The result was an immediate war as Rufus’s elder brother Robert fought to gain the crown he saw as rightfully his; this conflict marked the start of 400 years of bloody disputes as the English monarchy’s line of hereditary succession was bent, twisted and finally broken when the last Plantagenet king, Richard III, fell at Bosworth in 1485.The Anglo-Norman and Plantagenet dynasties were renowned for their internecine strife, and in Lost Heirs we will unearth the hidden stories of fratricidal brothers, usurping cousins and murderous uncles; the many kings – and the occasional queen – who should have been but never were. History is written by the winners, but every game of thrones has its losers too, and their fascinating stories bring richness and depth to what is a colourful period of history. King John would not have gained the crown had he not murdered his young nephew, who was in line to become England’s first King Arthur; Henry V would never have been at Agincourt had his father not seized the throne by usurping and killing his cousin; and as the rival houses of York and Lancaster fought bloodily over the crown during the Wars of the Roses, life suddenly became very dangerous indeed for a young boy named Edmund.

    Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first century portrayals? (Answer: neither.) And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Susan Bordo probes the complexities of one of history's most infamous relationships.Bordo also shows how generations of polemicists, biographers, novelists, and filmmakers imagined and reimagined Anne: whore, martyr, cautionary tale, proto-"mean girl," feminist icon, and everything in between. In this lively book, Bordo steps off the well-trodden paths of Tudoriana to expertly tease out the human being behind the competing mythologies.

    From Egbert—crowned in 802—to Elizabeth II, the histories of each monarch’s reign, as well as the extraordinary lives of their spouses, consorts, mistresses, and bastard children, are all addressed.

    In this exploration of some of remarkable – but little-known – women living between between the last days of Rome and the Enlightenment, Max Adams overturns the idea that women of this period were either queens, nuns or invisible. In a sequence of chronological chapters, a centrepiece biographical sketch is complemented by thematically linked stories of other women of the time. A multi-faceted and beautifully illustrated study of women's intellect, influence and creativity, Extraordinary Women brings to life the experiences of women whose voices are barely heard and whose stories are rarely told.

    But was she a cunning vixen or a tragic wife and mother? As this extraordinary biography shows, the first queen to bear the name Elizabeth lived a life of tragedy, love, and loss that no other queen has since endured. This shocking revelation about the survival of one woman through vilification and adversity shows Elizabeth as a beautiful and adored wife, distraught mother of the two lost Princes in the Tower, an and innocent queen slandered by politicians.

    Life among the warring factions in Scotland was dangerous for the infant Queen, however, and at age five Mary was sent to France to be raised alongside her betrothed, the Dauphin Francois. Surrounded by all the sensual comforts of the French court, Mary's youth was peaceful, charmed, and when she became Queen of France at the age of sixteen, she seemed to have all she could wish for. But by her eighteenth birthday, Mary was a widow who had lost one throne and had been named by the Pope for another. And her extraordinary adventure had only begun. Defying her powerful cousin Elizabeth I, Mary set sail in 1561 to take her place as the Catholic Queen of a newly Protestant Scotland. A virtual stranger in her volatile native land, Mary would be hailed as a saint, denounced as a whore, and ultimately accused of murdering her second husband, Lord Darnley, in order to marry her lover, the Earl of Bothwell. She was but twenty-five years old when she fled Scotland for the imagined sanctuary of Elizabeth's England, where she would be embroiled in intrigue until she was beheaded "like a criminal" in 1587. In her stunning first novel, The Autobiography of Henry VIII, Margaret George established herself as one of the finest historical novelists of our time. Now she brings us a new, mesmerizing blend of history and storytelling as she turns the astonishing facts of the life of Mary Queen of Scots into magnificent fiction that sweeps us from the glittering French court where Mary spent her youth, to the bloodstained Scotland where she reigned as Queen, to the cold English castles where she ended her days. Never before have we been offered such arich and moving portrayal of the Scots Queen, whose beauty inspired poetry, whose spirit brought forth both devotion and hatred, and whose birthright generated glorious dreams, hideous treachery, and murdered men at her feet.

    The count’s eldest daughter, Matilda, had refused William’s offer of marriage and publicly denounced him as a bastard. Encountering the young woman, William furiously dragged her to the ground by her hair and beat her mercilessly. Matilda’s outraged father immediately took up arms on his daughter’s behalf. But just a few days later, Baldwin was aghast when Matilda, still recovering from the assault, announced that she would marry none but William, since “he must be a man of great courage and high daring” to have ventured to “come and beat me in my own father’s palace.”   Thus began the tempestuous marriage of Matilda of Flanders and William the Conqueror. While William’s exploits and triumphs have been widely chronicled, his consort remains largely overlooked. Now, in her groundbreaking Queen of the Conqueror, acclaimed author and historian Tracy Borman weaves together a comprehensive and illuminating tapestry of this noble woman who stood only four-foot-two and whose role as the first crowned Queen of England had a large and lasting influence on the English monarchy.   From a wealth of historical artifacts and documents, Matilda emerges as passionate, steadfast, and wise, yet also utterly ruthless and tenacious in pursuit of her goals, and the only person capable of taming her formidable husband—who, unprecedented for the period, remained staunchly faithful to her. This mother of nine, including four sons who went on to inherit William’s French and English dominions, confounded the traditional views of women in medieval society by seizing the reins of power whenever she had the chance, directing her husband’s policy, and at times flagrantly disobeying his orders.   Tracy Borman lays out Matilda’s remarkable story against one of the most fascinating and transformative periods in European history. Stirring, richly detailed, and wholly involving, Queen of the Conqueror reveals not just an extraordinary figure but an iconic woman who shaped generations, and an era that cast the essential framework for the world we know today.

    Earlier this year, the remains of a man with a curving spine, who possible was killed in battle, were discovered underneath the paving of a parking lot in Leicester, England. Phillipa Langley, head of The Richard III Society, spurred on by the work of the historian Michael Jones, led the team of who uncovered the remains, certain that she had found the bones of the monarch. When DNA verification later confirmed that the skeleton was, indeed, that of King Richard III, the discovery ranks among the great stories of passionate intuition and perseverance against the odds. The news of the discovery of Richard's remains has been widely reported by the British as well as worldwide and was front page news for both the New York Times and The Washington Post. Many believe that now, with King Richard III's skeleton in hand, historians will finally begin to understand what happened to him following the Battle of Bosworth Field (twenty miles or so from Leicester) and, ultimately, to know whether he was the hateful, unscrupulous monarch of Shakespeare's drama or a much more benevolent king interested in the common man. Written in alternating chapters, with Richard's 15th century life told by historian Michael Jones (author of the critically acclaimed Bosworth - 1485) contrasting with the 21st century eyewitness account of the search and discovery of the body by Philippa Langley, The King's Grave will be both an extraordinary portrait of the last Plantagenet monarch and the inspiring story of the archaeological dig that finally brings the real King Richard III into the light of day.

    In Imperial Requiem, Justin C. Vovk narrates the epic story of four women who were married to the reigning monarchs of Europe's last empires during the late nineteenth and early twentieth centuries. Using a diverse array of primary and secondary sources, letters, diary entries, and interviews with descendants, Vovk provides an in-depth look into the lives of four extraordinary women who stayed faithfully at their husbands' sides throughout the cataclysm of the First World War and the tumultuous years that followed. At the centers of these four great monarchies were Augusta Victoria, Germany's revered empress whose unwavering commitment to her bombastic husband made her a national icon; Mary, whose Cinderella story and immense personal strength made her the soul of the British monarchy through some of its greatest crises; Alexandra, the ill-fated tsarina who helped topple the Russian monarchy through her ineffective rule; and Zita, the resolute empress of Austria whose story of loss and exile captivated the world's attention for seven decades. Imperial Requiem shares the fascinating story of four princesses who married for love, graced imperial thrones, and watched as their beloved worlds were torn apart by war, revolution, heartache, and loss.

    Misremembered as the ‘Nine Days Queen’, she has been mythologized as a child-woman destroyed on the altar of political expediency. Behind the legend, however, was an opinionated and often rebellious adolescent who died a passionate leader, not merely a victim. Growing up in Jane’s shadow, her sisters Katherine and Mary would have to tread carefully to survive.The dramatic lives of the younger Grey sisters remain little known, but under English law they were the heirs – and rivals – to the Tudor monarchs Mary and Elizabeth I. The beautiful Katherine ignored Jane’s dying request that she remain faithful to her beliefs, changing her religion to retain Queen Mary’s favour only to then risk life and freedom in a secret marriage that threatened Queen Elizabeth’s throne.While Elizabeth’s closest adviser fought to save Katherine, her younger sister Mary remained at court as the queen’s Maid of Honour. Too plain to be considered significant, it seemed that Lady Mary Grey, at least, would escape the burden of her royal blood. But then she too fell in love, and incurred the queen’s fury.Exploding the many myths of Lady Jane’s life and casting fresh light onto Elizabeth’s reign, acclaimed historian Leanda de Lisle brings the tumultuous world of the Grey sisters to life, at a time when a royal marriage could gain you a kingdom or cost you everything.

    Married for political advantage at the age of seven to her six-year-old Hungarian cousin, Joanna saw her brilliant, cultivated world shattered twelve years later by the brutal assassination of her husband. Accused of the murder by her powerful in-laws, Joanna was forced to flee her kingdom and stand trial for her life before the papal court at Avignon on March 15, 1348. The account of how, despite her youth and sex, she triumphed over her enemies, raised an army, and took back her realm makes for one of the most compelling sagas of any age.Joanna went on to rule for a further thirty years, weathering war, plague, and treason to become one of the most powerful and influential leaders in Italy. Dedicated to the welfare of her subjects and realm, she reduced crime, built hospitals and churches, encouraged the licensing of women physicians, and expertly navigated the dangerous complexity of papal politics. Her elegant court became a window on the century, luring some of the most important writers and artists of the period, including Giovanni Boccaccio, author of the The Decameron, and Francesco Petrarch. Her reign rivaled that of Elizabeth I in power and scope - until the violence and treachery of the medieval world ultimately betrayed her.As she did in her acclaimed Four Queens, Nancy Goldstone takes us back to the turbulent Middle Ages, and with skill and passion brings fully to life one of history's most remarkable women. Her research is impeccable, her eye for detail unerring. From the pageantry and splendor of the royal court to the ferocity of the battlefield and the intricacy of medieval politics, The Lady Queen paints a captivating portrait of medieval royalty, and reclaims the life of a woman notorious throughout history for a crime she did not commit.

    Females in this time are imagined to be damsels in distress, trapped in a high tower, and waiting for knights to rescue them, all while wearing traffic-cones for a hat. After rescue, their lives improved little. Their career choices were to be a docile queen, housewife, or be burned at the stake for witchcraft. But what if this image of medieval women is a complete fiction? It turns out that it is. Powerful female rulers fill the Middle Ages. Anglo-Saxon queen Aethelflaed personally led armies into direct combat with Vikings in the 900s and saved England from foreign invasion. Byzantine Empress Theodora kept the empire from falling apart during the Nika Revolts and stopped her husband Justinian from fleeing Constantinople. Catherine of Siena almost single-handedly restored the papacy to Rome in the 1300s and navigated the brutal and male-dominated world of Italian politics. Joan of Arc completely reversed the fortunes of France in the Hundred Years War and commanded assaults on English fortresses despite being an illiterate 17-year-old peasant. This book will look at the lives of the ten most powerful women in the Middle Ages. Whether it is the famed scholar Anna Komnene, who wrote the first narrative history, or Ottoman Queen Mother Kösem Sultan, who ruled the Islamic empire through three of her sons – all these women held extraordinary levels of power at a time when women were thought to not have any. It will explore how they managed to ascend the throne, what made their accomplishments so notable, and the impact they had on their respective societies after their deaths. It will also describe the historical background of these women, their cultures, and what about it helped or hindered their rise. Their stories still echo down to today. They are a testimony to the resiliency of individuals to accomplish extraordinary things, even if society puts on them enormous constraints.

    Charles rose from being Henry's childhood friend to becoming the Duke of Suffolk; a consummate courtier and diplomat. Mary was always royalty. At first married to the King of France, Mary quickly wed Charles after Louis XII's death in 1515, against her brother's wishes. Their actions could have been construed as treason yet Henry chose to spare their lives. They returned to court and despite their ongoing disagreements throughout the years, especially over the king's marriage to Anne Boleyn, the Tudor Brandons remained Henry's most loyal subjects and perhaps more importantly, his beloved family.

    Philippa Gregory and two historians, leading experts in their field who helped Philippa to research the novels, tell the extraordinary 'true' stories of the life of these women who until now have been largely forgotten by history, their background and times, highlighting questions which are raised in the fiction and illuminating the novels. With a foreword by Philippa Gregory - in which Philippa writes revealingly about the differences between history and fiction and examines the gaps in the historical record - and beautifully illustrated with rare portraits, The Women of the Cousins' War is an exciting new addition to the Philippa Gregory oeuvre.

    Filled with vivid personalities, gossipy anecdotes, grand houses, and a wealth of period details--plus photographs, illustrations, quotes, and the finer points of Victorian and Edwardian etiquette--To Marry An English Lord is social history at its liveliest and most accessible.