Featuring hundreds of unseen live and candid color and black-and-white photographs, "Murder in the Front Row" captures the wild-eyed zeal and drive that made Metallica, Slayer, and Megadeth into legends, with over 100 million combined records sold.

    The most enjoyable graphic novel I've read in a while' Zadie Smith'I joyously recommend this book to you' Mark Haddon'Riad Sattouf is one of the great creators of our time' Alain De Botton'Beautifully-written and drawn, witty, sad, fascinating... Brilliant' Simon Sebag MontefioreThe Arab of the Future tells the unforgettable story of Riad Sattouf's childhood, spent in the shadows of three dictators - Muammar Gaddafi, Hafez al-Assad, and his father.In striking, virtuoso graphic style that captures both the immediacy of childhood and the fervor of political idealism, Riad Sattouf recounts his nomadic childhood growing up in rural France, Gaddafi's Libya, and Assad's Syria - but always under the roof of his father, a Syrian Pan-Arabist who drags his family along in his pursuit of grandiose dreams for the Arab nation.Riad, delicate and wide-eyed, follows in the trail of his mismatched parents: his mother, a bookish French student, is as modest as his father is flamboyant. Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult... Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace.Brimming with life and dark humour, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis. Translated by Sam Taylor. WINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR GRAPHIC NOVELSNOMINATED FOR 'BEST REALITY-BASED WORK' AT THE EISNER AWARDS'ENGROSSING' New York Times'A PAGE TURNER' Guardian'MARVELLOUS... BEGS TO BE READ IN ONE LONG SITTING' Herald'AN OBJECT OF CONSENSUAL RAPTURE' New Yorker'ONE OF THE GREATEST CARTOONISTS OF HIS GENERATION' Le Monde

    The New Fighting Technique may have sprung from the crucible of cubicle culture----Rees created the strip while working a deathly boring temp job, harnessing the potential energy of his PowerPoint software, Internet connection, laser printer, and vast expanses of fallow hours into this Unstoppable ass-kicking phenomenon----but the result has less to do with clockwatching than with the explosive energy of freestyling gangsta rap, airborne Bruce Lee maneuvers, and a profane, deadpan sense of humor that just may establish David Rees as the Lenny Bruce of our times. As soon as Rees began faxing MNFTIU comics to friends, those friends were faxing it to friends who were faxing it to more friends. It was the birth of a genuine underground publishing sensation. Soon it was a regular serial, then there was merchandise, then a website that received 25 million hits last year.

    It feels good in your hands: a true work of art, a collector’s dream.But then you notice something wrong. There’s a stain on the cover. And it is there on purpose. It’s a coffee ring printed onto the cover with gloss laminate.This book, the debut effort by cult cartoonist Dave Strider, was realized with the help of a dedicated team of experienced artists. KC Green (gunshowcomic.com), John Keogh (lucid-tv.com), and David Malki ! (wondermark.com) served as designers. Homestuck creator Andrew Hussie (mspaintadventures.com) served as consultant.Since the days of Gutenberg, publishers have tried to marry form with content in pleasing and impressive ways. And while there have been fancy books, and there have been bad books, never before in the history of the codex have the two been mismatched in so dramatic and pointless a fashion. Like a wrench torquing a bolt too hard and shearing off its head, so too does Sweet Bro and Hella Jeff completely and irrevocably break the notion of the printed book.The online comic strip “Sweet Bro and Hella Jeff” follows a handful of friends who get up to nonsensical hijinks. This is in the rare cases when it makes any sense at all. It is universally acknowledged as the worst comic strip ever created.The book Sweet Bro and Hella Jeff lavishly presents the comic’s entire run in a treatment worthy of the highest masters of the form. It contains a completely gratuitous 4-page centerfold reading simply “centaurfold” in bright pink type.Scattered throughout the book are perforated business-reply cards taking the form of irredeemable Subway coupons (a first for comic strip collections). Each copy of the book also comes with a “travel version” (a removable poster of all the book’s pages in grid format); a custom commemorative coin (randomly chosen from 4 designs struck); an oversized plastic paperclip imprinted with the word “paperclop”; and an animated lenticular bookmark. Bound into the spine is a red ribbon approximately three feet long, and if you scratch the nacho chip sticker on the back cover, it smells faintly of pizza. (The hologram sticker of Tony Hawk smells only of chemicals.)

    Will the “School Gyrls” collaboration with the Archies be a chart-topping hit or a resounding dud?

    Each holds forth to her on a particular wisdom about hunger, passion or love.

    While the publishing industry struggles to adapt to the rapidly changing digital world, independent artists now have the ability to build a successful and lucrative brand completely on their own with a little hard work and some Internet savvy. Now there's nothing stopping you from getting your book in front of thousands or even millions of people. Suddenly you can't blame anyone for not giving you a chance. You can only blame yourself for not trying. So roll up your sleeves, sharpen your pencils and fire up your Internet because we are about to make and sell comics! Jason Brubaker's graphic novel reMIND raised over $125,000 in pre-order sales on Kickstarter, won the Xeric Award and made ALA's Great Graphic Novels for Teens List. This book is a collection of his thoughts, strategies and practical lessons developed during his experience writing, drawing and self-publishing reMIND.

    This drawing guide is made with easy to follow, step by step instructions that will teach you how to create beautiful works of art! Add your own spin to these awesome characters and make them your own. Please note that we are not associated or affiliated with Five Nights at Freddy's or its creator. This is an unofficial book

    There he stumbled into the elaborate world of Mingering Mikea soul superstar of the 1960s and '70s who released an astonishing 50 albums and at least as many singles in just 10 years. But Hadar had never heard of him, and he realized why on closer inspection: every album in the crates was made of cardboard. Each package was intricately crafted, complete with gatefold interiors, extensive liner notes, and grooves drawn onto the "vinyl." Some albums were even covered in shrinkwrap, as if purchased at actual record stores. The crates contained nearly 200 LPs and 45s by Mingering Mike, as well as other artists like Joseph War, the Big "D," and Rambling Ralph, on labels such as Sex Records, Decision, and Ming/War. There were also soundtracks to imaginary films, a benefit album for sickle cell anemia, and a tribute to Bruce Lee. Hadar put his detective skills to work and soon found himself at the door of the elusive man responsible for this alternate universe of funk. Their friendship blossomed and Mike revealed the story of his life and his many albums, hit singles, and movie soundtracks. A solitary boy raised by his brothers, sisters, and cousins, Mike lost himself in a world of his own imaginary superstardom, basing songs and albums on his and his family's experiences. Early teenage songs obsessed with love and heartache soon gave way to social themes surrounding the turbulent era of civil rights protests and political upheavalbrought even closer to home when Mike himself went underground dodging the Vietnam War.In Mingering Mike, Hadar tells the story of a man and his myth: the kid who dreamed of being a star and the fantastical "careers" of the artists he created. All of Mingering Mike's best albums and 45s are presented in full color, finally bringing to the star the adoring audience he always imagined he had.

    A perfect Mother's Day and Father's Day gift, as well as an absolute must-have for new and seasoned parents. 120 illustrations. of color cartoons.

    Lebrecht compellingly demonstrates that classical recording has reached its end point, but this is not simply an expos? of decline and fall. It is, for the first time, the full story of a minor art form, analyzing the cultural revolution wrought by Schnabel, Toscanini, Callas, Rattle, the Three Tenors, and Charlotte Church. It is the story of how stars were made and broken by the record business; how a war criminal conspired with a concentration-camp victim to create a record empire; and how advancing technology, boardroom wars, public credulity and unscrupulous exploitation shaped the musical backdrop to our modern lives. The book ends with a suitable shrine to classical recording: the author's critical selection of the 100 most important recordings, and the 20 most appalling.Filled with memorable incidents and unforgettable personalities, from Goddard Lieberson, legendary head of CBS Masterworks who signed his letters as God; to Georg Solti, who turned the Chicago Symphony into the loudest symphony on earth - this is at once the captivating story of the life and death of classical recording and an opinionated, insider's guide to appreciating the genre, now and for years to come.

    

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    For this collection, Munoz has painstakingly reviewed every page -- every panel -- making clarifications, adding invaluable insight to this provacative story. Sinner is a hard-boiled private detective whose adventures are played out to a jazz soundtrack in a noir New York from 1975 through the 2000s. The stories are imbued with a deep political conscience and present a scathing critique of corruption in society, juxtaposed with meditations on the nature of violence and exile. The authhors have also rearranged the stories in chronological order of the characters and events, rather than dates of first publication, providing a novel reading experience for both new fans and old. The Age of Innocence collects eleven stories, including "Talkin' with Joe," "The Webster Case," "The Fillmore Case," "Viet Blues," "Life Ain't a Comic Book, Baby," "Twinkle, Twinkle," and "Dark City." Alack Sinner is an international bestseller and between them Munoz and Sampayo are winners of Europe's top comics awards.