It takes him to the sacred waters of the Ganges River, and ultimately on a 1000 km pilgrimage by foot across South India, following the echoes of a cryptic message.This story speaks directly from the author’s heart to an audience considering the idea of leaving everything they know behind to embrace life in its raw and untamed magnitude and search for understanding and meaning.

    A new voice whose sharp, descriptive prose is reminiscent of Megan Abbott." - Charles Salzberg, author of the Swann detective series, New York. “A thriller that accentuates the cadence of a finely crafted literary oeuvre.” - ITV America. "A dark, well-crafted tale that takes readers on a disturbing ride through society’s underbelly.’ - Adam Hamdy, author, screenwriter and film producer, London, UK."Nish Amarnath's new book gives you the chills, showing how crime can unfold in both lethal and cosy setups." - The Hindu.For fans of Stieg Larsson's 'The Girl Who Played with Fire' and Sophie Hannah's 'A Room Swept White', this debut psychological thriller and crime suspense novel, set in London, is a strident expose on an under-reported form of social injustice where the line of distinction between the betrayer and the betrayed increasingly fades into oblivion. BLURB:BBC stringer Sandy lives as a paying guest with the Sawants, a regular, quiet family. Or so she thought. Until she woke up to a woman with a knife … and a dark secret.It is only after she runs a sting operation on a home for the differently abled that Sandy makes a connection between an institute acting as a front for something sinister and the strange family she lives with. Chasing the truth up a trail of brutal murders, Sandy must evade the clutches of a thriving sex racket and expose the predators before her time runs out.

    The Stories, set in Calcutta, bring to the fore the darkness lurking in the human psyche and bare the baser instincts. The stories, compactly written and marked by insightly dialogues that raise contemporary issues like man-woman relationships and its strains, moral and ethics, environmental degradation, class inequality, rapid and mass-scale unmindful urbanisation, are devoid of sentimentalisation. The result is they remained focused and move around the central character who is named Rahul in all the stories. We encounter the events that shape, mar, guide Rahul's life and also the lives of those around him, making us question the very essence of existence. Rahul symbolises modern man; he is not just one character, but all of us rolled into one. The story cycle stands out for two reasons - its brilliant narrative and the dispassionate style with which betrayal in personal relationships and resultant loneliness has been handled. The poems weave a maze of dreams, images, reflections and stories. They are written in a reflective and many a time in a narrative tenor within a poetic idiom. The poems are inseparable in a hidden way and are magically sequenced like various kinds of flowers in a garland or chapters of differing shades in a novel. Calcutta features in some of the poems like the looming backdrop of Gotham City in a Batman movie.

    The destinies of an unlikely trio converge at the making of a movie. The eldest Menon daughter and school drama teacher, Neha Menon, must find a way to face the hard times and deal with the loss that threatens to destroy her family.Prithvi Nair’s production house Priyamvada is his grandfather’s legacy and the reason it’s so close to his heart. But the moment Prithvi tries to reopen the company that has been shut down for decades, it finds itself embroiled in one controversy after another and he can’t seem to get it off the ground.Aditya Shankaran is a writer-director with big dreams of directing his debut movie but there are no takers for his script. Down on luck, his future looks bleak. There is only one chance to end the troubles that are set at odds with launching his career and winning the hand of the woman he loves.Prithvi, Aditya and Neha meet under unusual circumstances for the making of a movie that will change their lives in different ways, push them into the world of treachery and deceit, and force them to question their choices.Time is running out. They must quell the sabotage before the final blow to all their hopes and dreams. ***Praise for PRIYAMVADA & CO.*** “At times heart-wrenching, at other times heart-warming – and at all times vividly colorful and appealing – “Priyamvada & Co.” rivals the epic movie world it alludes to.”— Devika Fernando, romance author"Priyamvada & Co. is a beautifully written, heart-warming tale of getting second chances in love and life. Extremely unputdownable.”— Sonia Rao, Writer, Editor, NaNoWriMo ML(India)“Sudha Nair’s latest, Priyamvada & Co., is not one but many stories woven seamlessly to bring out the myriad human emotions—pain, romance, retribution, jealousy—all anchored in real world dilemmas and insecurities. An easy, fast-paced read, set in the back drop of film industry, drama and theatre.”— Ruchi Singh, author of The Bodyguard >>>This is a standalone sequel to the bestseller, The Wedding Tamasha. You can read this even if you haven’t read ‘The Wedding Tamasha.’ This Book 2 of The Menon Women series glimpses into the life of the eldest daughter, Neha Menon, a few years after meeting the Menons in the first book, The Wedding Tamasha. Books in The Menon Women series are:The Wedding TamashaPriyamvada & Co.

    His handicraft imports business has unexpectedly collapsed and cash is drying out quickly, his wife thinks he is a loser and society considers him irrelevant. Meanwhile, his closest friends and family all seem to be running flourishing businesses and living luxurious lives in Surat, the diamond capital of India. A trip to China to scout for a new consumer goods business offers a glimmer of hope. But Raghu instead gets sucked into the black-market trade in the back alleys of Beijing. Everything about this new opportunity goes against his god-fearing, vegetarian, middle-class mindset - can he quash his natural instincts to make a success of it? Darkly comical, 'Made in China' is a soul-stirring and thrilling entrepreneurial journey of a man willing to do anything he can to make it big.

    The hostage-takers threaten to shoot pilgrims every day, unless the incumbent Government accedes to their demands. With the popular Hindu festival of Diwali just around the corner and elections less than six months away, the Government at the center is under immense pressure to act. What will the Government do? The army? The intelligence agencies? The common man? No terrorist group has claimed responsibility for the attack. Who are these men? Is there a larger plot? Faced with such unprecedented events, will the country descend into unimaginable anarchy or will it rise above the issues of collective apathy and greed that have plagued it since Independence?

    Besides, Debu has only recently escaped a bunch of local ruffians who wanted him to ‘go back home to Bangladesh’.But Debu is unable to resist being friends with Clint. For, in return for doing his maths homework, Clint introduces him to a completely new life: the heady charms of Kalsang, the Chinese restaurant forbidden by Debu’s mother; the revolutionary sounds of Pink Floyd; and most importantly, the coolest, prettiest girl in town—Audrey Pariat. Audrey loves maths and detective stories, just like Debu, and does not make him feel awkward or exotic. Together, the three of them look set to embark on many adventures. But when tensions between the Khasi and Bengali communities boil over, Shillong becomes a battlefield—old neighbours become outsiders and the limits of friendship are challenged.With crackling energy, Nilanjan P. Choudhury immerses us in the tumultuous lives of Debu, his friends and his family, and their attempts to find love and belonging. Written with uncommon warmth, humour and a delightful evocation of place, Shillong Times is an exhilarating coming-of-age story—showing us how friendship can eclipse the hardened enmities of adulthood.

    While Sahil is careless, carefree, 'new money' and 'the brat', Ayra is sensitive, reserved, shy and not easy to talk to. And that is probably what attracts Sahil to her. Their story progresses slowly and delicately, and things gradually take on a love-tinged hue.However, their lives soon begin to unravel. Sahil learns why Ayra is so private when the most damning truth about her life is revealed. Just as they overcome that challenge, another cruel blow threatens to tear them apart. It's now about a life beyond life, and a love somewhere among the stars . . .

    How could their Prime Minister speak to them like that? How does the Constitution of India allow such people, with just 35 seats out of 543 in the Lok Sabha, to become the PM?The Indian PM's aircraft took off from Islamabad Airport at 7:45 am IST and was scheduled to land at the Indira Gandhi International Airport (IGIA) in New Delhi at 9:10 am IST. When the aircraft started deviating from its scheduled route, there was panic at the IGIA air traffic control tower. By 9:15 am IST, the aircraft was seen heading south, when it became out of range of the radars at IGIA. Had the PM's aircraft been hijacked? Was it headed to Sri Lanka or the Maldives?The defence minister, external affairs minister and the NSA had accompanied the PM to Islamabad. In their absence, the best men to contact the Indian Air Force Chief were the cabinet secretary or the defence secretary. Both men tried to get hold of him, but to no avail. He was not answering his office or mobile phone. They tried the Vice Chief and got no response either. What in hell was going on?By 9:45 am IST, Indian Army soldiers in battle gear began arriving in army trucks at North and South Block, and at various other ministry buildings spread across Lutyens' Delhi. Hundreds of soldiers also arrived at the residences of the union ministers in the 28.7 km2 Lutyens Bungalow Zone.At 9:45 pm Pakistan Time, about five hours after the Indian generals had finished the press conference in New Delhi and about two hours after millions had started demonstrating on roads across fifty-plus Indian cities, Prime Minister Irfan Khan chaired a meeting of Pakistan's National Security Council. A plan of action was framed.

    I was in sublime touch shooting off arrow after arrow. The targets were drifting across my vision and all it took was one aim and release; the arrows shot off with a swish only to hit the target where I intended it and killed the recipient of the shot. A few lefthanded shots depending on the angle of the shot where I could find the target best positioned for the shot; others right handed. The bow was drifting from one hand to the other flawlessly and the arrows were flowing out like spit from a cobra's mouth, both accurate and deadly. Before we realised there were hardly any leaders standing. By the time Jarasandha recovered, his leaders and his entire army had perished. Jarasandha gave a loud shout and invited us to come out in the open and fight like real warriors. By this time Balarama also came into the battlefield.Jarasandha did not turn back and run; he was livid and angry; he started challenging us to come down and fight like real warriors.Rama and I descended into battleground. Jarasandha was aghast to see Kids trying to defeat him. Jarasandha invited us for a duel. He said two versus one couldn't be fair in a war. Balarama moved ahead and chose mace as his weapon. He was adept at mace and Jarasandha was no less a mace warrior. The fight that took place was of a quality that I wouldn't witness for a long time to come. Jarasandha was more than accomplished. While Jarasandha unleashed himself upon Balarama with full force and vigour, Balarama was deftly defending himself. Mace was flying into Rama from all directions. Balarama was saving his energy for the future; if he could wear Jarasandha down, he could then unleash himself upon him. Balarama was not through and through defensive. There would be moments when he surprised Jarasandha by his speed and power.Rama's mace would start banging into Jarasandha with immense strength and speed. Before Jarasandha would recover from one bout of attack the second one would begin in a different style of attack. The lesson and practice with our Guru was paying results; I could see that in this bout. Jarasandha couldn't fathom the skill level of Rama. He had thought it would be child's play and he would crush Rama in no time and head for me. But this challenge was more than what he had imagined. The fact that his theory proved wrong gave him the mental agony which the real fight had not given. That agony was showing in his inconsistent fighting method. He would burst at Rama; Rama would easily read the move and defend himself; that would frustrate Jarasandha; he would change his move, which Rama easily anticipated and countered, Jarasandha would get more frustrated and soon he lost his mace to a vicious shot by Rama. Now it was Rama with his mace facing an unarmed Jarasandha.Rama shouted at me and said he wanted to finish this fight right away, and lifted his mace to hit Jarasandha. I stopped Rama, it's unfair to kill someone who is unarmed on a battlefield. I said another day would come and he had to let him go with honour.

    

    

    Two lives. Three generations. Four places. Chitrangda Chatterjee, 32, has been moving from one dead-end offshore job to another. Kathputli’s story begins after Chitrangda has quit her latest job and sets out in search of the perfect story for her Great Indian Novel. This takes her to a family reunion of her grandmother’s clan, where a story of the long-lost daughter of a once-powerful Zamindar family begins to take shape.  Unravelling the mystery of Mala’s disappearance a few years after the brutal murder of the boy she loved becomes an obsession for Chitrangda. One which draws Chitrangda out of her shell; and introduces her to the unaccustomed joys of getting to know new people and places.  What emerges, however, undermines the very foundation of Chitrangda’s understanding of her own family.  The novel goes back and forth between Chitrangda’s present-day search for all the missing pieces of Mala’s story and the story itself, set in 1940s Kolkata.

    Reeling from what she reads, Iona soon discovers a mysterious, faded photograph of Grace, hidden inside her cello case.Honoring her mother's request, Iona visits Grace's beloved music teacher, taking the first step on an emotional trail of discovery that has been left for her. As Grace's story unfolds, Iona gains a deeper insight into the mother she lost and the heartbreaking truth about Grace’s last months. The more Iona learns, the more she is drawn back to her family home, on the remote Scottish island of Orkney, and to her father.