. . Genius of the People is an absorbing look at the incomparable personalities who brought us our Constitution."- Michael BeschlossGenius of the People is a timely account of how America's national government came to be born during the Constitutional Convention of 1787. Charles L. Mee, Jr., vividly describes the personalities, issues, conflicts, and implications of an epoch-making meeting of brilliant and not-so-brilliant political leaders, who had different and often opposed agendas and whose disagreements and compromises, alliances and feuds, vision and shortsightedness create the main storylines of the years to come.Mee sets the events and issues of the Convention against a background of a small but diverse society that had just won its independence and was already wracked with dissension and factionalism as to how it should be governed. The axial line of Mee's account is the ongoing struggle between what he calls the party of liberty and the party of order. On one side was the loose coalition of states' rights and local government people, such as the patrician democrat George Mason, the tenacious Puritan shopkeeper Roger Sherman, and the prototypical Southern politician John Rutledge. Opposed to them and their followers was the coalition of nationalists led by the frail but resourceful James Madison, the arrogant Gouverneur Morris, and the brilliant, aristocratic Alexander Hamilton.These two broad positions roughly organized a myriad of different interests, ideals, and whims. Forced by their disagreements to one unpleasant compromise after another, the delegates finally found themselves compelled to resort to a set of general principles based on the American experience that people are most secure and most free when power is not gathered up in the hands of a few - not the president and his friends, or of a class of businesspeople or landed gentry, or of the military, or of a group of politicians.Without partisanship, Mee has written a history of the Convention for our own time. On virtually every page, his reporting on the proceedings undermines the view of many Americans of the Constitution as a rigidly fixed screed of political fundamentalism. At the same time, Mee invigorates and challenges the reader's faith in American democracy. He shows us our dissatisfied and contentious Founding Fathers entrusting their own class interests and power to the genius of the American people for self-government, knowing fully that only a politically informed and active public could preserve their work.

    When Bobby invites Matt to drive to a ski house, Matt refuses. A fatal accident ensues and Chris, who has a reputation for drinking and dealing drugs, is immediately blamed. However, Matt is convinced there is unseen aspect of the accident, and he is determined to expose it. Strasser conveys significant messages. His depiction of the teens and the accident is realistic and unsensational." - School Library Journal

    Even the circumstances of its recording, purportedly in an abandoned cinema and a cave formed from Icelandic lava, have achieved legendary status among their ever-loyal fanbase. Have a Bleedin Guess tells the story of the album, including how each song was written, performed and recorded. It also includes new interviews with key players. Author Paul Hanley, who was one of The Fall's two drummers when Hex was created, is uniquely placed to discuss the album's impact, both when it was released and in the ensuing years.

    Yet in Words Without Music, his critically acclaimed memoir, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. From his childhood in Baltimore to his student days in Chicago and at Juilliard, to his first journey to Paris and a life-changing trip to India, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his creative consciousness. Whether describing working as an unlicensed plumber in gritty 1970s New York or composing Satyagraha, Glass breaks across genres and re-creates, here in words, the thrill that results from artistic creation.Words Without Music ultimately affirms the power of music to change the world.

    Writing in the clear and highly entertaining prose that made Opera 101 the standard text in its field, Fred Plotkin--music expert, teacher, lecturer, and famous author--presents classical music in a way that respects both the reader and the art form. In Classical Music 101:The reader will discover how to become an expert listener, which is essential for learning to love classical music.A thousand years of music are explored, with emphasis on great works in all styles. Significant composers will be profiled in depth, including Beethoven, Mozart, Bach, Tchaikovsky, Dvorak, and many more.Important musicians, such as pianist Emanuel Ax, singer Marilyn Horne, and conductor James Levine, speak about their art in interviews.Classical Music 101, the newest addition to a highly successful series intended for readers who don't consider themselves dummies or idiots, will help the person drawn to the finer things in life (and readers who don't know how to approach them) discover the glories of music.

    In Black Planet, David Shields explores how, in a predominantly black sport, white fans--including especially himself--think about and talk about black heroes, black scapegoats, black bodies.During the 1994-95 NBA season, Shields went to the Seattle SuperSonics' home games; watched their away games on TV; listened to interviews and call-in shows; talked, or tried to talk, to players, coaches, and agents; attended charity events; corresponded with members of the Sonics newsgroup on the Web. He kept a journal and over the next few years transformed that journal into this book, which is focused sharply on white spectators' relationship to black athletes, in particular Shields' own identification with Gary Payton, the team's language-besotted point-guard.Through the apparently simple vehicle of a daily diary running from November 5, 1994 to May 5, 1995, and ranging from a dispute between two fans over the sale of a ticket to the national media frenzy surrounding Charles Barkley's jest "That's why I hate white people," David Shields confronts the nature of racism (including his own)--the otherness in ourselves that we project onto strangers. He takes us via sports passion deep into the American racial divide.From the Hardcover edition.

    Among his peers from California the self-taught Hawes was second only to Oscar Peterson. At the time of his celebration as New Star of the Year by downbeat magazine (1956), Hawes was already struggling with a heroin addiction that would lead to his arrest and imprisonment, and the interruption of a brilliant career. In 1963 President John F. Kennedy granted Hawes an Executive Pardon. In eloquent and humorous language Hampton Hawes tells of a life of suffering and redemption that reads like an improbable novel. Gary Giddins has called it "a major contribution to the literature of jazz." This book includes a complete discography and eight pages of photographs.

    The cult bible of all things Thunders, it is the definitive portrait of the condemned man of rock 'n' roll, from the baptism of fire and tragedy that was the New York Dolls, through the junkie punk years of the Heartbreakers and beyond. It is an unflinching account of a unique guitarist whose drug problems often overshadowed his considerable style and talent, and whose influence on such bands as The Sex Pistols and Guns N' Roses is still resonant.

    Starting from his first musical endeavors as a child, Neal bears his soul as he recalls the pitfalls, heartaches and temptations along his journey.This hard-hitting, inspirational expose' takes the reader from Neal's club days to the formation of Spock's Beard and from the rigors of musical and personal burnout to the wondrous joy of spiritual fulfillment and purpose. The book spans approximately 230 pages in paperback form, and includes photos from all stages of Neal's life.

    In "Cinderella & Company," Pulitzer Prize-winning journalist Manuela Hoelterhoff takes us on a two-year trip on the circuit with Cecilia Bartoli, the young mezzo-soprano who has captured an adoring public around the world. Here too are tantalizing glimpses of divinities large and small: Kathleen Battle's famously chilly limousine ride; Placido Domingo flying through three time zones to step into the boots of an ailing Otello; Luciano Pavarotti aiming for high C in his twilight years. And we meet the present players in Bartoli's world: Roberto Alagna and Angela Gheorghiu, a.k.a. the Love Couple; Jane Eaglen, the Wagnerian web potato monitoring her cyberspace fan mail; the appealing soprano Renee Fleming, finally on the brink of stardom.

    First comes the mates, then the ute, then his hat, dogs, horses and last of all the girlfriend. Get that right and you might just stick around. Try to jump the queue and you′re history." The lips smiled at me, but his eyes meant business.′Well then, I′ll just have to be his mate.′′Girls can′t be mates, Alice.′′We′ll see.′A footloose city backpacker who couldn′t tell a bull from a cow was hardly the ideal candidate to answer an ad for a governess on a Mackay cattle station. But Alice Greenup was game for anything, until she was bowled over by a handsome young jackeroo with a devastating smile. It was the start of a whole new way of life as Alice gave up her city-chick persona to embrace the bush and all that came with it: horses, cattle, the obsession with rain - and the correct way to wear a hat.After overcoming more than a few obstacles, the unlikely couple eventually married, moving to Rick′s family farm near Kingaroy. Determined to make their own future, they gambled their dreams on a vast property called ′Jumma′. It was a huge risk but with a lot of love, blood, sweat and tears, they were on their way.But one morning they almost lost it all. When Alice′s horse bucked her out of the saddle in remote bushland, she was gravely injured. Rick was forced to leave her lying alone, drifting in and out of consciousness, to gallop home for help. Flown by emergency helicopter to Brisbane, Alice had serious liver and brain damage. What followed would test their love to the limit.

    Before turning his hand to writing, he ran a jazz club in Tokyo, and from The Beatles' Norwegian Wood to Franz Liszt's Years of Pilgrimage, the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk, over a period of two years, about their shared interest. Transcribed from lengthy conversations about the nature of music and writing, here they discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more. Ultimately this book gives readers an unprecedented glimpse into the minds of the two maestros. It is essential reading for book and music lovers everywhere.

    Music. Through manifestos, scores, interviews, notes and critical papers, contributors to this in-depth anthology address composing, playing, improvising, teaching, and thinking in and through music. Rather than attempting to distill or define musician's work, ARCANA illuminates it with personal vision and experience.

    Schmidt reveals how each poet has transformed "a common language of poetry" into the rustic rhythms and elegiac ballads, love sonnets, and experimental postmodern verse that make up our lyrical canon.A comprehensive guided tour that is lively and always accessible, Lives of the Poets illuminates our most transcendent literary tradition.

    It has been out of print since at least 1977 and was never published outside the USA.