Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.

    In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps; from Kanye West and Jeff Koons to George Bush and Patricia Highsmith; from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now

    Once finally emancipated by Senator Daniel Webster later in life, he would give an aged and impoverished Dolley Madison, his former owner, money from his own pocket, write the first White House memoir, and see his sons fight with the Union Army in the Civil War. He died a free man in northwest Washington at 75. Based on correspondence, legal documents, and journal entries rarely seen before, this amazing portrait of the times reveals the mores and attitudes toward slavery of the nineteenth century, and sheds new light on famous characters such as James Madison, who believed the white and black populations could not coexist as equals; French General Lafayette who was appalled by this idea; Dolley Madison, who ruthlessly sold Paul after her husband's death; and many other since forgotten slaves, abolitionists, and civil right activists.

    

    McGregor, and many other Beatrix Potter characters remain in the hearts of millions. However, though Potter is a household name around the world, few know the woman behind the illustrations. Her personal life, including a romantic relationship with her publisher, Norman Warne, and her significant achievements outside of children's literature remain largely unknown. In Linda Lear's enchanting new biography, we get the life story of this incredible, funny, and independent woman. As one of the first female naturalists in the world, Potter brought the beauty and importance of nature back into the imagination at a time when plunder was more popular than preservation. Through her art she sought to encourage conservation and change the world. With never before seen illustrations and intimate detail, Lear goes beyond our perrenial fascination with Potter as a writer and illustrator of children's books, and delves deeply into the life of a most unusual and gifted woman--one whose art was timeless, and whose generosity left an indelible imprint on the countryside.

    Descended from a long line of an elite Baltimore family awash with "high-colored" skin just right for "passing", family lore told Lila that not one of them would have thought to deny their true selves and rich history in such a way. It is this sense of pride that bonds the Giles family together -- a bond strongly enforced by Lila's controlling stepmother Eulelie. But the delicate balance of this branch of the family Eulelie has so carefully engineered is threatened when Lila's brother decides to marry a woman from an oh-so-very-wrong family.A proud though severe matriarch, Eulelie Giles has ruled her four grown stepchildren with a heavy self-righteousness that could break the spirit of the most sound opponent, let alone the nearly thirty-year-old Lila. Relentlessly loyal to her privileged world, Eulelie has ingrained upon Lila and her three other stepchildren the importance of distinguishing between acceptable and unacceptable blacks. Despite her strident belief in an unyielding class line, Eulelie has kept a secret about her own past that manages to affect, in more ways than a few, anyone who enters her life. As the wedding day draws closer, Lila begins to look at her reality versus Eulelie's, and what Lila finds leads to a confrontation between stepmother and stepdaughter that could finally shatter Eulelie's reign over Lila and the family, but ultimately, one that will lead Eulelie back to the truth.Filled with multi-dimensional characters and rich with atmosphere, Passing is a story of tangled family relationships; the secrets, misunderstanding, and deceptions that hold them together.

    In the days before the Civil War, a runaway slave named Liz Spocott breaks free from her captors and escapes into the labyrinthine swamps of Maryland’s eastern shore, setting loose a drama of violence and hope among slave catchers, plantation owners, watermen, runaway slaves, and free blacks. Liz is near death, wracked by disturbing visions of the future, and armed with “the Code,” a fiercely guarded cryptic means of communication for slaves on the run. Liz’s flight and her dreams of tomorrow will thrust all those near her toward a mysterious, redemptive fate. Filled with rich, true details—much of the story is drawn from historical events—and told in McBride’s signature lyrical style, Song Yet Sung is a story of tragic triumph, violent decisions, and unexpected kindness.

    Nicolaes Tulp" was the first major work by Rembrandt to be proclaimed a masterpiece. The novel opens on the morning of the medical dissection, and, as they prepare for that evening's big event, it follows several characters: a one-handed coat thief called Aris the Kid, who is awaiting his turn at the gallows; Flora, the woman pregnant with his child who hopes to save him from the noose; Jan Fetchet, a curio collector who also moonlights as an acquirer of medical cadavers; René Descartes, who attended the dissection in the course of his quest to understand where the human soul resides; and the 26-year old young master himself, who feels a shade uneasy about his assignment. Then there's Pia, an art restorer who is examining the painting in contemporary times. As the story builds to its dramatic and inevitable conclusion, the events that transpire throughout the day sway Rembrandt to change his initial composition in a fundamental way.Bringing to life the vivid world of Amsterdam in 1632, The Anatomy Lesson offers a rich slice of history and a textured story by a masterful young writer.

    "Vincent is not dead. He will never die. His love, his genius, the great beauty he has created will go on forever, enriching the world... He was a colossus... a great painter... a great philosopher... a martyr to his love of art. "Walking down the streets of Paris the young Vincent Van Gogh didn't feel like he belonged. Battling poverty, repeated heartbreak and familial obligation, Van Gogh was a man plagued by his own creative urge but with no outlet to express it. Until the day he picked up a paintbrush.Written with raw insight and emotion, follow the artist through his tormented life, struggling against critical discouragement and mental turmoil and bare witness to his creative journey from a struggling artist to one of the world's most celebrated artists.

    But while this medieval medicine now seems archaic, it also made a critical contribution to modern science.Medieval Bodies guides us on a head-to-heel journey through this era’s revolutionary advancements and disturbing convictions. We learn about the surgeons who dissected a living man’s stomach, then sewed him up again; about the geographers who delineated racial groups by skin color; and about the practice of fasting to gain spiritual renown. Encompassing medicine and mysticism, politics and art—and complete with vivid, full-color illustrations—Medieval Bodies shows us how it felt to live and die a thousand years ago.

    The struggle over slavery divided not only the American nation but also the hearts and minds of individual citizens faced with the timeless problem of when to submit to unjust laws and when to resist. The War Before the War illuminates what brought us to war with ourselves and the terrible legacies of slavery that are with us still.

    In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence."—Martin Scorsese"[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art."—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of "making." What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God's being and God's grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman's words, "an accidental theologian," one who comes to spiritual questions always through the prism of art.

    Amsterdam is a city at the peak of its powers: science and art are flourishing in the Golden Age and Dutch ships bring back exotic riches from the Far East. Madam Van Nulandt passes her time taking expensive painting lessons from a local master, Rembrandt van Rigin, and when Catrin takes up a brush to finish some of her mistress's work, Rembrandt realizes the maid has genuine talent and encourages her to continue.When a figure from her past threatens her new life, Catrin flees to the smaller city of Delft. There, her gift as a painter earns her a chance to earn a living painting pottery at a local workshop. Slowly, the workshop begins to develop a new type of pottery to rival fancy blue-on-white imported Chinese porcelain—and the graceful and coveted Delft Blue designs she creates help revolutionize the industry. But when tragedy strikes, Catrin must decide whether to defend her newfound independence or return to the village that she'd fled.

    Here is the dramatic - and tragic - story of Versailles and the men and women who made it their home.

    Petersburg has always felt like an impossible metropolis, risen from the freezing mists and flooded marshland of the River Neva on the western edge of Russia. It was a new capital in an old country. Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter the Great, its dazzling yet unhinged reputation was quickly cemented by the sadistic dominion of its early rulers. This city, in its successive incarnations—St. Petersburg, Petrograd, Leningrad and, once again, St. Petersburg—has always been a place of perpetual contradiction.It was a window to Europe and the Enlightenment, but so much of Russia’s unique glory was also created here: its literature, music, dance and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets.It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality. In St. Petersburg, Jonathan Miles recreates the drama of three hundred years in this paradoxical and brilliant city, bringing us up to the present day, when its fate hangs in the balance once more.This is an epic tale of murder, massacre and madness played out against squalor and splendor, and an unforgettable portrait of a city and its people.