Common Sense, the instantly popular pamphlet he published in January 1776, argued that the goal of the struggle against the British should be not simply tax reform, as many were calling for, but complete independence. His rousing, radical voice was balanced by the equally independence-minded but more measured tones of Thomas Jefferson, who wrote the Declaration of Independence later that year. In later works, such as The Rights of Man, The Age of Reason, & other selections included in this volume, he proved himself a visionary moralist centuries ahead of his time. He believed that every human has the natural right to life's necessities & that government's role should be to provide for those in dire need. An impassioned opponent of all forms of slavery, he understood that no one in poverty is truly free--a lesson still to be learned by many of our leaders today.

    A bestseller through six editions, Writing Fiction by novelists Janet Burroway and Elizabeth Stuckey-French explores the elements of fiction, providing practical writing techniques and concrete examples. Written in a tone that is personal and non-prescriptive, the text encourages students to develop proficiency through each step of the writing process, offering an abundance of exercises designed to spur writing and creativity. The text also integrates diverse, contemporary short stories in every chapter in the belief that the reading of inspiring fiction goes hand-in-hand with the writing of fresh and exciting stories.

    About The Author: Henry Gray, F.R.S., Fellow of the royal college of Surgeons: Lecturer on anatomy at St. George?s Hospital Medical School. Table Of Contents: Descriptive and Surgical Anatomy The Articulations Muscles and Fasclae The Blood-vascular system The Lymphatics The Nervous system The Organs of special sense The Organs of Digestion The Organs of voice and respiration The urinary organs The Male Organs of Generation The Female Organs of Generation The Surgical Anatomy of Hernia Surgical Anatomy of the Perinaeum General Anatomy or Histology Embryology

    Agnes"). For this edition, Stanley Appelbaum has provided a concise Introduction to the Romantic period and brief commentaries on the poets represented. The result is a carefully selected anthology that will be welcomed by lovers of poetry, students and teachers alike.

    + XXXVIII) ranges from Gorgias and Plato to Sigmund Freud and Mikhail Bakhtin. Each of the 147 contributions has a headnote introducing the writer and making connections to other critics, theorists and movements. An introduction surveys the history of theory and criticism.

    Why, she asks, when writers such as Samuel Clemens, F. Scott Fitzgerald, Eudora Welty, Flannery O'Connor, Saul Bellow, and John Updike have among them written hundreds of short stories, do anthologists settle on the same two or three titles by each author again and again? Isn't the implicit promise of an anthology that it will, or aspires to, present something different, unexpected? In The Oxford Book of American Short Stories, Joyce Carol Oates offers a sweeping survey of American short fiction, in a collection of fifty-six tales that combines classic works with many different, unexpected gems, and that invites readers to explore a wealth of important pieces by women and minority writers. Some selections simply can't be improved on, Oates admits, and she happily includes such time-honored works as Irving's Rip Van Winkle, Poe's The Tell-Tale Heart, and Hemingway's A Clean, Well-Lighted Place. But alongside these classics, Oates introduces such little-known stories as Mark Twain's Cannibalism in the Cars, a story that reveals a darker side to his humor (That morning we had Morgan of Alabama for breakfast. He was one of the finest men I ever sat down to...a perfect gentleman, and singularly juicy). From Melville come the juxtaposed tales The Paradise of Bachelors and the Tartarus of Maids, of which Oates says, Only Melville could have fashioned out of 'real' events...such harrowing and dreamlike allegorical fiction. From Flannery O'Connor we find A Late Encounter With the Enemy, and from John Cheever, The Death of Justina, one of Cheever's own favorites, though rarely anthologized. The reader will also delight in the range of authors found here, from Charles W. Chesnutt, Jean Toomer, and Sarah Orne Jewett, to William Carlos Williams, Kate Chopin, and Zora Neale Hurston. Contemporary artists abound, including Bharati Mukherjee and Amy Tan, Alice Adams and David Leavitt, Bobbie Ann Mason and Tim O'Brien, Louise Erdrich and John Edgar Wideman. Oates provides fascinating introductions to each writer, blending biographical information with her own trenchant observations about their work, plus a long introductory essay, in which she offers the fruit of years of reflection on a genre in which she herself is a master. This then is a book of surprises, a fascinating portrait of American short fiction, as filtered through the sensibility of a major modern writer.

    Published in 1854, the story concerns one Thomas Gradgrind, a "fanatic of the demonstrable fact," who raises his children, Tom and Louisa, in a stifling and arid atmosphere of grim practicality.Without a moral compass to guide them, the children sink into lives of desperation and despair, played out against the grim background of Coketown, a wretched community shadowed by an industrial behemoth. Louisa falls into a loveless marriage with Josiah Bouderby, a vulgar banker, while the unscrupulous Tom, totally lacking in principle, becomes a thief who frames an innocent man for his crime. Witnessing the degradation and downfall of his children, Gradgrind realizes that his own misguided principles have ruined their lives.Considered Dickens' harshest indictment of mid-19th-century industrial practices and their dehumanizing effects, this novel offers a fascinating tapestry of Victorian life, filled with the richness of detail, brilliant characterization, and passionate social concern that typify the novelist's finest creations.Of Dickens' work, the eminent Victorian critic John Ruskin had this to say: "He is entirely right in his main drift and purpose in every book he has written; and all of them, but especially Hard Times, should be studied with close and earnest care by persons interested in social questions."

    Rilke is unquestionably the most significant and compelling poet of romantic transformation, of spiritual quest, that the twentieth century has known. His poems of ecstatic identification with the world exert a seemingly endless fascination for contemporary readers.In Stephen Mitchell’s versions, many readers feel that they have discovered an English rendering that captures the lyric intensity, fluency, and reach of Rilke’s poetry more accurately and convincingly than has ever been done before.Mr. Mitchell is impeccable in his adherence to Rilke’s text, to his formal music, and to the complexity of his thoughts; at the same time, his work has authority and power as poetry in its own right. Few translators of any poet have arrived at the delicate balance of fidelity and originality that Mr. Mitchell has brought off with seeming effortlessness.Originally published: New York : Random House, 1982.

    A scholar, wit, lawyer and statesman, he wrote widely on politics, philosophy and science - declaring early in his career that 'I have taken all knowledge as my province'. In this, his most famous work, he considers a diverse range of subjects, such as death and marriage, ambition and atheism, in prose that is vibrant and rich in Renaissance learning. Bacon believed that rhetoric - the force of eloquence and persuasion - could lead the mind to the pure light of reason, and his own rhetorical genius is nowhere better expressed than in these vivid essays.

    From the famous proto-feminist tale "The Story of an Hour" to the subtly sexy "A Respectable Woman," Chopin sheds light on the frustrations, desires, and dreams of her own era and their reverberations today. Artist Gemma Correll's quirky illustrations provide a perfect modern counterpoint to Chopin's classic prose.(

    Combining the skills of a poet and scholar, Robert Fagles brings the energy of contemporary language to this enduring heroic epic. If 'The Iliad' is the world's greatest war story, then 'The Odyssey' is literature's greatest evocation of every man's journey through life. Here again, Fagles has performed the translator's task magnificently, giving us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Each volume contains a superb introduction with textual and critical commentary by renowned classicist Bernard Knox.

    This book brings together his poetry, prose, and letters, including "The Drunken Boat," "The Orphans' New Year," "After the Flood," and "A Season in Hell," considered by many to be his. 'Complete Works' is divided into eight "seasons" - Childhood, The Open Road, War, The Tormented Heart, The Visionary, The Damned Soul, A Few Belated Cowardices, and The Man with the Wind at His Heels - that reflect the facets of Rimbaud's life. Insightful commentary by translator and editor Paul Schmidt reveals the courage, vision, and imagination of Rimbaud's poetry and sheds light on one of the most enigmatic figures in letters.

    The text also contains 11 complete works such as Oroonoko, Jane Eyre, The Ballad of the Sad Cafe, The Awakening and Caryl Churchill's play, Top Girls.

    Most of it was written between 1915 and 1962, although much of the early work was abandoned and the early cantos, as finally published, date from 1922 onwards. It is a book-length work, widely considered to be an intense and challenging read. The Cantos is generally considered one of the most significant works of modernist poetry in the 20th century. As in Pound's prose writing, the themes of economics, governance and culture are integral to the work's content.The most striking feature of the text, to a casual browser, is the inclusion of Chinese characters as well as quotations in European languages other than English. A close reader will normally require a scholarly commentary to help understand the text. The range of allusion to historical events is broad, and abrupt changes occur with little transition.There is also wide geographical reference. Pound added to his earlier interests in the classical Mediterranean culture and East Asia selective topics from medieval and early modern Italy and Provence, the beginnings of the United States, England of the 17th century, and details from Africa he had obtained from Leo Frobenius. Many references in the text lack explanation. Pound initially believed that he possessed poetic and rhetorical techniques which would themselves generate significance, but as time passed he became more concerned with the messages he wished to convey.The section he wrote at the end of World War II, begun while he was interned in American-occupied Italy, has become known as The Pisan Cantos. It was awarded the first Bollingen Prize in 1948. There were many repercussions, since this in effect honoured a poet who was under indictment for treason. :::Delmore Schwartz said about The Cantos, "They are one of the touchstones of modern poetry." William Carlos Williams said, "[Pound] discloses history by its odor, by the feel of it—in the words; fuses it with the words, present and past, to MAKE his Cantos. Make them."Since the 1969 revised edition, the Italian Cantos LXXII and LXXIII (as well as a 1966 fragment concluding the work) have been added. Now appearing for the first time is Pound's recently found English translation of Italian Canto LXXII.

    The newly titled Norton Anthology of Modern and Contemporary Poetry now available in two paperback volumes includes 1,596 poems by 195 poets (half of the poems are new), from Walt Whitman and Thomas Hardy in the late nineteenth century to Anne Carson and Sherman Alexie in the twenty-first. The Norton Anthology of Modern and Contemporary Poetry continues to be the most comprehensive collection of twentieth-century poetry in English. It richly represents the major figures, while also giving full voice to ethnic American poetries, experimental traditions, postcolonial poetry, and the long poem, eclipsing all other anthologies in scope, clarity, and balance."