind? This entrancing novel is about overcoming heartache and loss through the power of friendship and love.

    From a stunning new literary talent, you won't be able to put down this novel about a mother's love for her children - it will break your heart.'With visceral prose and a tense narrative arc that unfolds over just three days, speeding towards a dramatic conclusion .... Sheerwater is a propulsive read with an acute emotional core ... likely to hold appeal for readers of both literary and crime fiction, and fans of writers such as Emily Maguire, Emma Viskic and Sofie Laguna.' Bookseller + PublisherAva and her two young sons, Max and Teddy, are driving to their new home in Sheerwater, hopeful of making a fresh start in a new town, although Ava can't help but keep looking over her shoulder. They're almost at their destination when they witness a shocking accident - a light plane crashing in the field next to the road. Ava stops to help, but when she gets back to the car, she realises that somehow, among the smoke, fire and confusion, her sons have gone missing ...From a substantial new Australian writing talent, Sheerwater is tense, emotional, unforgettable. Perfect for readers of Mark Brandi's Wimmera and Stephanie Bishop's The Other Side of the World, this is a beautifully written, propulsive, gut-wrenching and unputdownable novel - an aching, powerful story of the heroic acts we are capable of in the name of love.'Sheerwater is that rare gift of a book that balances gorgeous, glittering language with breathless pace. Leah Swann writes with devastating honesty ... This is an extraordinary novel - I tore through it, captivated by the imagery and the setting, desperately hoping for a happy ending.' Rebecca Starford, author of Bad Behavior'Heart-in-mouth story ... Swann's language is sinewy and pointed; the book is trim and every sentence is necessary...a complex and horribly believable story with tremendous flair.' The Age'Sheerwater is a haunting story built on conflict. Freedom and control, tenderness and violence, hope and fear, love and hate. It shows the strength of a mother's love and the yearning for something more ... This novel is full of beautifully gripping prose and deeply powerful emotions told through sublime pacing. I found it triggered a peculiar mix of wanting to dwell in the darkly emotive prose while needing to urgently push through it to find resolution. It will be one of those books that lingers in your mind, the memory of which may even be mistaken for a story read in the news.' Booktopia'Sheerwater is compelling reading ... There is an urgency in the writing that makes you read on because you must know what the conclusion is - no matter which way it goes ... This is an extraordinary literary debut; the writing is beautifully evocative and the intertwining narratives of the main characters seamless. It's tender, it's suspenseful and you'll be wanting to see so much more from Leah Swann - I ignored everything for a day to rip through the pages and loved every minute of it.' Better Reading

    The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.

    You know, again.

    Rose Gordon knew the farm would be hers when her grandfather died. Strong and sassy, she was the only heir to five generations of cattle country and the magnificent Barrington Homestead. But Charlie’s will was not as she expected and the appearance of Angus Hamilton on the day of the funeral unsettled her. Handsome and single, she was attracted to him in a way she had never experienced. The ongoing drought and discovering she had friends, if not family, in the small rural community complicate matters. More sinister threats lurk in the shadows. Will Rose give up city life to face the threats head on and fight for her inheritance?

    Many women are repeat callers: on average, they will go back to an abusive partner eight times before leaving for good.‘You must get so frustrated when you think a woman’s ready to leave and then she decides to go back,’ I say.‘No,’ replies one phone counsellor, pointedly. ‘I’m frustrated that even though he promised to stop, he chose to abuse her again.’Women are abused or killed by their partners at astonishing rates: in Australia, almost 17 per cent of women over the age of fifteen – one in six – have been abused by an intimate partner.In this confronting and deeply researched account, journalist Jess Hill uncovers the ways in which abusers exert control in the darkest – and most intimate – ways imaginable. She asks: What do we know about perpetrators? Why is it so hard to leave? What does successful intervention look like?What emerges is not only a searing investigation of the violence so many women experience, but a dissection of how that violence can be enabled and reinforced by the judicial system we trust to protect us.Combining exhaustive research with riveting storytelling, See What You Made Me Do dismantles the flawed logic of victim-blaming and challenges everything you thought you knew about domestic and family violence.

    With the town’s population exploding, it’s easy enough to hide a crime—or even a dirty past. Banished to the stock squad after the fallout from a police frame-up, Detective Senior Sergeant Cato Kwong is brought in from the cold to solve the case of a torso washed up on the wild shores of the Great Southern Ocean. When Kwong’s investigation lifts the lid on the exploitation of migrant workers and disturbs an even darker criminal mind, the fallen cop faces powerful opposition. Drawing in globally relevant issues, such as immigration, racism, and the economic crisis, this is a humorous and tightly plotted crime narrative.

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

     When Pippa Carmichael inherits a house on a deserted tropical island, it couldn’t have come at a better time for her. Life’s been tough lately; she’s lost her job, given her boyfriend the flick, and now it’s time for her to make a new start. With her two best friends, Pippa heads off to Pentecost Island to investigate her inheritance and is surprised to find there is another resident on the island.  Reclusive author, Rafe Rendell, is not impressed when a boatload of women turn up on his island, interrupting his peaceful  existence. He is less impressed when he meets Pippa, the sassy new owner of Ma Carmichael’s sprawling house. ​​​​​​​Can these two live in harmony on the same small island, or is Pippa's dream destined to fail?

    Grey prays that his mother will be returned to him in some form, so he might protect her from the world as his father did not. This prayer, Grey believes is answered in his sister Irene. He becomes obsessed with protecting her purity and innocence.Also with his mother gone and his father turned to drink, Grey begins running with the wild boys, horse-handlers and fox hunters and part-time timber workers - members of a small, vanishing tribe who find themselves caught between an old relationship with place and a new one that is exemplified by the highway that threatens their town. A rash gamble by Grey and Irene's broken father means he and the Mary Smokes boys must steal horses to ensure Irene's safety. The consequences seem set to fall on Greys' closest friend, Ook' Eccleston. As Grey's, Eccleston's and Irene's lives are put at stake his allegiances falter and the world of Mary Smokes slips into a heightened state of darkness and threat.With the passion of Emily Bronte in Wuthering Heights and the distilled beauty of Ondaatje Patrick Holland captures the fragility and grace of small town life and how one fateful moment can forever alter the course of our lives.