A Stockholm attorney, Rebecka has a good reason to return: her friend Sanna, whose brother has been horrifically murdered in the revivalist church his charisma helped create. Beautiful and fragile, Sanna needs someone like Rebecka to remove the shadow of guilt that is engulfing her, to forestall an ambitious prosecutor and a dogged policewoman. But to help her friend, and to find the real killer of a man she once adored and is now not sure she ever knew, Rebecka must relive the darkness she left behind in Kiruna, delve into a sordid conspiracy of deceit, and confront a killer whose motives are dark, wrenching, and impossible to guess....From the Hardcover edition.

    The death of her childhood friend, Alex, is just the beginning. Her wrists slashed, her body frozen in an ice-cold bath, it seems that she has taken her own life.Erica conceives a book about the beautiful but remote Alex, one that will answer questions about their own shared past. While her interest grows into an obsession, local detective Patrik Hedstrom is following his own suspicions about the case. But it is only when they start working together that the truth begins to emerge about a small town with a deeply disturbing past.

    So he comes up with a foolproof plan: to buy a one-way ticket to a chaotic, war-ravaged country and put an end to it all.But on arriving at Hotel Silence, he finds his plans – and his anonymity – begin to dissolve under the foreign sun. Now there are other things that need his attention, like the crumbling hotel itself, the staff who run it, and his unusual fellow guests. And soon it becomes clear that Jónas must decide whether he really wants to leave it all behind; or give life a second chance, albeit down a must unexpected path…Hotel Silence won the Icelandic Literary Prize 2016 and was chosen Best Icelandic Novel in 2016 by booksellers in Iceland.

    But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world--at what seems like history's most tumultuous, perhaps ultimate moment.Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already torn through Europe, Asia, and North America and is now lapping up on Iceland's shores. And if the flu doesn't do it, there's always the threat that war will spread all the way north. And yet the outside world has also brought Icelanders cinema! And there's nothing like a dark, silent room with a film from Europe flickering on the screen to help you escape from the overwhelming threats--and adventures--of the night, to transport you, to make you feel like everything is going to be all right. For Máni Steinn, the question is whether, at Reykjavik's darkest hour, he should retreat all the way into this imaginary world, or if he should engage with the society that has so soundly rejected him.

    One by one, buildings go up in flames. Suspicion spreads among the neighbors as they wonder if one of their own is responsible. But as the heat and panic rise, new life finds a way to emerge. Amid the chaos, only a day before the last house is set afire, the community comes together for the christening of a young boy named Gaute Heivoll. As he grows up, stories about the time of fear and fire become deeply engrained in his young mind until, as an adult, he begins to retell the story. At the novel's apex the lives of Heivoll's friends and neighbors mix with his own life, and the identity of the arsonist and his motivations are slowly revealed. Based on the true account of Norway's most dramatic arson case, Before I Burn is a powerful, gripping breakout novel from an exceptionally talented author.

    I was only four then. I never thought I'd hear from him again, but now we're writing a book together'To Georg Røed, his father is no more than a shadow, a distant memory. But then one day his grandmother discovers some pages stuffed into the lining of an old red pushchair. The pages are a letter to Georg, written just before his father died, and a story, 'The Orange Girl'. But 'The Orange Girl' is no ordinary story - it is a riddle from the past and centres around an incident in his father's youth. One day he boarded a tram and was captivated by a beautiful girl standing in the aisle, clutching a huge paper bag of luscious-looking oranges. Suddenly the tram gave a jolt and he stumbled forward, sending the oranges flying in all directions. The girl simply hopped off the tram leaving Georg's father with arms full of oranges. Now, from beyond the grave, he is asking his son to help him finally solve the puzzle of her identity.

    It seems to be a mundane suicide—at least that’s what the police choose to think. But the young man is American, not Swedish, and there are a couple of odd things about his room when they search it. . . . From these tiny beginnings, Leif GW Persson slowly begins to unravel a puzzle that gets larger and larger as it becomes more and more complex, until it sweeps us into a web of international espionage, backroom politics, greed, sheer incompetence, and the shoddy work of Sweden’s intelligence force that leads to the murder of the prime minister. The first novel in a dark and dazzling trilogy that has become the defining fictional account of the unsolved 1986 assassination of Swedish Prime Minister Olof Palme—an event that triggered the biggest criminal investigation in recorded history—Between Summer’s Longing and Winter’s End is a riveting insider’s combination of black satire, thriller, psychological drama, and police procedural by a writer universally acknowledged as Sweden’s leading criminologist.

    With this unpromising start, Mr Bjørneboe was able, by his second novel, a study of collaboration in wartime Norway, to make himself even less popular in his home country. With the publication of The Least of These, called by Sigurd Hoel, "the most important Norwegian novel since the war", the author completed the process of making himself persona non grata in the Scandinavian countries. The Least of These has been printed in six languages, and although he enjoys a considerable reputation as a poet, Mr Bjørneboe's book has been roundly condemned by educators wherever it has appeared. The fate of the little boy, Jonas, crushed by the enforced conformity of his education, is not, the author says, the central theme of the novel. "All the important persons in this novel are different variations of Jonas - all of them are Jonases. The theme of the book is not the boy Jonas, but the 'being a Jonas.'"

    She’s never fit in with any of the other groups at school, and she’s viciously teased by the other girls in her class. The only way she can escape is through her music—especially jazz music. When Steffi hears her favorite jazz song playing through an open window of a retirement home on her walk home from school, she decides to go in and introduce herself.The old man playing her favorite song is Alvar. When Alvar was a teenager in World War II-era Sweden, he dreamt of being in a real jazz band. Then and now, Alvar’s escape is music—especially jazz music.Through their unconventional but powerful friendship, Steffi realizes that she won’t always be lonely in her small town. She can go to a music school in the big city. She can be a real musician. And she can be a jitterbug, just like Alvar.But how can Steffi convince her parents to let her go to Stockholm to audition? And how is it that Steffi’s school, the retirement home, her music, and even her worst bully are somehow connected to Alvar and his story? Can it be that the people least like us are the ones we need to help us tell our own stories?

    After losing her job and breaking up with her boyfriend, Rachel has inherited her late aunt's house, her beloved border collie, and a crowded rescue kennel, despite the fact that she knows almost nothing about dogs. Still, considering her limited options, she gamely takes up the challenge of running the kennel. And as Rachel starts finding new homes for the abandoned strays, it turns out that it might not just be the dogs that need rescuing.

    Returning to his family’s house, he knows instantly that something is amiss. The front door key, hidden under a familiar stone, is still there. Inside, there’s a panicked dog, a terrible stench, water pooling on the floor. Upstairs in the shower, the father Olaf has not seen or spoken to in decades is dead.For police detective Eira Sjödin, the investigation of this suspicious death resurrects long-forgotten nightmares. She was only nine when Olof Hagström, then fourteen, was found guilty of raping and murdering a local girl. The case left a mark on the town’s collective memory—a wound that never quite healed—and tinged Eira’s childhood with fear. Too young to be sentenced, Olof was sent to a youth home and exiled from his family. He was never seen in the town again. Until now. An intricate crime narrative in which past and present gracefully blend, We Know You Remember is a relentlessly suspenseful and beautifully written novel about guilt and memory in which nothing is what it seems, and unexpected twists upend everything you think you know.

    What follows is a quest to find the killer, encompassing by turns a picaresque and endlessly inventive look at the conditions that have brought Wergeland to this critical juncture in life. From his hair's breadth escape from a ravenous polar bear while filming in Greenland to a near-death experience aboard a passenger ferry in the icy Baltic, the Tom Jones-like experiences that comprise the narrative of Wergeland's life, relayed in Kjaerstad's veneered and acutely observant prose, provide a fascinating portrait of a media icon at the crux of his journey as an artist.

    "Exquisitely suspenseful, beautifully written, and highly recommended."-Lee Child "Visually acute, skillfully written; it won't easily erase its tracks in the reader's mind."- Hilary Mantel"Wolf winter,'" she said, her voice small. "I wanted to ask about it. You know, what it is."He was silent for a long time. "It's the kind of winter that will remind us we are mortal," he said. "Mortal and alone."Swedish Lapland, 1717. Maija, her husband Paavo and her daughters Frederika and Dorotea arrive from their native Finland, hoping to forget the traumas of their past and put down new roots in this harsh but beautiful land. Above them looms Blackåsen, a mountain whose foreboding presence looms over the valley and whose dark history seems to haunt the lives of those who live in its shadow.While herding the family's goats on the mountain, Frederika happens upon the mutilated body of one of their neighbors, Eriksson. The death is dismissed as a wolf attack, but Maija feels certain that the wounds could only have been inflicted by another man. Compelled to investigate despite her neighbors' strange disinterest in the death and the fate of Eriksson's widow, Maija is drawn into the dark history of tragedies and betrayals that have taken place on Blackåsen. Young Frederika finds herself pulled towards the mountain as well, feeling something none of the adults around her seem to notice.As the seasons change, and the "wolf winter," the harshest winter in memory, descends upon the settlers, Paavo travels to find work, and Maija finds herself struggling for her family's survival in this land of winter-long darkness. As the snow gathers, the settlers' secrets are increasingly laid bare. Scarce resources and the never-ending darkness force them to come together, but Maija, not knowing who to trust and who may betray her, is determined to find the answers for herself. Soon, Maija discovers the true cost of survival under the mountain, and what it will take to make it to spring.

    Undset re-creates the historical backdrop in vivid detail, immersing readers in the day-to-day life, social conventions, and political undercurrents of the period. Her prose combines the sounds and style of Nordic ballads, European courtly poetry, and religious literature.But the story Undset tells is a modern one; it mirrors post-World War I political and religious anxieties, and introduces a heroine who has long captivated contemporary readers. Defying her parents and stubbornly pursuing her own happiness, Kristin emerges as a woman who not only loves with power and passion but intrepidly confronts her sexuality.

     When Sofia meets Franz Oswald, the handsome, charming leader of a mysterious New Age movement, she's dazzled and intrigued. Visiting his headquarters on Fog Island, Sofia's struck by the beautiful mansion overlooking the sea, the gardens, the sense of peace and the purposefulness of the people who live there. And she can't ignore the attraction she feels for Franz.So she agrees to stay, just for a while. But as summer gives way to winter, and the dense fog from which the island draws its name sets in, it becomes clear that Franz rules the island with an iron fist. No phones or computers are allowed. Contact with the mainland is severed. Electric fences surround the grounds. And Sofia begins to realize how very alone she is and that no one ever leaves Fog Island......